Esther Hammelburg
Biographic Data
| ID | 4266496 |
|---|---|
| NAME | Esther Hammelburg |
| GIVEN NAMES | Esther |
| FAMILY NAME | Hammelburg |
| SIGNATURE | HAMMELBURG E |
| AFFILIATIONS | Amsterdam University of Applied Sciences |
| ORCID | 0000-0002-0162-0004 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Moments to remember
The pervasive use of media at current-day festivals thoroughly impacts how these live events are experienced, anticipated, and remembered. This empirical study examined eventgoers’ live media practices – taking photos, making videos, and in-the-moment sharing of content on social media platforms – at three large cultural events in the Netherlands. Taking a practice approach (Ahva 2017; Couldry 2004), the author studied online and offline event en…
Instagram’s Shift Towards Live
Instagram has long been about sharing perfect pictures. For their Instagram posts many users beautify scenes from everyday life, elevate photogenic aspects, and articulate special moments in a style that fits the standards of Instagram culture (Leaver et al., 2020; Manovich, 2017). The term “instagrammable” found its way into many dictionaries and is widely used as a promotional label, for instance in tourism, food, and the museum sector. However…
Being There Live
While live event experiences have become increasingly mediatized, the prevalence of ephemeral content and diverse forms of (semi)private communication in social media platforms have complicated the study of these mediatized experiences as an outsider. This article proposes an ethnographic approach to studying mediatized event experiences from the inside, carrying out participatory fieldwork in online and offline festival environments. I argue tha…
Being There Live
While live event experiences have become increasingly mediatized, the prevalence of ephemeral content and diverse forms of (semi)private communication in social media platforms have complicated the study of these mediatized experiences as an outsider. This article proposes an ethnographic approach to studying mediatized event experiences from the inside, carrying out participatory fieldwork in online and offline festival environments. I argue tha…
Being There Live
While live event experiences have become increasingly mediatized, the prevalence of ephemeral content and diverse forms of (semi)private communication in social media platforms have complicated the study of these mediatized experiences as an outsider. This article proposes an ethnographic approach to studying mediatized event experiences from the inside, carrying out participatory fieldwork in online and offline festival environments. I argue tha…
Instagram’s Shift Towards Live
Instagram has long been about sharing perfect pictures. For their Instagram posts many users beautify scenes from everyday life, elevate photogenic aspects, and articulate special moments in a style that fits the standards of Instagram culture (Leaver et al., 2020; Manovich, 2017). The term “instagrammable” found its way into many dictionaries and is widely used as a promotional label, for instance in tourism, food, and the museum sector. However…
Moments to remember
The pervasive use of media at current-day festivals thoroughly impacts how these live events are experienced, anticipated, and remembered. This empirical study examined eventgoers’ live media practices – taking photos, making videos, and in-the-moment sharing of content on social media platforms – at three large cultural events in the Netherlands. Taking a practice approach (Ahva 2017; Couldry 2004), the author studied online and offline event en…
Computer Science (2 works) · History (2 works) · Media studies (2 works) · Social media (2 works) · Sociology (2 works) · World Wide Web (2 works) · Anthropology (1 work) · Art (1 work) · Asian Culture and Media Studies (1 work) · Citizen journalism (1 work)