R M Khaninova
Biographic Data
| ID | 42939 |
|---|---|
| NAME | R M Khaninova |
| GIVEN NAMES | R M |
| FAMILY NAME | Khaninova |
| SIGNATURE | KHANINOVA R M |
| AFFILIATIONS | Kalmyk Institute for Humanities Research |
| ORCID | 0000-0002-0478-8099 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Поэтика рассказов Джангра Насунова 1970-х гг.
Introduction. The purpose of the article is to introduce into scientific circulation the stories of the 1970s by the Kalmyk Russian-speaking writer Dzhangаr Nasunov (1942–1979), to consider the poetics of these works. Materials and methods. The research materials are based on four short stories by the author, which have not become the object and subject of research in literary criticism. The comparative method, the hermeneutic approach, and the m…
Калмыцкая русскоязычная драматургия начала XXI в
Introduction. Kalmyk Russian-language drama begins its countdown from the beginning of this century. It has not been the object and subject of the research by Russian literary criticism, which explains the relevance and novelty of this article. The purpose of the article is to present the phenomenon of the Kalmyk Russian-language drama in personalities and representative works, to identify the genre paradigm, to reveal national identity, to study…
Poetics of Things in Kalmyk Tales about Animals
The article examines the poetics of things in Kalmyk fairy tales about animals. The research material included both published and unpublished texts of Kalmyk fairy tales about animals in the original and translated into Russian, as well as legends and traditions. Despite the fact that when studying Kalmyk fairy tales about animals related to the genre, plot, composition, system of characters, and linguistic means, researchers touched upon such ma…
Dombra in Kalmyk folklore and Lyrics of the 20th – early 21st centuries
The relevance and novelty of the article is determined by the fact that the poetics of a musical instrument was not the object and subject of research in Kalmyk folklore and poetry. Among the national musical instruments, the dombra retains its functionality at the present stage. The study of dombra as a thing and as a musical instrument in the translation of folk culture and art is of interest in a historical-functional, comparative-comparative …
Жанровое своеобразие калмыцкой поэзии конца ХХ – начала XXI в
Introduction. The article deals with the theme of potatoes in the Siberian exile of Kalmyks (1943–1957) and focuses on representative poems by Kalmyk poets of different generations written in the native and Russian languages. The texts were created by authors who survived the Siberian exile (i.e. were born during or after the latter) to convey personal and collective memories of the twentieth-century tragedy of the ethnos. Goals. The paper seeks…
Praising the Blade as a Genre of «magtal» in the Poetry of A. Suseev, D. Kugultinov and M. Khoninov
The article examines the genre of magtal in the aspect of the greatness of bladed weapons on the examples of magtal poems in the poetry of Aksen Suseev, David Kugultinov and Mikhail Honinov. If “Uldin magtal” (“The Greatness of the Sword”) is included in A. Suseev’s poem “Teegin urn” (“Son of the Steppes”, 1939) as part of three magtals addressed to the greatness of the hero, horse and his weapons, before 12 songs-chapters, then D. Kugultinov’s p…
The Crane’s Curse (Kharal) in Kalmyk Poetry, 20th – Early 21st Centuries
Introduction. In 20th/21st-century Kalmyk poetry, the crane theme — like any other involving bird images — serves to symbolically address the fauna of the steppe region, native land, and ancestral home. Goals. The article aims to analyze Kalmyk poetic texts for the motif of the crane’s curse and/or revenge caused by the death of chicks, that of the spouse, and related grief, sadness, and loneliness of the bird. Both the motif and the crane theme …
Ekphrasis in Contemporary Kalmyk Poetry
Introduction. The relevance and novelty of the study be determined by that Kalmyk poetic ekphrases dealing with the deportation, exile and return of the people (1943–1957) remain underinvestigated. Goals. The article aims to identify the function of ekphrasis in poetry addressing the mentioned historical period. Materials and methods. The work focuses on two poems of Kalmykia’s national poet Ye. Budzhalov — Exodus and Return (Kalm. Буйслһн болн Б…
David Kugultinov’s Biiγin Maktal (‘Dance Praise’) and Its Russian Translation
Introduction.The 20th century Kalmyk poetry is characterized by the vivid use of folklore genres, such as yöräl (well-wish), kharal (curse), magtal (praise). Goals. The article aims at revealing the creative history of David Ku-gultinov’s Biiγin Maktal (1956) in different editions under the title ‘Khadris’, comparing the dance magtal to a similarly-named poem by Nimgir Mandzhiev created in 1935. Methods. The employed historical/literary, comparat…
The Train of Memory
Introduction. The article discusses the motif of memory trains in contemporary Kalmyk poetry. The study proves relevant and needed enough since the theme of Kalmyk Deportation (1943–1956) and subsequent exile in works of Kalmyk poets — in particular, the motif of the Train of Memory to Siberia from the early 1990s and 2000s — remains understudied. The paper focuses on individual and historical memories in contemporary Kalmyk lyrics. Goals. The ar…
Lyrics of Vladimir Nurov
Introduction. Within the genre paradigm of twentieth-century Kalmyk poetry, the folklore-derived one of curse (Kalm. kharal) used to be represented by few local and original samples that remained in the periphery of the literary process. The latter include poems by A. Suseev, M. Basangov, B. Sangadzhieva, D. Kugultinov to have been and yet to be examined in our articles. Goals. The paper aims to identify V. Nurov’s works clustering with the genre…
Жанр йорял в калмыцкой поэзии ХХ в. (по материалам газетной периодики 1930–1940-х гг.)
Introduction. In folklore of Mongolic peoples, well-wishes are referred to as ritual poetry. This is one of the ancient, surviving and widespread genres to have essentially preserved the idea of word magic. It has undergone some changes but still articulates benevolent messages towards future. The Mongolian ерɵɵл (derived from Mong. ерɵɵ ‘bless, wish well, greet’), Kalmyk йɵрəл (from Kalm. йɵрǝх), and Buryat үрээрнууд address family life, nature,…
To Agricultural Executives with No Practical Skills of Their Own
Introduction. The satirical legacy of Kalmyk writer Basang B. Dordzhiev (1918–1969) includes both separate fables and one fable cycle created in 1961. The poet’s addresses to the genre of fable were not that often and never regular, the former witnessed mainly by the 1960s. The fables were published both in periodicals and in author’s editions. None of the fables have been translated into Russian. Neither have those become objects of research — e…
Satirical Legacy of Mikhail Khoninov
Introduction. The family archive of the Kalmyk writer Mikhail V. Khoninov (1919–1981) contains unpublished works of various genres, both in the original and in translations. The latter comprise his satirical heritage represented by fables, feuilletons, apologues, couplets, quatrains, etc. Goals. The article introduces into scientific circulation Russian translations of some unpublished satirical poems and a feuilleton of the poet which for variou…
Антиколыбельная песня Егора Буджалова в аспекте пародии Морхаджи Нармаева
Introduction. So far, the genres of lullaby and poetic parody in the Kalmyk poetry of the twentieth century have not attracted much attention. Born in the late 1920s - early 1930s, the tradition was short-lived. While their genres were explicitly or implicitly marked, the works of Kalmyk poets in question were primarily oriented towards the Russian literary tradition. However, they expanded the genre paradigm of Kalmyk poetry in the intercultural…
Калмыцко-белорусские литературные связи XX – XXI вв
The article describes the Kalmyk – Belorussian literary ties that started in September 1940 when the writers from Belarus Philip Pestrak and Maksim Tank participated in the celebration of 500th anniversary of the Kalmyk heroic epos Jangar. These contacts actively developed at the end of 1950s due to the initiative of the poet from Belarus Petrusya Brovka and a Kalmyk writer Mikhail Khaninov. The publications of works and translations of Kalmyk an…
Mikhail Khoninov’s Lyrics of 1939–1941
В статье рассматриваются ранние стихи калмыцкого поэта Михаила Хонинова, не ставшие предметом исследования до сих пор. Его лирика 1939–1941 гг. отразила стиль и язык эпохи в жанровом, проблемно-тематическом, социокультурном аспектах. Темы новой жизни, грядущей войны, искусства, любви передавали отношение молодого поэта к современности, а также отличались лексикой своего времени. 12 стихотворений М. Хонинова соединили в себе традицию национальной …
Anaphora in the early lyrics of Mikhail Khoninov of 1936
1936 .
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Anaphora in the early lyrics of Mikhail Khoninov of 1936
1936 .
Mikhail Khoninov’s Lyrics of 1939–1941
В статье рассматриваются ранние стихи калмыцкого поэта Михаила Хонинова, не ставшие предметом исследования до сих пор. Его лирика 1939–1941 гг. отразила стиль и язык эпохи в жанровом, проблемно-тематическом, социокультурном аспектах. Темы новой жизни, грядущей войны, искусства, любви передавали отношение молодого поэта к современности, а также отличались лексикой своего времени. 12 стихотворений М. Хонинова соединили в себе традицию национальной …
Калмыцко-белорусские литературные связи XX – XXI вв
The article describes the Kalmyk – Belorussian literary ties that started in September 1940 when the writers from Belarus Philip Pestrak and Maksim Tank participated in the celebration of 500th anniversary of the Kalmyk heroic epos Jangar. These contacts actively developed at the end of 1950s due to the initiative of the poet from Belarus Petrusya Brovka and a Kalmyk writer Mikhail Khaninov. The publications of works and translations of Kalmyk an…
To Agricultural Executives with No Practical Skills of Their Own
Introduction. The satirical legacy of Kalmyk writer Basang B. Dordzhiev (1918–1969) includes both separate fables and one fable cycle created in 1961. The poet’s addresses to the genre of fable were not that often and never regular, the former witnessed mainly by the 1960s. The fables were published both in periodicals and in author’s editions. None of the fables have been translated into Russian. Neither have those become objects of research — e…
Satirical Legacy of Mikhail Khoninov
Introduction. The family archive of the Kalmyk writer Mikhail V. Khoninov (1919–1981) contains unpublished works of various genres, both in the original and in translations. The latter comprise his satirical heritage represented by fables, feuilletons, apologues, couplets, quatrains, etc. Goals. The article introduces into scientific circulation Russian translations of some unpublished satirical poems and a feuilleton of the poet which for variou…
Антиколыбельная песня Егора Буджалова в аспекте пародии Морхаджи Нармаева
Introduction. So far, the genres of lullaby and poetic parody in the Kalmyk poetry of the twentieth century have not attracted much attention. Born in the late 1920s - early 1930s, the tradition was short-lived. While their genres were explicitly or implicitly marked, the works of Kalmyk poets in question were primarily oriented towards the Russian literary tradition. However, they expanded the genre paradigm of Kalmyk poetry in the intercultural…
Praising the Blade as a Genre of «magtal» in the Poetry of A. Suseev, D. Kugultinov and M. Khoninov
The article examines the genre of magtal in the aspect of the greatness of bladed weapons on the examples of magtal poems in the poetry of Aksen Suseev, David Kugultinov and Mikhail Honinov. If “Uldin magtal” (“The Greatness of the Sword”) is included in A. Suseev’s poem “Teegin urn” (“Son of the Steppes”, 1939) as part of three magtals addressed to the greatness of the hero, horse and his weapons, before 12 songs-chapters, then D. Kugultinov’s p…
The Crane’s Curse (Kharal) in Kalmyk Poetry, 20th – Early 21st Centuries
Introduction. In 20th/21st-century Kalmyk poetry, the crane theme — like any other involving bird images — serves to symbolically address the fauna of the steppe region, native land, and ancestral home. Goals. The article aims to analyze Kalmyk poetic texts for the motif of the crane’s curse and/or revenge caused by the death of chicks, that of the spouse, and related grief, sadness, and loneliness of the bird. Both the motif and the crane theme …
Ekphrasis in Contemporary Kalmyk Poetry
Introduction. The relevance and novelty of the study be determined by that Kalmyk poetic ekphrases dealing with the deportation, exile and return of the people (1943–1957) remain underinvestigated. Goals. The article aims to identify the function of ekphrasis in poetry addressing the mentioned historical period. Materials and methods. The work focuses on two poems of Kalmykia’s national poet Ye. Budzhalov — Exodus and Return (Kalm. Буйслһн болн Б…
David Kugultinov’s Biiγin Maktal (‘Dance Praise’) and Its Russian Translation
Introduction.The 20th century Kalmyk poetry is characterized by the vivid use of folklore genres, such as yöräl (well-wish), kharal (curse), magtal (praise). Goals. The article aims at revealing the creative history of David Ku-gultinov’s Biiγin Maktal (1956) in different editions under the title ‘Khadris’, comparing the dance magtal to a similarly-named poem by Nimgir Mandzhiev created in 1935. Methods. The employed historical/literary, comparat…
The Train of Memory
Introduction. The article discusses the motif of memory trains in contemporary Kalmyk poetry. The study proves relevant and needed enough since the theme of Kalmyk Deportation (1943–1956) and subsequent exile in works of Kalmyk poets — in particular, the motif of the Train of Memory to Siberia from the early 1990s and 2000s — remains understudied. The paper focuses on individual and historical memories in contemporary Kalmyk lyrics. Goals. The ar…
Lyrics of Vladimir Nurov
Introduction. Within the genre paradigm of twentieth-century Kalmyk poetry, the folklore-derived one of curse (Kalm. kharal) used to be represented by few local and original samples that remained in the periphery of the literary process. The latter include poems by A. Suseev, M. Basangov, B. Sangadzhieva, D. Kugultinov to have been and yet to be examined in our articles. Goals. The paper aims to identify V. Nurov’s works clustering with the genre…
Жанр йорял в калмыцкой поэзии ХХ в. (по материалам газетной периодики 1930–1940-х гг.)
Introduction. In folklore of Mongolic peoples, well-wishes are referred to as ritual poetry. This is one of the ancient, surviving and widespread genres to have essentially preserved the idea of word magic. It has undergone some changes but still articulates benevolent messages towards future. The Mongolian ерɵɵл (derived from Mong. ерɵɵ ‘bless, wish well, greet’), Kalmyk йɵрəл (from Kalm. йɵрǝх), and Buryat үрээрнууд address family life, nature,…
Жанровое своеобразие калмыцкой поэзии конца ХХ – начала XXI в
Introduction. The article deals with the theme of potatoes in the Siberian exile of Kalmyks (1943–1957) and focuses on representative poems by Kalmyk poets of different generations written in the native and Russian languages. The texts were created by authors who survived the Siberian exile (i.e. were born during or after the latter) to convey personal and collective memories of the twentieth-century tragedy of the ethnos. Goals. The paper seeks…
Poetics of Things in Kalmyk Tales about Animals
The article examines the poetics of things in Kalmyk fairy tales about animals. The research material included both published and unpublished texts of Kalmyk fairy tales about animals in the original and translated into Russian, as well as legends and traditions. Despite the fact that when studying Kalmyk fairy tales about animals related to the genre, plot, composition, system of characters, and linguistic means, researchers touched upon such ma…
Dombra in Kalmyk folklore and Lyrics of the 20th – early 21st centuries
The relevance and novelty of the article is determined by the fact that the poetics of a musical instrument was not the object and subject of research in Kalmyk folklore and poetry. Among the national musical instruments, the dombra retains its functionality at the present stage. The study of dombra as a thing and as a musical instrument in the translation of folk culture and art is of interest in a historical-functional, comparative-comparative …
Калмыцкая русскоязычная драматургия начала XXI в
Introduction. Kalmyk Russian-language drama begins its countdown from the beginning of this century. It has not been the object and subject of the research by Russian literary criticism, which explains the relevance and novelty of this article. The purpose of the article is to present the phenomenon of the Kalmyk Russian-language drama in personalities and representative works, to identify the genre paradigm, to reveal national identity, to study…
Поэтика рассказов Джангра Насунова 1970-х гг.
Introduction. The purpose of the article is to introduce into scientific circulation the stories of the 1970s by the Kalmyk Russian-speaking writer Dzhangаr Nasunov (1942–1979), to consider the poetics of these works. Materials and methods. The research materials are based on four short stories by the author, which have not become the object and subject of research in literary criticism. The comparative method, the hermeneutic approach, and the m…
Art (15 works) · Literature (15 works) · Poetry (14 works) · History (12 works) · Poetics (9 works) · Discourse Analysis and Cultural Communication (7 works) · Folklore (7 works) · Folklore, Mythology, and Literature Studies (7 works) · Philosophy (7 works) · Lyrics (6 works)