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Arianna Tondi

Biographic Data

ID4411893
NAMEArianna Tondi
GIVEN NAMESArianna
FAMILY NAMETondi
SIGNATURETONDI A
AFFILIATIONSUniversity of Bergamo
ORCID0000-0002-6777-3812
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX0
  • The Symbolism of Nature in the Mamluk Munāẓara

    Open Access•Arianna Tondi•ARTICLE•Annali di Ca’ Foscari Serie…•2025

    The literary debate is a distinctive genre of the Arabic literary tradition. Emerging in the Abbasid era, it flourished in Mamluk Egypt, when many compositions in prose and in verses have been produced, exhibiting a wide variety of animate or inanimate actants and themes. These texts have been composed for entertainment, with a didactic function, to comment on or symbolically represent aspects of the social reality. In this article, we will focus…

  • Iḥsān ʿAbd al-Quddūs’ Paths to Freedom Between Journalism and Popular Fiction in the Novel "Anā Ḥurra" (I Am Free)

    Open Access•Arianna Tondi•ARTICLE•Journal of Arabic and Islamic…•2024

    Iḥsān ʿAbd al-Quddūs (1919-1990) is one of the best-known journalists in the history of Egyptian political journalism. He began his career at Rūz al-Yūsuf magazine, founded by his mother, the celebrated actress and journalist who named the journal after herself. He was also a famed author of popular fiction, which was serialised in Egyptian mainstream weeklies from the late forties through the eighties. His name is associated with mass readership…

  • Women’s Devotion to the Prophet as Reflected in the Literary Construction of a Non-Canonical Mawlid Narrative

    Open Access•Arianna Tondi•ARTICLE•Revue des mondes musulmans et de…•2024•References: 3

    The Kitāb al-anwār attributed to Abū al-Ḥasan al-Bakrī continues to be, after many centuries, a mysterious narrative, and his alleged author even more enigmatic. The work narrates the creation and transmission of the prophetic light following the tropes of popular romance. In this article we will focus on one of its most peculiar features, that is, the detailed and emotional representation of female characters and the woman’s realm. We will argue…

  • Religione e regionalismo nell’Egitto ottomano attraverso una ricognizione dei generi e dei temi della letteratura religiosa

    Arianna Tondi•ARTICLE•Quaderni di Studi Arabi•2022

    In this paper we will examine how religious literature in Ottoman Egypt (16th–19th century), in continuity with the production of the Mamluk period, contributed to celebrate the geographical boundary in order to claim the lost centrality of Egypt, at that time a province of the Ottoman Empire. We will focus on genres and themes of this literature, which has intensified a feeling of belonging to the land that has influenced the nationalist thought…

  • Khiṭaṭ al-Ghīṭānī

    Open Access•Arianna Tondi•ARTICLE•Journal of Arabic and Islamic…•2022

    In a large part of his literary production, the Egyptian novelist Jamāl al-Ghīṭānī (1945-2015) aimed at rewriting the Arabic literary heritage in order to contest the Western novel hegemony and criticising Gamal Abdel Nasser (Jamāl ʿAbd al-Nāṣir) and Anwar Sadat’s (Anwar al-Sādāt) authoritarianism. In this study we will analyse his novel Khiṭaṭ al-Ghīṭānī (1981), in which the author narrates the police state and the free market economy applying t…

No prominent works on this page.

  • Religione e regionalismo nell’Egitto ottomano attraverso una ricognizione dei generi e dei temi della letteratura religiosa

    Arianna Tondi•ARTICLE•Quaderni di Studi Arabi•2022

    In this paper we will examine how religious literature in Ottoman Egypt (16th–19th century), in continuity with the production of the Mamluk period, contributed to celebrate the geographical boundary in order to claim the lost centrality of Egypt, at that time a province of the Ottoman Empire. We will focus on genres and themes of this literature, which has intensified a feeling of belonging to the land that has influenced the nationalist thought…

  • Khiṭaṭ al-Ghīṭānī

    Open Access•Arianna Tondi•ARTICLE•Journal of Arabic and Islamic…•2022

    In a large part of his literary production, the Egyptian novelist Jamāl al-Ghīṭānī (1945-2015) aimed at rewriting the Arabic literary heritage in order to contest the Western novel hegemony and criticising Gamal Abdel Nasser (Jamāl ʿAbd al-Nāṣir) and Anwar Sadat’s (Anwar al-Sādāt) authoritarianism. In this study we will analyse his novel Khiṭaṭ al-Ghīṭānī (1981), in which the author narrates the police state and the free market economy applying t…

  • Iḥsān ʿAbd al-Quddūs’ Paths to Freedom Between Journalism and Popular Fiction in the Novel "Anā Ḥurra" (I Am Free)

    Open Access•Arianna Tondi•ARTICLE•Journal of Arabic and Islamic…•2024

    Iḥsān ʿAbd al-Quddūs (1919-1990) is one of the best-known journalists in the history of Egyptian political journalism. He began his career at Rūz al-Yūsuf magazine, founded by his mother, the celebrated actress and journalist who named the journal after herself. He was also a famed author of popular fiction, which was serialised in Egyptian mainstream weeklies from the late forties through the eighties. His name is associated with mass readership…

  • Women’s Devotion to the Prophet as Reflected in the Literary Construction of a Non-Canonical Mawlid Narrative

    Open Access•Arianna Tondi•ARTICLE•Revue des mondes musulmans et de…•2024•References: 3

    The Kitāb al-anwār attributed to Abū al-Ḥasan al-Bakrī continues to be, after many centuries, a mysterious narrative, and his alleged author even more enigmatic. The work narrates the creation and transmission of the prophetic light following the tropes of popular romance. In this article we will focus on one of its most peculiar features, that is, the detailed and emotional representation of female characters and the woman’s realm. We will argue…

  • The Symbolism of Nature in the Mamluk Munāẓara

    Open Access•Arianna Tondi•ARTICLE•Annali di Ca’ Foscari Serie…•2025

    The literary debate is a distinctive genre of the Arabic literary tradition. Emerging in the Abbasid era, it flourished in Mamluk Egypt, when many compositions in prose and in verses have been produced, exhibiting a wide variety of animate or inanimate actants and themes. These texts have been composed for entertainment, with a didactic function, to comment on or symbolically represent aspects of the social reality. In this article, we will focus…

Art (5 works) · Islamic Studies and History (5 works) · Literature (4 works) · Archaeology and Historical Studies (3 works) · History (3 works) · Philosophy (3 works) · Ancient history (2 works) · History (2 works) · Law (2 works) · Mamluk (2 works)

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