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Katie Warfield

Biographic Data

ID4266673
NAMEKatie Warfield
GIVEN NAMESKatie
FAMILY NAMEWarfield
SIGNATUREWARFIELD K
AFFILIATIONSKwantlen Polytechnic University
ORCID0000-0002-9680-290X
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS44
AUTHOR COUNT5
EDITOR COUNT2
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2020
H-INDEX4
  • Mediated Interfaces: The Body on Social Media

    Katie Warfield, Crystal Abidin et al.•BOOK•Mediated Interfaces•2020

    Images of faces, bodies, selves and digital subjectivities abound on new media platforms like Snapchat, Instagram, YouTube, and others–these images represent our new way of being online and of becoming socially mediated. Although researchers are examining digital embodiment, digital representations, and visual vernaculars as a mode of identity performance and management online, there exists no cohesive collection that compiles all these contempor…

  • Feminist Posthumanisms, New Materialisms and Education

    Jessica Ringrose, Katie Warfield et al.•BOOK•Feminist Posthumanisms, New…•2020

  • Pics, Dicks, Tits, and Tats: Negotiating ethics working with images of bodies in social media research

    Open Access•Katie Warfield, Jamie Hoholuk et al.•ARTICLE•New Media & Society•2019•Cited by: 10•References: 5

    With the rise of camera-enabled cellphones and social media platforms that focus on vernacular images (e.g. Instagram TM and Snapchat TM ), researchers and intuitional ethics boards increasingly seek guidelines for research using digital images of bodies shared on social media. This article presents the findings of in-depth interviews with 16 researchers who have received institutional ethics approval to study images of bodies shared on social me…

  • “I Set the Camera on the Handle of My Dresser”: Re-Matter-Ializing Social Media Visual Methods through a Case Study of Selfies

    Open Access•Katie Warfield•ARTICLE•Media and Communication•2017

    This article is a confession about research trouble and the start of a narrative of research rectification. I begin this article with a review of new materialist theory and methods broadly and specifically those that contribute insight into interviews and photo elicitation such as intra -views and posthuman visual methods. I then detail the research methodology I used for an empirical study conducted last year to look at what young women experien…

  • MirrorCameraRoom: The gendered multi-(in)stabilities of the selfie

    Katie Warfield•ARTICLE•Feminist Media Studies•2017•Cited by: 8•References: 11

    This paper proposes benefits of the entanglement of feminist new materialist theory with post-phenomenology. The paper focuses on an empirical study of interviews using photo-elicitation with four young women to document their lived experiences producing self-images to share via social media. Drawing on post-phenomenology, the cellphone is discussed as a multi-stable technology wherein the selfie is experienced at once as a mirror, a camera, and …

  • Making the Cut: An Agential Realist Examination of Selfies and Touch

    Open Access•Katie Warfield•ARTICLE•Social Media + Society•2016•Cited by: 22•References: 38

    This article leverages the work of Karen Barad to analyze digital self-imaging research. Drawing on findings from four interviews with avid selfie authors, this article argues that agential realism can provide a rich ontological framework for examining selfies that goes beyond the representational paradigm in some studies of socially mediated digital images. Rather than beginning the study with the presumption that bodies, photos, cameras, and ex…

  • Introduction to the Social Media + Society Special Issue on Selfies: Me-diated Inter-faces

    Open Access•Katie Warfield, Carolina Cambre et al.•ARTICLE•Social Media + Society•2016•Cited by: 4•References: 8

    This introduction to the special issue entitled Me-diated Inter-faces begins by bringing into question the concept of positioning: what is it that we are doing when we take a position within the study of social media? Reviewing the work of the inaugural manifestos of the journal Social Media + Society on one hand, and the introduction to the special issue on selfies for the International Journal of Communications on the other, this introduction p…

  • Making the Cut: An Agential Realist Examination of Selfies and Touch

    Open Access•Katie Warfield•ARTICLE•Social Media + Society•2016•Cited by: 22•References: 38

    This article leverages the work of Karen Barad to analyze digital self-imaging research. Drawing on findings from four interviews with avid selfie authors, this article argues that agential realism can provide a rich ontological framework for examining selfies that goes beyond the representational paradigm in some studies of socially mediated digital images. Rather than beginning the study with the presumption that bodies, photos, cameras, and ex…

  • Pics, Dicks, Tits, and Tats: Negotiating ethics working with images of bodies in social media research

    Open Access•Katie Warfield, Jamie Hoholuk et al.•ARTICLE•New Media & Society•2019•Cited by: 10•References: 5

    With the rise of camera-enabled cellphones and social media platforms that focus on vernacular images (e.g. Instagram TM and Snapchat TM ), researchers and intuitional ethics boards increasingly seek guidelines for research using digital images of bodies shared on social media. This article presents the findings of in-depth interviews with 16 researchers who have received institutional ethics approval to study images of bodies shared on social me…

  • MirrorCameraRoom: The gendered multi-(in)stabilities of the selfie

    Katie Warfield•ARTICLE•Feminist Media Studies•2017•Cited by: 8•References: 11

    This paper proposes benefits of the entanglement of feminist new materialist theory with post-phenomenology. The paper focuses on an empirical study of interviews using photo-elicitation with four young women to document their lived experiences producing self-images to share via social media. Drawing on post-phenomenology, the cellphone is discussed as a multi-stable technology wherein the selfie is experienced at once as a mirror, a camera, and …

  • Introduction to the Social Media + Society Special Issue on Selfies: Me-diated Inter-faces

    Open Access•Katie Warfield, Carolina Cambre et al.•ARTICLE•Social Media + Society•2016•Cited by: 4•References: 8

    This introduction to the special issue entitled Me-diated Inter-faces begins by bringing into question the concept of positioning: what is it that we are doing when we take a position within the study of social media? Reviewing the work of the inaugural manifestos of the journal Social Media + Society on one hand, and the introduction to the special issue on selfies for the International Journal of Communications on the other, this introduction p…

  • Making the Cut: An Agential Realist Examination of Selfies and Touch

    Open Access•Katie Warfield•ARTICLE•Social Media + Society•2016•Cited by: 22•References: 38

    This article leverages the work of Karen Barad to analyze digital self-imaging research. Drawing on findings from four interviews with avid selfie authors, this article argues that agential realism can provide a rich ontological framework for examining selfies that goes beyond the representational paradigm in some studies of socially mediated digital images. Rather than beginning the study with the presumption that bodies, photos, cameras, and ex…

  • Introduction to the Social Media + Society Special Issue on Selfies: Me-diated Inter-faces

    Open Access•Katie Warfield, Carolina Cambre et al.•ARTICLE•Social Media + Society•2016•Cited by: 4•References: 8

    This introduction to the special issue entitled Me-diated Inter-faces begins by bringing into question the concept of positioning: what is it that we are doing when we take a position within the study of social media? Reviewing the work of the inaugural manifestos of the journal Social Media + Society on one hand, and the introduction to the special issue on selfies for the International Journal of Communications on the other, this introduction p…

  • “I Set the Camera on the Handle of My Dresser”: Re-Matter-Ializing Social Media Visual Methods through a Case Study of Selfies

    Open Access•Katie Warfield•ARTICLE•Media and Communication•2017

    This article is a confession about research trouble and the start of a narrative of research rectification. I begin this article with a review of new materialist theory and methods broadly and specifically those that contribute insight into interviews and photo elicitation such as intra -views and posthuman visual methods. I then detail the research methodology I used for an empirical study conducted last year to look at what young women experien…

  • MirrorCameraRoom: The gendered multi-(in)stabilities of the selfie

    Katie Warfield•ARTICLE•Feminist Media Studies•2017•Cited by: 8•References: 11

    This paper proposes benefits of the entanglement of feminist new materialist theory with post-phenomenology. The paper focuses on an empirical study of interviews using photo-elicitation with four young women to document their lived experiences producing self-images to share via social media. Drawing on post-phenomenology, the cellphone is discussed as a multi-stable technology wherein the selfie is experienced at once as a mirror, a camera, and …

  • Pics, Dicks, Tits, and Tats: Negotiating ethics working with images of bodies in social media research

    Open Access•Katie Warfield, Jamie Hoholuk et al.•ARTICLE•New Media & Society•2019•Cited by: 10•References: 5

    With the rise of camera-enabled cellphones and social media platforms that focus on vernacular images (e.g. Instagram TM and Snapchat TM ), researchers and intuitional ethics boards increasingly seek guidelines for research using digital images of bodies shared on social media. This article presents the findings of in-depth interviews with 16 researchers who have received institutional ethics approval to study images of bodies shared on social me…

  • Mediated Interfaces: The Body on Social Media

    Katie Warfield, Crystal Abidin et al.•BOOK•Mediated Interfaces•2020

    Images of faces, bodies, selves and digital subjectivities abound on new media platforms like Snapchat, Instagram, YouTube, and others–these images represent our new way of being online and of becoming socially mediated. Although researchers are examining digital embodiment, digital representations, and visual vernaculars as a mode of identity performance and management online, there exists no cohesive collection that compiles all these contempor…

  • Feminist Posthumanisms, New Materialisms and Education

    Jessica Ringrose, Katie Warfield et al.•BOOK•Feminist Posthumanisms, New…•2020

Sociology (6 works) · Aesthetics (4 works) · Art (4 works) · Computer Science (4 works) · Visual arts (4 works) · Epistemology (3 works) · Media studies (3 works) · Posthumanist Ethics and Activism (3 works) · Social media (3 works) · Digital Games and Media (2 works)

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