F Vandenberg
Biographic Data
| ID | 42843 |
|---|---|
| NAME | F Vandenberg |
| GIVEN NAMES | F |
| FAMILY NAME | Vandenberg |
| SIGNATURE | VANDENBERG F |
| AFFILIATIONS | Erasmus University Rotterdam |
| ORCID | 0000-0002-0425-744X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 22 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 3 |
Gigging in the gig economy
This article explores how musicians navigate live performance within the digital gig economy by examining creative labour on Twitch. Drawing on economic sociology, we conceptualise livestreamed performance as a distinct circuit of commerce in which artists and audiences negotiate value, intimacy, and exchange in real time. Based on a video analysis of 20 top-rated Twitch music streamers, we identify three interrelated features shaping this circui…
In Sync
In this study we explore how types of audience engagement (the how) align with the music that is being performed at a concert (the what), with the aim of understanding how meaning is given to this alignment as an aspect of cultural taste. Doing this we add to a growing field of research that emphasizes the importance of the modes of consumption in cultural homology. Concerts provide a unique context for understanding this as they are social activ…
The show must go on(line)
This paper examines audience engagement at livestreamed concerts, a form of mediatised cultural consumption that saw an immense growth in popularity during the COVID-19 pandemic. Concerts, as events that draw large groups of people with similar intentions, are the perfect location for the establishment of large-scale interaction rituals - moments of group behaviour characterised by a highly intense collective emotion. Furthermore, as social occas…
Put Your 'Hand Emotes in the Air
Recent years have seen mediated concerts grow in popularity. As physical events, concerts accommodate both small- and large-scale interaction. However, the extent to which these interactions establish emotional energy online is debated. Combining video observations and video elicitation interviews with participants of live music on the online platform Twitch, this paper explores this growing form of music consumption while also adding to the deba…
‘Wear Clogs and just Act Normal’
The last few decades have seen a surge in the consumption of locally produced popular music in the West. Domestic music – music made by national artists and sung in the national language – has gained increasing popularity, specifically within the lower to middle-class segments of the native population. This article uses the Dutch music genre levenslied to explore this growing trend. From a neo-Durkheimian perspective, we can assume the presence o…
The ‘lonely raver’
This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…
The ‘lonely raver’
This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…
Put Your 'Hand Emotes in the Air
Recent years have seen mediated concerts grow in popularity. As physical events, concerts accommodate both small- and large-scale interaction. However, the extent to which these interactions establish emotional energy online is debated. Combining video observations and video elicitation interviews with participants of live music on the online platform Twitch, this paper explores this growing form of music consumption while also adding to the deba…
The show must go on(line)
This paper examines audience engagement at livestreamed concerts, a form of mediatised cultural consumption that saw an immense growth in popularity during the COVID-19 pandemic. Concerts, as events that draw large groups of people with similar intentions, are the perfect location for the establishment of large-scale interaction rituals - moments of group behaviour characterised by a highly intense collective emotion. Furthermore, as social occas…
In Sync
In this study we explore how types of audience engagement (the how) align with the music that is being performed at a concert (the what), with the aim of understanding how meaning is given to this alignment as an aspect of cultural taste. Doing this we add to a growing field of research that emphasizes the importance of the modes of consumption in cultural homology. Concerts provide a unique context for understanding this as they are social activ…
The ‘lonely raver’
This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…
‘Wear Clogs and just Act Normal’
The last few decades have seen a surge in the consumption of locally produced popular music in the West. Domestic music – music made by national artists and sung in the national language – has gained increasing popularity, specifically within the lower to middle-class segments of the native population. This article uses the Dutch music genre levenslied to explore this growing trend. From a neo-Durkheimian perspective, we can assume the presence o…
Put Your 'Hand Emotes in the Air
Recent years have seen mediated concerts grow in popularity. As physical events, concerts accommodate both small- and large-scale interaction. However, the extent to which these interactions establish emotional energy online is debated. Combining video observations and video elicitation interviews with participants of live music on the online platform Twitch, this paper explores this growing form of music consumption while also adding to the deba…
The show must go on(line)
This paper examines audience engagement at livestreamed concerts, a form of mediatised cultural consumption that saw an immense growth in popularity during the COVID-19 pandemic. Concerts, as events that draw large groups of people with similar intentions, are the perfect location for the establishment of large-scale interaction rituals - moments of group behaviour characterised by a highly intense collective emotion. Furthermore, as social occas…
In Sync
In this study we explore how types of audience engagement (the how) align with the music that is being performed at a concert (the what), with the aim of understanding how meaning is given to this alignment as an aspect of cultural taste. Doing this we add to a growing field of research that emphasizes the importance of the modes of consumption in cultural homology. Concerts provide a unique context for understanding this as they are social activ…
Gigging in the gig economy
This article explores how musicians navigate live performance within the digital gig economy by examining creative labour on Twitch. Drawing on economic sociology, we conceptualise livestreamed performance as a distinct circuit of commerce in which artists and audiences negotiate value, intimacy, and exchange in real time. Based on a video analysis of 20 top-rated Twitch music streamers, we identify three interrelated features shaping this circui…
Psychology (5 works) · Art (4 works) · Music History and Culture (4 works) · Social and Cultural Dynamics (4 works) · Social Psychology (4 works) · Sociology (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Media studies (3 works) · Popularity (3 works)