Dudley Duncan
Biographic Data
| ID | 4272583 |
|---|---|
| NAME | Dudley Duncan |
| GIVEN NAMES | Dudley |
| FAMILY NAME | Duncan |
| SIGNATURE | DUNCAN D |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 1 |
Genesis of Music
The Social Construction of the Senario and the Septimal Heresy
Berger and Luckmann's (1966) penetrating grasp of the social construction of reality has, ironically, rarely been employed to address constructions in disciplines such as music or physics, where the boundaries are maintained by means of mastering an arcane body of problems, solutions, and applied knowledge. Likewise, neither Gushee's (1973) analysis of social genre by the observed function of historical musical treatises, nor Power's (1981) deplo…
Max Weber's Unlucky Number
Christoph Braun's masterly exposition of the Musiksoziologie (MS) has rendered obsolete the excellent excuse we have had for misunderstanding Weber's difficult monograph. Some five years ago I began the first of several readings of the publication entitled The Rational and Social Foundations of Music, all of which ended in frustration. Each time I opened the book I was led into a fantasy of writing an expose which would demonstrate conclusively t…
Max Weber's Unlucky Number
Christoph Braun's masterly exposition of the Musiksoziologie (MS) has rendered obsolete the excellent excuse we have had for misunderstanding Weber's difficult monograph. Some five years ago I began the first of several readings of the publication entitled The Rational and Social Foundations of Music, all of which ended in frustration. Each time I opened the book I was led into a fantasy of writing an expose which would demonstrate conclusively t…
The Social Construction of the Senario and the Septimal Heresy
Berger and Luckmann's (1966) penetrating grasp of the social construction of reality has, ironically, rarely been employed to address constructions in disciplines such as music or physics, where the boundaries are maintained by means of mastering an arcane body of problems, solutions, and applied knowledge. Likewise, neither Gushee's (1973) analysis of social genre by the observed function of historical musical treatises, nor Power's (1981) deplo…
Max Weber's Unlucky Number
Christoph Braun's masterly exposition of the Musiksoziologie (MS) has rendered obsolete the excellent excuse we have had for misunderstanding Weber's difficult monograph. Some five years ago I began the first of several readings of the publication entitled The Rational and Social Foundations of Music, all of which ended in frustration. Each time I opened the book I was led into a fantasy of writing an expose which would demonstrate conclusively t…
The Social Construction of the Senario and the Septimal Heresy
Berger and Luckmann's (1966) penetrating grasp of the social construction of reality has, ironically, rarely been employed to address constructions in disciplines such as music or physics, where the boundaries are maintained by means of mastering an arcane body of problems, solutions, and applied knowledge. Likewise, neither Gushee's (1973) analysis of social genre by the observed function of historical musical treatises, nor Power's (1981) deplo…
Genesis of Music
Epistemology (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Sociology (2 works) · Earth Systems and Cosmic Evolution (1 work) · Heresy (1 work) · Historical and Literary Studies (1 work) · Law (1 work) · Law (1 work) · Music Technology and Sound Studies (1 work)