Eko Supriyanto
Biographic Data
| ID | 4317747 |
|---|---|
| NAME | Eko Supriyanto |
| GIVEN NAMES | Eko |
| FAMILY NAME | Supriyanto |
| SIGNATURE | SUPRIYANTO E |
| AFFILIATIONS | Institut Seni Indonesia Surakarta |
| ORCID | 0000-0002-2142-8351 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Symbolic and Aesthetic Representation of the Royal Carriage as a Manifestation of Palace Craft Art
Craft art represents a cultural expression reflecting community creativity, identity, and skills. In Indonesia, craft art has a long historical tradition influenced by Hindu-Buddhist, Islamic, and European colonial cultures. One prominent manifestation of palace craft art is the royal carriage (kereta kencana), which serves as ceremonial transportation and a symbol of royal authority, social status, and cultural identity. This study investigates …
Optimizing the Islamic school quality improvement through 7P concept
Purpose of the study: The purpose of this study is to design and formulate the practice of optimization strategies performed by Islamic schools to improve school quality and customer satisfaction. Methodology: This study used field research method as the data obtained through interviews and direct observation. The object of the research is SMP Muhammadiyah Sinar Fajar Cawas and SMP Islam Terpadu Muhammadiyah An Najah Jatinom Klaten, Central Java,…
“Kampung Yang Hilang”
Karya tari “Kampung yang Hilang” diciptakan dengan pola garap tari kontemporer dengan pendekatan ekokultural dan partisipatori, untuk mengambil objek tentang anak-anak masyarakat Kampung Ciganitri, baik dikaji secara formal maupun material. Persoalan ini ditafsir kembali sehingga menjadi sebuah pengalaman empirik ekspresi kekinian. Pemilihan pola garap tari kontemporer dengan pemilihan sampling penari anak-anak sebagai media edukasi, di samping j…
Menjilid Sitaralak
Aktifitas silat, selain sebagai praktik untuk meningkatkan ketahanan fisik, juga menjadi bekal ketika menghadapi betapa kerasnya dunia terutama ketika berada di rantau. Hal ini bisa dilihat pada masyarakat Minangkabau zaman dahulu yang menganggap bahwa silat ibarat sebuah pakaian atau identitas diri yang wajib dibawa ke manapun pergi. Penciptaan karya ini mengarah pada pendekatan istilah tradisional Minangkabau, yaitu Kiek Kieh. Istilah Kiek Kieh…
Tubuh Tari Indonesia Sasikirana Dance Camp 2015-2016
Sardono W. Kusumo, an Indonesian dance master and choreographer once stated that the way to understand dance should start with the study of embodiment before moving to the study of dance in its performative art form. A dancer should be able to process his/her dance by recognizing the complexity of the body and the nerves system and muscles through a creative process, resulting a confident work of performing arts. Through a historical perspective …
Empat Koreografer Tari Kontemporer Indonesia Periode 1990-2008
This research will elaborate four Indonesian contemporary choreographers, which lead to open the significant of embodiment process on Indonesian dancers. With a focus on four choreographers, Mar- tinus Miroto, Mugiyono Kasido, Hartati, and Jecko Siompo. A case study of body of those four choreo- graphers has reached its “institutional†level, so choosing those four characters, as a representation of Indonesian dancer is the right thing to do. With…
No prominent works on this page.
Empat Koreografer Tari Kontemporer Indonesia Periode 1990-2008
This research will elaborate four Indonesian contemporary choreographers, which lead to open the significant of embodiment process on Indonesian dancers. With a focus on four choreographers, Mar- tinus Miroto, Mugiyono Kasido, Hartati, and Jecko Siompo. A case study of body of those four choreo- graphers has reached its “institutional†level, so choosing those four characters, as a representation of Indonesian dancer is the right thing to do. With…
Tubuh Tari Indonesia Sasikirana Dance Camp 2015-2016
Sardono W. Kusumo, an Indonesian dance master and choreographer once stated that the way to understand dance should start with the study of embodiment before moving to the study of dance in its performative art form. A dancer should be able to process his/her dance by recognizing the complexity of the body and the nerves system and muscles through a creative process, resulting a confident work of performing arts. Through a historical perspective …
Optimizing the Islamic school quality improvement through 7P concept
Purpose of the study: The purpose of this study is to design and formulate the practice of optimization strategies performed by Islamic schools to improve school quality and customer satisfaction. Methodology: This study used field research method as the data obtained through interviews and direct observation. The object of the research is SMP Muhammadiyah Sinar Fajar Cawas and SMP Islam Terpadu Muhammadiyah An Najah Jatinom Klaten, Central Java,…
“Kampung Yang Hilang”
Karya tari “Kampung yang Hilang” diciptakan dengan pola garap tari kontemporer dengan pendekatan ekokultural dan partisipatori, untuk mengambil objek tentang anak-anak masyarakat Kampung Ciganitri, baik dikaji secara formal maupun material. Persoalan ini ditafsir kembali sehingga menjadi sebuah pengalaman empirik ekspresi kekinian. Pemilihan pola garap tari kontemporer dengan pemilihan sampling penari anak-anak sebagai media edukasi, di samping j…
Menjilid Sitaralak
Aktifitas silat, selain sebagai praktik untuk meningkatkan ketahanan fisik, juga menjadi bekal ketika menghadapi betapa kerasnya dunia terutama ketika berada di rantau. Hal ini bisa dilihat pada masyarakat Minangkabau zaman dahulu yang menganggap bahwa silat ibarat sebuah pakaian atau identitas diri yang wajib dibawa ke manapun pergi. Penciptaan karya ini mengarah pada pendekatan istilah tradisional Minangkabau, yaitu Kiek Kieh. Istilah Kiek Kieh…
Symbolic and Aesthetic Representation of the Royal Carriage as a Manifestation of Palace Craft Art
Craft art represents a cultural expression reflecting community creativity, identity, and skills. In Indonesia, craft art has a long historical tradition influenced by Hindu-Buddhist, Islamic, and European colonial cultures. One prominent manifestation of palace craft art is the royal carriage (kereta kencana), which serves as ceremonial transportation and a symbol of royal authority, social status, and cultural identity. This study investigates …
Art (4 works) · Cultural and Artistic Studies (4 works) · Humanities (4 works) · Child Development and Education (2 works) · Dance (2 works) · Human Motion and Animation (2 works) · Indonesian (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works)