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Clare Bedford

Biographic Data

ID4365535
NAMEClare Bedford
GIVEN NAMESClare
FAMILY NAMEBedford
SIGNATUREBEDFORD C
AFFILIATIONSUniversity of Lancashire
ORCID0000-0002-6897-3293
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS10
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Emigdiano Blues

    Open Access•Clare Bedford, David Robinson et al.•ARTICLE•Open Archaeology•2018•Cited by: 3•References: 11

    The Native inhabitants of South Central California produced rock art containing red, orange, black, white, green and blue colours using a range of mineral and organic materials. Many of these same colours were used on material culture and body painting. This paper focuses on a sub-group of the Chumash, called the Emigdiano, who produced an enigmatic blue colour used in the creation of rock art. Here, we focus on the blue pigment at the rock shelt…

  • Interactive relighting, digital image enhancement and inclusive diagrammatic representations for the analysis of rock art superimposition

    Open Access•Eleni Kotoula, David Robinson et al.•ARTICLE•Journal of Archaeological Science•2018•Cited by: 5•References: 8

    This paper deals with the documentation, and virtual visual analysis of pictographs using interactive relighting, digital image enhancement techniques and diagrammatic representations. It discusses areas of interest for the analysis of low surface detail, large and geometrically complex superimposed pictographs. The synergy of reflectance transformation imaging (RTI) and decorrelation stretch (DS) aimed to improve the study of superimposition via…

  • Methodological considerations of integrating portable digital technologies in the analysis and management of complex superimposed Californian pictographs

    Open Access•David Robinson, Matthew J Baker et al.•ARTICLE•Digital Applications in…•2015•Cited by: 2•References: 13

  • Interactive relighting, digital image enhancement and inclusive diagrammatic representations for the analysis of rock art superimposition

    Open Access•Eleni Kotoula, David Robinson et al.•ARTICLE•Journal of Archaeological Science•2018•Cited by: 5•References: 8

    This paper deals with the documentation, and virtual visual analysis of pictographs using interactive relighting, digital image enhancement techniques and diagrammatic representations. It discusses areas of interest for the analysis of low surface detail, large and geometrically complex superimposed pictographs. The synergy of reflectance transformation imaging (RTI) and decorrelation stretch (DS) aimed to improve the study of superimposition via…

  • Emigdiano Blues

    Open Access•Clare Bedford, David Robinson et al.•ARTICLE•Open Archaeology•2018•Cited by: 3•References: 11

    The Native inhabitants of South Central California produced rock art containing red, orange, black, white, green and blue colours using a range of mineral and organic materials. Many of these same colours were used on material culture and body painting. This paper focuses on a sub-group of the Chumash, called the Emigdiano, who produced an enigmatic blue colour used in the creation of rock art. Here, we focus on the blue pigment at the rock shelt…

  • Methodological considerations of integrating portable digital technologies in the analysis and management of complex superimposed Californian pictographs

    Open Access•David Robinson, Matthew J Baker et al.•ARTICLE•Digital Applications in…•2015•Cited by: 2•References: 13

  • Methodological considerations of integrating portable digital technologies in the analysis and management of complex superimposed Californian pictographs

    Open Access•David Robinson, Matthew J Baker et al.•ARTICLE•Digital Applications in…•2015•Cited by: 2•References: 13

  • Emigdiano Blues

    Open Access•Clare Bedford, David Robinson et al.•ARTICLE•Open Archaeology•2018•Cited by: 3•References: 11

    The Native inhabitants of South Central California produced rock art containing red, orange, black, white, green and blue colours using a range of mineral and organic materials. Many of these same colours were used on material culture and body painting. This paper focuses on a sub-group of the Chumash, called the Emigdiano, who produced an enigmatic blue colour used in the creation of rock art. Here, we focus on the blue pigment at the rock shelt…

  • Interactive relighting, digital image enhancement and inclusive diagrammatic representations for the analysis of rock art superimposition

    Open Access•Eleni Kotoula, David Robinson et al.•ARTICLE•Journal of Archaeological Science•2018•Cited by: 5•References: 8

    This paper deals with the documentation, and virtual visual analysis of pictographs using interactive relighting, digital image enhancement techniques and diagrammatic representations. It discusses areas of interest for the analysis of low surface detail, large and geometrically complex superimposed pictographs. The synergy of reflectance transformation imaging (RTI) and decorrelation stretch (DS) aimed to improve the study of superimposition via…

Archaeology (3 works) · Geography (3 works) · 3D Surveying and Cultural Heritage (2 works) · Archaeology and Rock Art Studies (2 works) · Art (2 works) · Artificial Intelligence (2 works) · Building materials and conservation (2 works) · Computer Science (2 works) · Cultural Heritage Materials Analysis (2 works) · Painting (2 works)

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