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Charles Hope

Biographic Data

ID4277253
NAMECharles Hope
GIVEN NAMESCharles
FAMILY NAMEHope
SIGNATUREHOPE C
AFFILIATIONSWartburg College
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Guidebooks, Museum Catalogues and the Growth of Public Interest in Painting in Italy, Germany and France

    Charles Hope•ARTICLE•Journal of the Warburg and…•2020

    The article is an overview of the growth of an interest in painting, from the mid-sixteenth to the mid-nineteenth century, among a public not much involved in either the production or purchase of works of art. For the earlier period the main evidence is provided by guidebooks and other publications of a more general type, especially in Italy, which often incorporated the names of leading artists, but seldom provided information about their career…

  • Musées et recherche en histoire de l’art en Grande-Bretagne

    Open Access•Philippe Sénéchal, Charles Hope et al.•ARTICLE•Perspective•2007

    Vu de ce côté-ci de la Manche, l’histoire de l’art en Grande-Bretagne donne l’impression d’être anglo-saxonne au sens où les passerelles entre musées et universités semblent beaucoup plus nombreuses, actives et fréquentées. Les musées, mais aussi les collections sont souvent historiquement liés à des lieux d’enseignement (la Christ Church Picture Gallery d’Oxford par exemple), plusieurs conservateurs ont été de grands professeurs (pensons simplem…

  • Este, Alfonso I d’, 3rd Duke of Ferrara, Modena and Reggio

    Charles Hope•CHAPTER•2003

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1997

    SHORTER NOTICES CHARLES HOPE CHARLES HOPE Warburg Institute Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXII, Issue 449, November 1997, Pages 1255–1256, https://doi.org/10.1093/ehr/CXII.449.1255 Published: 01 November 1997

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1992

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE Warburg InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVII, Issue CCCCXXIV, July 1992, Pages 717-b–718, https://doi.org/10.1093/ehr/CVII.CCCCXXIV.717-b Published: 01 July 1992

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1989

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE Warburg, InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIV, Issue CCCCXI, April 1989, Pages 471–472, https://doi.org/10.1093/ehr/CIV.CCCCXI.471 Published: 01 April 1989

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1987

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE The Warburg InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CII, Issue CCCCII, January 1987, Pages 221-a–221, https://doi.org/10.1093/ehr/CII.CCCCII.221-a Published: 01 January 1987

  • What Michelangelo Had in Mind

    Open Access•Charles Hope•ARTICLE•Art History•1982

    Michelangelo and the Language of Art by David Summers , Princeton: Princeton University Press, 1981, 643 pp., 68 ills, £26.50 cloth, £11.95 paper

No prominent works on this page.

  • What Michelangelo Had in Mind

    Open Access•Charles Hope•ARTICLE•Art History•1982

    Michelangelo and the Language of Art by David Summers , Princeton: Princeton University Press, 1981, 643 pp., 68 ills, £26.50 cloth, £11.95 paper

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1987

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE The Warburg InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CII, Issue CCCCII, January 1987, Pages 221-a–221, https://doi.org/10.1093/ehr/CII.CCCCII.221-a Published: 01 January 1987

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1989

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE Warburg, InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIV, Issue CCCCXI, April 1989, Pages 471–472, https://doi.org/10.1093/ehr/CIV.CCCCXI.471 Published: 01 April 1989

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1992

    Journal Article Shorter Notices Get access CHARLES HOPE CHARLES HOPE Warburg InstituteLondon Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVII, Issue CCCCXXIV, July 1992, Pages 717-b–718, https://doi.org/10.1093/ehr/CVII.CCCCXXIV.717-b Published: 01 July 1992

  • Shorter Notices

    Charles Hope•ARTICLE•The English Historical Review•1997

    SHORTER NOTICES CHARLES HOPE CHARLES HOPE Warburg Institute Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXII, Issue 449, November 1997, Pages 1255–1256, https://doi.org/10.1093/ehr/CXII.449.1255 Published: 01 November 1997

  • Este, Alfonso I d’, 3rd Duke of Ferrara, Modena and Reggio

    Charles Hope•CHAPTER•2003

  • Musées et recherche en histoire de l’art en Grande-Bretagne

    Open Access•Philippe Sénéchal, Charles Hope et al.•ARTICLE•Perspective•2007

    Vu de ce côté-ci de la Manche, l’histoire de l’art en Grande-Bretagne donne l’impression d’être anglo-saxonne au sens où les passerelles entre musées et universités semblent beaucoup plus nombreuses, actives et fréquentées. Les musées, mais aussi les collections sont souvent historiquement liés à des lieux d’enseignement (la Christ Church Picture Gallery d’Oxford par exemple), plusieurs conservateurs ont été de grands professeurs (pensons simplem…

  • Guidebooks, Museum Catalogues and the Growth of Public Interest in Painting in Italy, Germany and France

    Charles Hope•ARTICLE•Journal of the Warburg and…•2020

    The article is an overview of the growth of an interest in painting, from the mid-sixteenth to the mid-nineteenth century, among a public not much involved in either the production or purchase of works of art. For the earlier period the main evidence is provided by guidebooks and other publications of a more general type, especially in Italy, which often incorporated the names of leading artists, but seldom provided information about their career…

History (6 works) · Art (4 works) · Art history (4 works) · Computer Science (4 works) · Financial Crisis of the 21st Century (4 works) · Library science (4 works) · Classics (3 works) · Human auditory perception and evaluation (3 works) · Historical Art and Culture Studies (2 works) · Humanities (2 works)

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