J La Nasa

Biographic Data

ID43639
NAMEJ La Nasa
GIVEN NAMESJ
FAMILY NAMELa Nasa
SIGNATURELA NASA J
AFFILIATIONSUniversity of Pisa
ORCID0000-0002-5853-7340
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS13
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX2

  • Impact of selected driers on the curing kinetics, thermodynamics, and molecular features of commercial artists' oil paints

    Open AccessSilvia Pizzimenti, Giulia Caroti et al.ARTICLEJournal of Cultural Heritage2025

  • Wall Drawing #736

    Open AccessAndrée Ferretti, Ilaria Degano et al.ARTICLEHeritage2024References: 3

    Sol LeWitt, a pioneer of conceptual art, created during his career over 1350 wall drawings, including the Wall Drawing #736 (1993) at the Center for Contemporary Art Luigi Pecci in Prato (Prato, Italy). The painting, executed by Andrea Marescalchi and Antony Sansotta under LeWitt’s instructions, features a grid of coloured rectangles obtained by overlapping different layers of inks. During a 2021 restoration by the Wall Paintings and Stuccoes Dep…

  • A typical postwar workshop

    Open AccessLauren Dalecky, Ilaria Bonaduce et al.ARTICLEJournal of Cultural Heritage2024Cited by: 1

    Simon Hantaï (1922–2008) was a highly influential postwar painter in Paris whose innovative serial practice, creative curiosity and theoretical convictions inspired a number of his contemporaries. His art media are typical of the period, consisting of commercial artists’ products, sold in tubes and cans, which were available to artists in Europe and beyond. We have studied a series of samples from the brands Lefebvre-Foinet, Lefranc & Bourgeois a…

  • Fluorescent Paints in Contemporary Murals

    Open AccessFrancesca Sabatini, J La Nasa et al.ARTICLEHeritage2023Cited by: 2References: 1

    Recently, a notable change has occurred in how street art murals are perceived by art history and the general public, with a growing recognition of their social and cultural significance and a new focus on preserving the most representative modern urban murals for future generations. An interesting case study is constituted by the “UBUNTU” mural (Ivan Pontevia and Daniele Castagnetti, Reggio Emilia, 2018), whose appearance has radically changed i…

  • Identifying the original function of vessels deposited in Lusatian Urnfield burials

    Dagmara Łaciak, Tomasz Stolarczyk et al.ARTICLEPraehistorische Zeitschrift2023

    Usage patterns are one of the leading research issues in archaeological pottery studies. Non-cinerary vessels deposited in burials of the Lusatian Urnfield are particularly intriguing since they did not typically undergo detailed functional analysis. Their function has usually been determined based on the shape and surface treatment. Thus, grave pottery is widely regarded to have been explicitly fashioned for mortuary practices and not used for o…

  • Archaeology of the invisible

    Open AccessJ La Nasa, Ilaria Degano et al.ARTICLEJournal of Archaeological Science2022Cited by: 2

  • Territory and related artworks

    Open AccessA Sansonetti, Alessia Andreotti et al.ARTICLEJournal of Cultural Heritage2022References: 24

  • The identification of fish oils in 20th century paints and paintings

    Open AccessJ La Nasa, Joy Mazurek et al.ARTICLEJournal of Cultural Heritage2021References: 1

  • In the darkest hour

    Open AccessKaare Lund Rasmussen, Thomas Delbey et al.ARTICLEArchaeometry2021References: 20

    The three members of Sledge Team 1 in the Denmark Expedition of 1906–08 died in the fall of 1907 trying to return to the basecamp in Danmarkshavn in north‐east Greenland. In their final approach they attempted to make it across 79‐Fjord towards a depot on Lambert's Land on their dog sledges, but were impaired in doing so by rough ice scape, exhaustion and hunger. The last to die was Jørgen Brønlund. His body was found four months later, along wit…

  • Years of Street Art

    Open AccessJ La Nasa, Beatrice Campanella et al.ARTICLEJournal of Cultural Heritage2021References: 33

  • Discovering Giuseppe Capogrossi

    Open AccessJ La Nasa, Patrizia Moretti et al.ARTICLEHeritage2020Cited by: 1References: 1

    We present the results of a diagnostic campaign on three of Giuseppe Capogrossi’s abstract paintings from the 1950s and 1960s, conserved at the National Gallery of Modern and Contemporary Art in Rome. Non-invasive investigations by reflection FT-IR spectroscopy were carried out, followed by micro-destructive laboratory analyses using Py-GC-MS, and HPLC-ESI-Q-ToF. The investigations focused on identifying the binders used for both the preparation …

  • Graphic vandalism

    Open AccessClaudia Giusti, Maria Perla Colombini et al.ARTICLEJournal of Cultural Heritage2020Cited by: 1References: 30

  • Territory and related artworks

    Open AccessA Sansonetti, Alessia Andreotti et al.ARTICLEJournal of Cultural Heritage2020Cited by: 1References: 23

  • The chemistry of pastels

    Open AccessAnna Lluveras Tenorio, Anna Lluveras‐Tenorio et al.ARTICLEJournal of Cultural Heritage2019Cited by: 1References: 21

  • Violon. Céret by Pablo Picasso

    Open AccessEleonora Maria Stella, Bracci et al.ARTICLEJournal of Cultural Heritage2018Cited by: 3References: 1

  • Anselm Kiefer

    Open AccessG Bartolozzi, Marcello Picollo et al.ARTICLEArchaeological and Anthropological…2016Cited by: 1References: 11