Krystyna Lipińska Iłłakowicz
Biographic Data
| ID | 4282029 |
|---|---|
| NAME | Krystyna Lipińska Iłłakowicz |
| GIVEN NAMES | Krystyna Lipińska |
| FAMILY NAME | Iłłakowicz |
| SIGNATURE | IŁŁAKOWICZ K L |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
A History of Polish Theatre
Every time I teach a Polish theatre course, I ask myself a question “Why Polish theatre?” What can be inspiring in it for the audiences from other cultures? I think that the recently published A History of Polish Theatre, consisting of essays written by a considerable number of authors from Poland and the anglophone world, gives a very good answer to this question and elucidates many other significant questions relating to Polish theatre traditio…
Theatermachine
In 2020, American theatre-related circles received an outstanding book covering multiple aspects of the work of Tadeusz Kantor (1915–1990), an avant-garde Polish theatre artist who inspired theatre theory and practice not only in his own country, but in many other places in the world including the United States and Japan.Theatermachine: Tadeusz Kantor in Context starts with the introduction by Magda Romańska (one of the editors) mapping the whole…
Apples and Oranges
In this article the author considers the diaries of Witold Gombrowicz and Andrzej Bobkowski as manifestations of strikingly different performative positions: Bobkowski's of a spontaneous storyteller, unconcerned about a potential audience yet in full command of his narrative—Gombrowicz's of a self-created performing persona, ever aware of the addressee of his refined act. One is an inspired and precise observer, an extrovert, the other, an introv…
Bacacay
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Bacacay
Apples and Oranges
In this article the author considers the diaries of Witold Gombrowicz and Andrzej Bobkowski as manifestations of strikingly different performative positions: Bobkowski's of a spontaneous storyteller, unconcerned about a potential audience yet in full command of his narrative—Gombrowicz's of a self-created performing persona, ever aware of the addressee of his refined act. One is an inspired and precise observer, an extrovert, the other, an introv…
Theatermachine
In 2020, American theatre-related circles received an outstanding book covering multiple aspects of the work of Tadeusz Kantor (1915–1990), an avant-garde Polish theatre artist who inspired theatre theory and practice not only in his own country, but in many other places in the world including the United States and Japan.Theatermachine: Tadeusz Kantor in Context starts with the introduction by Magda Romańska (one of the editors) mapping the whole…
A History of Polish Theatre
Every time I teach a Polish theatre course, I ask myself a question “Why Polish theatre?” What can be inspiring in it for the audiences from other cultures? I think that the recently published A History of Polish Theatre, consisting of essays written by a considerable number of authors from Poland and the anglophone world, gives a very good answer to this question and elucidates many other significant questions relating to Polish theatre traditio…
Art (3 works) · Eastern European Communism and Reforms (2 works) · Literature (2 works) · Narrative (2 works) · Aesthetics (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Central European Literary Studies (1 work) · Context (archaeology) (1 work) · Epistemology (1 work)