Juti A Winchester
Biographic Data
| ID | 4367976 |
|---|---|
| NAME | Juti A Winchester |
| GIVEN NAMES | Juti A |
| FAMILY NAME | Winchester |
| SIGNATURE | WINCHESTER J A |
| AFFILIATIONS | Buffalo Bill Center of the West |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The Popular Frontier
The notion of the American West as essentially a global frontier is not new, but this collection of essays interrogates that idea in a series of perceptive and creative ways. Published as a project of the Papers of William F. Cody at the Buffalo Bill Center of the West, the works comprising this comparatively slim but mighty volume offer a nuanced look at the myriad and often surprising ways that Buffalo Bill’s Wild West, its characters, and its …
Surviving Wounded Knee
David Grua sets out to demonstrate the significance of the 1890 Wounded Knee massacre in American collective memory. He examines the tension between experience, official memory, and countermemory associated with the tragedy, when soldiers of the United States Seventh Cavalry killed over one hundred and fifty Lakota people. Scholars have long relied on the military records, transcripts of oral testimonies, eyewitness accounts, and contemporary new…
New Western History Doesn't Have to Hurt
In early exhibition planning, Buffalo Bill Museum curatorial staff hoped to center a reinstallation around William F. Cody while reflecting thinking influenced by study of New Western History. Gallery planning included consultation with historical experts including a Lakota historian and Wild West Show Indian descendant. One section of the museum was set aside to feature a Lakota point of view concerning Indian participation in Buffalo Bill's Wil…
An “Honest Visionary” and “Dishonest Scallywag”
Within the history museum setting, there can be disconnect between historical “fact,” museum goals, and visitor perception and expectation. This disconnect is often exaggerated when the content of the museum is controversial or skewed by popular belief. The current research applied a conceptual model that attempts to describe both fact and fiction while balancing historical expertise and visitor expectations when developing themes for a historica…
Pecos National Historic Park. United States Department of the Interior. K Athy B ILLINGS , superintendent; C HRISTINE B Eekman ; chief interpreter; H Eather Y Oung , curator
Review Article| November 01 2007 Pecos National Historic Park. United States Department of the Interior. KATHY BILLINGS, superintendent; CHRISTINE BEEKMAN; chief interpreter; HEATHER YOUNG, curator. JUTI A. WINCHESTER JUTI A. WINCHESTER Buffalo Bill Historical Center Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2007) 29 (4): 121–123. https://doi.org/10.1525/tph.2007.29.4.121 Views Icon Views Arti…
The Natural West
No prominent works on this page.
The Natural West
Pecos National Historic Park. United States Department of the Interior. K Athy B ILLINGS , superintendent; C HRISTINE B Eekman ; chief interpreter; H Eather Y Oung , curator
Review Article| November 01 2007 Pecos National Historic Park. United States Department of the Interior. KATHY BILLINGS, superintendent; CHRISTINE BEEKMAN; chief interpreter; HEATHER YOUNG, curator. JUTI A. WINCHESTER JUTI A. WINCHESTER Buffalo Bill Historical Center Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2007) 29 (4): 121–123. https://doi.org/10.1525/tph.2007.29.4.121 Views Icon Views Arti…
An “Honest Visionary” and “Dishonest Scallywag”
Within the history museum setting, there can be disconnect between historical “fact,” museum goals, and visitor perception and expectation. This disconnect is often exaggerated when the content of the museum is controversial or skewed by popular belief. The current research applied a conceptual model that attempts to describe both fact and fiction while balancing historical expertise and visitor expectations when developing themes for a historica…
New Western History Doesn't Have to Hurt
In early exhibition planning, Buffalo Bill Museum curatorial staff hoped to center a reinstallation around William F. Cody while reflecting thinking influenced by study of New Western History. Gallery planning included consultation with historical experts including a Lakota historian and Wild West Show Indian descendant. One section of the museum was set aside to feature a Lakota point of view concerning Indian participation in Buffalo Bill's Wil…
Surviving Wounded Knee
David Grua sets out to demonstrate the significance of the 1890 Wounded Knee massacre in American collective memory. He examines the tension between experience, official memory, and countermemory associated with the tragedy, when soldiers of the United States Seventh Cavalry killed over one hundred and fifty Lakota people. Scholars have long relied on the military records, transcripts of oral testimonies, eyewitness accounts, and contemporary new…
The Popular Frontier
The notion of the American West as essentially a global frontier is not new, but this collection of essays interrogates that idea in a series of perceptive and creative ways. Published as a project of the Papers of William F. Cody at the Buffalo Bill Center of the West, the works comprising this comparatively slim but mighty volume offer a nuanced look at the myriad and often surprising ways that Buffalo Bill’s Wild West, its characters, and its …
History (5 works) · Archaeology (4 works) · Sociology (4 works) · History (3 works) · Archaeology and Natural History (2 works) · Art (2 works) · Art history (2 works) · Computer Science (2 works) · Law (2 works) · Library science (2 works)