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Nandini Bhasin

Biographic Data

ID4367626
NAMENandini Bhasin
GIVEN NAMESNandini
FAMILY NAMEBhasin
SIGNATUREBHASIN N
AFFILIATIONSJawaharlal Nehru University, New Delhi, India
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Objectification of Women in V. Shantaram's Films

    Pankaj Jain, Nandini Bhasin•ARTICLE•Visual Anthropology•2022•References: 6

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Cited by: 1•References: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Cited by: 1•References: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Cited by: 1•References: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • The Objectification of Women in V. Shantaram's Films

    Pankaj Jain, Nandini Bhasin•ARTICLE•Visual Anthropology•2022•References: 6

Gender Studies (2 works) · Political science (2 works) · Sociology (2 works) · Art (1 work) · Cinema and Media Studies (1 work) · Income, Poverty, and Inequality (1 work) · Law (1 work) · Objectification (1 work) · Political Philosophy and Ethics (1 work) · Shakespeare, Adaptation, and Literary Criticism (1 work)

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