Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Jessica Maier

Biographic Data

ID4277182
NAMEJessica Maier
GIVEN NAMESJessica
FAMILY NAMEMaier
SIGNATUREMAIER J
AFFILIATIONSMount Holyoke College
ORCID0000-0001-8001-8371
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS9
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Tempesta’s Rome Recut

    Open Access•Jessica Maier•ARTICLE•California Italian Studies•2024

    In 1662, Roman editore Giovanni Giacomo de’ Rossi published an updated version of Antonio Tempesta’s famous 1593 bird’s-eye view of Rome. In many ways, this move was standard practice: important images of the city were commonly copied or reprinted, and Tempesta’s original had been reissued multiple times. De’ Rossi’s version of 1662 was more than an incrementally revised restrike, however. In the title, he claimed it to show Tempesta’s prototype …

  • Cartography and Breaking News

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2022•References: 8

    This article explores Renaissance news maps and their cultural impact, focusing on works produced during the Great Siege of Malta in 1565, a media event of unprecedented scope that became a laboratory for the genre's development. News maps were a key early form of reporting-a visual formthat, much like their textual counterparts, aimed to shape public views about conflict. Ultimately, these relatively modest items even influenced commemorative ba…

  • Engineering the Eternal City

    Jessica Maier•ARTICLE•Imago Mundi•2019

    Engineering the Eternal City: Infrastructure, Topography and the Culture of Knowledge in Late 16th Century Rome. By Pamela O. Long." Imago Mundi, 72(1), pp. 76–77

  • Architectural Invention in Renaissance Rome

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2019

    Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120. - Volume 72 Issue 4

  • Piranesi’s Fragmentary Eloquence

    Jessica Maier•ARTICLE•Eighteenth-Century Life•2018

    Book Review| January 01 2018 Piranesi’s Fragmentary Eloquence Minor, Heather Hyde. Piranesi’s Lost Words (University Park: Pennsylvania State Univ., 2015). Pp. xiv + 248. 130 ills. $79.95 Jessica Maier Jessica Maier Mount Holyoke College Search for other works by this author on: This Site Google Eighteenth-Century Life (2018) 42 (1): 117–120. https://doi.org/10.1215/00982601-4261315 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo…

  • Worldly Consumers

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A “True Likeness”

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2012•Cited by: 6•References: 5

    Portraits of cities and of human beings shared a nomenclature and developed along parallel courses in the Renaissance. This article traces their common history, examining evolving notions of likeness and approaches to the visual fashioning of identity across both categories of imagery, then considers one urban subject, Rome, that embodied all the challenges of the genre. In representations of the Eternal City such as those by Leonardo Bufalini an…

  • Mapping Past and Present

    Jessica Maier•ARTICLE•Imago Mundi•2007•Cited by: 3

    Leonardo Bufalini's plan of Rome (1551) was the first printed map of the Eternal City and a landmark in the history of city plans. This article fills several lacunae in the scholarship on the map by reconsidering its intended function and audience and by situating it at the intersection of technical and antiquarian endeavour in sixteenth‐century Rome. At issue are Bufalini's methods for making the map, along with the distinctive combination of pr…

  • A “True Likeness”

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2012•Cited by: 6•References: 5

    Portraits of cities and of human beings shared a nomenclature and developed along parallel courses in the Renaissance. This article traces their common history, examining evolving notions of likeness and approaches to the visual fashioning of identity across both categories of imagery, then considers one urban subject, Rome, that embodied all the challenges of the genre. In representations of the Eternal City such as those by Leonardo Bufalini an…

  • Mapping Past and Present

    Jessica Maier•ARTICLE•Imago Mundi•2007•Cited by: 3

    Leonardo Bufalini's plan of Rome (1551) was the first printed map of the Eternal City and a landmark in the history of city plans. This article fills several lacunae in the scholarship on the map by reconsidering its intended function and audience and by situating it at the intersection of technical and antiquarian endeavour in sixteenth‐century Rome. At issue are Bufalini's methods for making the map, along with the distinctive combination of pr…

  • Mapping Past and Present

    Jessica Maier•ARTICLE•Imago Mundi•2007•Cited by: 3

    Leonardo Bufalini's plan of Rome (1551) was the first printed map of the Eternal City and a landmark in the history of city plans. This article fills several lacunae in the scholarship on the map by reconsidering its intended function and audience and by situating it at the intersection of technical and antiquarian endeavour in sixteenth‐century Rome. At issue are Bufalini's methods for making the map, along with the distinctive combination of pr…

  • A “True Likeness”

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2012•Cited by: 6•References: 5

    Portraits of cities and of human beings shared a nomenclature and developed along parallel courses in the Renaissance. This article traces their common history, examining evolving notions of likeness and approaches to the visual fashioning of identity across both categories of imagery, then considers one urban subject, Rome, that embodied all the challenges of the genre. In representations of the Eternal City such as those by Leonardo Bufalini an…

  • Worldly Consumers

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Piranesi’s Fragmentary Eloquence

    Jessica Maier•ARTICLE•Eighteenth-Century Life•2018

    Book Review| January 01 2018 Piranesi’s Fragmentary Eloquence Minor, Heather Hyde. Piranesi’s Lost Words (University Park: Pennsylvania State Univ., 2015). Pp. xiv + 248. 130 ills. $79.95 Jessica Maier Jessica Maier Mount Holyoke College Search for other works by this author on: This Site Google Eighteenth-Century Life (2018) 42 (1): 117–120. https://doi.org/10.1215/00982601-4261315 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo…

  • Engineering the Eternal City

    Jessica Maier•ARTICLE•Imago Mundi•2019

    Engineering the Eternal City: Infrastructure, Topography and the Culture of Knowledge in Late 16th Century Rome. By Pamela O. Long." Imago Mundi, 72(1), pp. 76–77

  • Architectural Invention in Renaissance Rome

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2019

    Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120. - Volume 72 Issue 4

  • Cartography and Breaking News

    Open Access•Jessica Maier•ARTICLE•Renaissance Quarterly•2022•References: 8

    This article explores Renaissance news maps and their cultural impact, focusing on works produced during the Great Siege of Malta in 1565, a media event of unprecedented scope that became a laboratory for the genre's development. News maps were a key early form of reporting-a visual formthat, much like their textual counterparts, aimed to shape public views about conflict. Ultimately, these relatively modest items even influenced commemorative ba…

  • Tempesta’s Rome Recut

    Open Access•Jessica Maier•ARTICLE•California Italian Studies•2024

    In 1662, Roman editore Giovanni Giacomo de’ Rossi published an updated version of Antonio Tempesta’s famous 1593 bird’s-eye view of Rome. In many ways, this move was standard practice: important images of the city were commonly copied or reprinted, and Tempesta’s original had been reissued multiple times. De’ Rossi’s version of 1662 was more than an incrementally revised restrike, however. In the title, he claimed it to show Tempesta’s prototype …

Art (7 works) · Art history (7 works) · Computer Science (5 works) · The Renaissance (5 works) · History (4 works) · History (4 works) · Visual arts (3 works) · Ancient history (2 works) · Archaeology (2 works) · Cartography (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae