Jessica A Holmes
Biographic Data
| ID | 4274989 |
|---|---|
| NAME | Jessica A Holmes |
| GIVEN NAMES | Jessica A |
| FAMILY NAME | Holmes |
| SIGNATURE | HOLMES J A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Billie Eilish and the Feminist Aesthetics of Depression
This article analyzes the representation of depression in Billie Eilish’s music and reception as reflective of its complex status in the West as a clinical diagnosis and lived experience, and considers the prominence of depression in contemporary pop as an aesthetic category dividing along generational, gendered, and racial lines. By claiming and musicalizing depression amid a polarizing reception, Eilish builds on a musical legacy of feminine ps…
“The Dress-Clad, Out Loud Singer of Queer Punks”
Bradford Cox's physical appearance has mystified audiences, critics, and fans since the inception of his American indie rock band Deerhunter in the early 2000s. As the band's frontman, Cox is 6’4” with an exceptionally thin, angular frame, physical effects associated with Marfan syndrome. Yet many critics and fans do not recognize that he has a disability per se, instead speculating about possible anorexia, drug abuse, mental illness, and even hi…
Towards an ethics of care in musicology
In Just Vibrations: The Purpose of Sounding Good, 2016 winner of the American Musicological Society’s LGBTQ study group’s coveted Philip Brett Award, William Cheng leverages his minority standpoint
No prominent works on this page.
Towards an ethics of care in musicology
In Just Vibrations: The Purpose of Sounding Good, 2016 winner of the American Musicological Society’s LGBTQ study group’s coveted Philip Brett Award, William Cheng leverages his minority standpoint
“The Dress-Clad, Out Loud Singer of Queer Punks”
Bradford Cox's physical appearance has mystified audiences, critics, and fans since the inception of his American indie rock band Deerhunter in the early 2000s. As the band's frontman, Cox is 6’4” with an exceptionally thin, angular frame, physical effects associated with Marfan syndrome. Yet many critics and fans do not recognize that he has a disability per se, instead speculating about possible anorexia, drug abuse, mental illness, and even hi…
Billie Eilish and the Feminist Aesthetics of Depression
This article analyzes the representation of depression in Billie Eilish’s music and reception as reflective of its complex status in the West as a clinical diagnosis and lived experience, and considers the prominence of depression in contemporary pop as an aesthetic category dividing along generational, gendered, and racial lines. By claiming and musicalizing depression amid a polarizing reception, Eilish builds on a musical legacy of feminine ps…
Art (3 works) · Aesthetics (2 works) · Music History and Culture (2 works) · Musicology and Musical Analysis (2 works) · Sociology (2 works) · Acoustics (1 work) · Alienation (1 work) · Art history (1 work) · Cartography (1 work) · Computer Science (1 work)