Giorgio Mobili
Biographic Data
| ID | 4350252 |
|---|---|
| NAME | Giorgio Mobili |
| GIVEN NAMES | Giorgio |
| FAMILY NAME | Mobili |
| SIGNATURE | MOBILI G |
| AFFILIATIONS | California State University, Fresno |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Philosophy, Mysticism, and the Political
Fun until the end
This article examines the use of the nightclub trope in three films from the early years of the Italian “economic miracle”: Luchino Visconti’s White Nights (1957), Federico Fellini’s Nights of Cabiria (1957), and Michelangelo Antonioni’s La Notte (1961). Availing myself of psychoanalytic theory, I discuss how, in these three films, the nightclub is deployed as a hermeneutic space that sheds light on the functioning of the then nascent ideology of…
No prominent works on this page.
Fun until the end
This article examines the use of the nightclub trope in three films from the early years of the Italian “economic miracle”: Luchino Visconti’s White Nights (1957), Federico Fellini’s Nights of Cabiria (1957), and Michelangelo Antonioni’s La Notte (1961). Availing myself of psychoanalytic theory, I discuss how, in these three films, the nightclub is deployed as a hermeneutic space that sheds light on the functioning of the then nascent ideology of…
Philosophy, Mysticism, and the Political
Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · American Constitutional Law and Politics (1 work) · Art (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Capitalism (1 work) · Cinema and Media Studies (1 work)