Friederike Landau
Biographic Data
| ID | 4408643 |
|---|---|
| NAME | Friederike Landau |
| GIVEN NAMES | Friederike |
| FAMILY NAME | Landau |
| SIGNATURE | LANDAU F |
| AFFILIATIONS | Technische Universität Berlin, Berlin, Germany |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Handbuch Kulturpolitik
[Un]Grounding
Assessing the local embeddedness dynamics of the Baumwollspinnerei cultural quarter in Leipzig
This paper argues that it is important for urban scholars and practitioners to comparatively appraise the differential forms of local embeddedness of cultural quarters. Such appraisals can help to realize more sustainable practices of cultural quarter anchoring within neighbourhoods. The case study of Leipzig, Germany – a city that deploys both ‘creative city’ and ‘cultural industries’ models of urban development within a context of post-industri…
Agonistic Articulations in the ‘Creative’ City
This book offers an empirically-grounded account of the emergence and political activities of a new collective actor in Berlin’s art field. Investigating the organizational and representative practices of Koalition der Freien Szene (Coalition of the Independent Scene) – a trans-disciplinary action platform assembling a wide variety of cultural producers in Berlin – the author unpacks the political organization of one of the most compelling contem…
Artists, Temporality, and the Governance of Collaborative Place-Making
Place-making is a policy exercise rooted in a politics of both space and time. By examining the temporal sequencing of discursive relations and governance networks in the cultural redevelopment of Güterbahnhof Moabit in Berlin, this article demonstrates the fallacy of place-making via artist proxy. It documents the hidden expectations of artist stakeholders and the overextension of their capacities in their municipally delegated and self-assumed …
Artist intermediaries in Berlin
This paper argues that intermediation is both a valuable form of occupational self-organization for professional artists and a political act of embedding with socio-spatial ramifications at different local, urban, and global scales. A case study of events organized in Berlin by the interdisciplinary cultural centre Zentrum für Kunst und Urbanistik demonstrates how artists strategically practice intermediation as modes of autopoietic and dissipati…
Articulations in Berlin’s independent art scene
Purpose The purpose of this paper is to investigate the formation of two artist-led collective actors, Koalition der Freien Szene (KFS) and Haben and Brauchen (H&B), and their differing strategies of political critique towards Berlin’s cultural policy-making complex. The paper seeks to contribute to the lack of empirical case studies on Berlin’s cultural governance and cultural policy stakeholders by creating a self-designed framework for analysi…
Artists, Temporality, and the Governance of Collaborative Place-Making
Place-making is a policy exercise rooted in a politics of both space and time. By examining the temporal sequencing of discursive relations and governance networks in the cultural redevelopment of Güterbahnhof Moabit in Berlin, this article demonstrates the fallacy of place-making via artist proxy. It documents the hidden expectations of artist stakeholders and the overextension of their capacities in their municipally delegated and self-assumed …
Articulations in Berlin’s independent art scene
Purpose The purpose of this paper is to investigate the formation of two artist-led collective actors, Koalition der Freien Szene (KFS) and Haben and Brauchen (H&B), and their differing strategies of political critique towards Berlin’s cultural policy-making complex. The paper seeks to contribute to the lack of empirical case studies on Berlin’s cultural governance and cultural policy stakeholders by creating a self-designed framework for analysi…
Articulations in Berlin’s independent art scene
Purpose The purpose of this paper is to investigate the formation of two artist-led collective actors, Koalition der Freien Szene (KFS) and Haben and Brauchen (H&B), and their differing strategies of political critique towards Berlin’s cultural policy-making complex. The paper seeks to contribute to the lack of empirical case studies on Berlin’s cultural governance and cultural policy stakeholders by creating a self-designed framework for analysi…
Artist intermediaries in Berlin
This paper argues that intermediation is both a valuable form of occupational self-organization for professional artists and a political act of embedding with socio-spatial ramifications at different local, urban, and global scales. A case study of events organized in Berlin by the interdisciplinary cultural centre Zentrum für Kunst und Urbanistik demonstrates how artists strategically practice intermediation as modes of autopoietic and dissipati…
Assessing the local embeddedness dynamics of the Baumwollspinnerei cultural quarter in Leipzig
This paper argues that it is important for urban scholars and practitioners to comparatively appraise the differential forms of local embeddedness of cultural quarters. Such appraisals can help to realize more sustainable practices of cultural quarter anchoring within neighbourhoods. The case study of Leipzig, Germany – a city that deploys both ‘creative city’ and ‘cultural industries’ models of urban development within a context of post-industri…
Agonistic Articulations in the ‘Creative’ City
This book offers an empirically-grounded account of the emergence and political activities of a new collective actor in Berlin’s art field. Investigating the organizational and representative practices of Koalition der Freien Szene (Coalition of the Independent Scene) – a trans-disciplinary action platform assembling a wide variety of cultural producers in Berlin – the author unpacks the political organization of one of the most compelling contem…
Artists, Temporality, and the Governance of Collaborative Place-Making
Place-making is a policy exercise rooted in a politics of both space and time. By examining the temporal sequencing of discursive relations and governance networks in the cultural redevelopment of Güterbahnhof Moabit in Berlin, this article demonstrates the fallacy of place-making via artist proxy. It documents the hidden expectations of artist stakeholders and the overextension of their capacities in their municipally delegated and self-assumed …
[Un]Grounding
Handbuch Kulturpolitik
Political science (6 works) · Cultural Industries and Urban Development (5 works) · Sociology (5 works) · Law (4 works) · Politics (4 works) · Epistemology (3 works) · Social science (3 works) · Arts, Culture, and Music Studies (2 works) · Economics (2 works) · Law (2 works)