Loredana Pazzini-Paracciani
Biographic Data
| ID | 4367616 |
|---|---|
| NAME | Loredana Pazzini-Paracciani |
| GIVEN NAMES | Loredana |
| FAMILY NAME | Pazzini-Paracciani |
| SIGNATURE | PAZZINI-PARACCIANI L |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Ethnography in Contemporary Thai Cinematic Practices
Expanding on the nexus of art and ethnography in contemporary Thailand, I take a case study approach in this paper to apprehend the film Din Rai Dan (Soil Without Land) through an ethnographic framework. Completed in 2019 by Nontawat Numbenchapol, Din Rai Dan was shot at the Shan State Army camp, at the border between Thailand and Myanmar. Straddling compelling visual aesthetics and thorough, on-site research, I regard ethnography in Din Rai Dan …
Light from darkness, truth always rises
Taking a case study approach, this paper focuses on Light from darkness, truth always rises, a series of photographs developed by Vietnamese-American artist Dinh Q. Lê to address the physical and psychological trauma inflicted by Agent Orange on the Vietnamese people in the aftermath of the Vietnam War. From a theoretical and technical perspective, the paper first evaluates the role of memory in Light from darkness, truth always rises. To do so t…
No prominent works on this page.
Light from darkness, truth always rises
Taking a case study approach, this paper focuses on Light from darkness, truth always rises, a series of photographs developed by Vietnamese-American artist Dinh Q. Lê to address the physical and psychological trauma inflicted by Agent Orange on the Vietnamese people in the aftermath of the Vietnam War. From a theoretical and technical perspective, the paper first evaluates the role of memory in Light from darkness, truth always rises. To do so t…
Ethnography in Contemporary Thai Cinematic Practices
Expanding on the nexus of art and ethnography in contemporary Thailand, I take a case study approach in this paper to apprehend the film Din Rai Dan (Soil Without Land) through an ethnographic framework. Completed in 2019 by Nontawat Numbenchapol, Din Rai Dan was shot at the Shan State Army camp, at the border between Thailand and Myanmar. Straddling compelling visual aesthetics and thorough, on-site research, I regard ethnography in Din Rai Dan …
Aesthetics (2 works) · Art (2 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works) · Anthropology (1 work) · Cambodian History and Society (1 work) · Conscience (1 work) · Darkness (1 work) · Engineering (1 work)