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Martin Siefkes

Biographic Data

ID4258539
NAMEMartin Siefkes
GIVEN NAMESMartin
FAMILY NAMESiefkes
SIGNATURESIEFKES M
AFFILIATIONSMartin University
ORCID0000-0002-5616-4827
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Exploring Digital Exhibitions: Typologies, Design Strategies, and Visitor Engagement

    Open Access•Martin Siefkes, Julia A J Pfeiffer•ARTICLE•Museum Worlds•2025

    Digital technologies are reshaping how museums, archives, and galleries present their collections. Increasingly, exhibitions are supplemented with digital features or entirely realized in virtual formats. Digital exhibitions, as distinct online platforms, employ diverse design strategies to showcase objects. Research in this field has focused primarily on comparing the advantages and limitations of physical versus digital formats, alongside curat…

  • Einführung

    Open Access•Martin Siefkes, Ellen Fricke•ARTICLE•Zeitschrift für Semiotik•2023

  • Bezeichnenderweise Eco: Nachruf auf Umberto Eco (1932 – 2016)

    Open Access•Martin Siefkes, Veronika Opletalová et al.•ARTICLE•Zeitschrift für Semiotik•2018

    Mit Umberto Eco hat die Semiotik einen der originellsten Zeichentheoretiker und zugleich einen Zeichen-setzenden Intellektuellen verloren. Dies ist mehr als eine Metapher: Ecos Analysen zeitgenössischer Kulturphänomene gingen so weit, dass er durch sie die betreffenden Kulturen veränderte. Er nahm als einer der ersten die Popkultur des späten zwanzigsten Jahrhunderts vom Krimi bis zum Comic unter die (semiotische) Lupe und wurde damit schließlich…

  • Power in society, economy, and mentality: Towards a semiotic theory of power

    Open Access•Martin Siefkes•ARTICLE•Semiotica•2010•Cited by: 2•References: 1

    It is a well-known fact that power is closely connected with signs, but usually this connection is thought to be "after the fact": signs representing a power whose origin could be understood in non-semiotic terms. In this paper, a different view is introduced: power is an inherently semiotic phenomenon, which can be analyzed with concepts of cultural semiotics. To reach this aim, the three areas of culture defined in Roland Posner's theory of cul…

  • Power in society, economy, and mentality: Towards a semiotic theory of power

    Open Access•Martin Siefkes•ARTICLE•Semiotica•2010•Cited by: 2•References: 1

    It is a well-known fact that power is closely connected with signs, but usually this connection is thought to be "after the fact": signs representing a power whose origin could be understood in non-semiotic terms. In this paper, a different view is introduced: power is an inherently semiotic phenomenon, which can be analyzed with concepts of cultural semiotics. To reach this aim, the three areas of culture defined in Roland Posner's theory of cul…

  • Power in society, economy, and mentality: Towards a semiotic theory of power

    Open Access•Martin Siefkes•ARTICLE•Semiotica•2010•Cited by: 2•References: 1

    It is a well-known fact that power is closely connected with signs, but usually this connection is thought to be "after the fact": signs representing a power whose origin could be understood in non-semiotic terms. In this paper, a different view is introduced: power is an inherently semiotic phenomenon, which can be analyzed with concepts of cultural semiotics. To reach this aim, the three areas of culture defined in Roland Posner's theory of cul…

  • Bezeichnenderweise Eco: Nachruf auf Umberto Eco (1932 – 2016)

    Open Access•Martin Siefkes, Veronika Opletalová et al.•ARTICLE•Zeitschrift für Semiotik•2018

    Mit Umberto Eco hat die Semiotik einen der originellsten Zeichentheoretiker und zugleich einen Zeichen-setzenden Intellektuellen verloren. Dies ist mehr als eine Metapher: Ecos Analysen zeitgenössischer Kulturphänomene gingen so weit, dass er durch sie die betreffenden Kulturen veränderte. Er nahm als einer der ersten die Popkultur des späten zwanzigsten Jahrhunderts vom Krimi bis zum Comic unter die (semiotische) Lupe und wurde damit schließlich…

  • Einführung

    Open Access•Martin Siefkes, Ellen Fricke•ARTICLE•Zeitschrift für Semiotik•2023

  • Exploring Digital Exhibitions: Typologies, Design Strategies, and Visitor Engagement

    Open Access•Martin Siefkes, Julia A J Pfeiffer•ARTICLE•Museum Worlds•2025

    Digital technologies are reshaping how museums, archives, and galleries present their collections. Increasingly, exhibitions are supplemented with digital features or entirely realized in virtual formats. Digital exhibitions, as distinct online platforms, employ diverse design strategies to showcase objects. Research in this field has focused primarily on comparing the advantages and limitations of physical versus digital formats, alongside curat…

Philosophy (2 works) · Art (1 works) · Cross-Cultural and Social Analysis (1 works) · Digital Humanities and Scholarship (1 works) · Digital media (1 works) · Epistemology (1 works) · Exhibition (1 works) · Field (mathematics (1 works) · Globalization and Cultural Identity (1 works) · Historical Geopolitical and Social Dynamics (1 works)

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