Eun Young Seong
Biographic Data
| ID | 4412920 |
|---|---|
| NAME | Eun Young Seong |
| GIVEN NAMES | Eun Young |
| FAMILY NAME | Seong |
| SIGNATURE | SEONG E Y |
| AFFILIATIONS | Grinnell College |
| ORCID | 0009-0005-5930-8776 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Claiming to Be Cosmopolitan
Still chasing reconciliation
In the late 1990s, Japan and South Korea declared a new partnership toward reconciliation, which coincided with their relieved political tensions. In particular, South Korea’s lifting of the ban on Japanese cultural products signified a new era, one of cultural interaction following a prolonged period of interruption. Along with the influx of Japanese popular culture into South Korea in the late 1990s and early 2000s, the television drama Friends…
Performance as Apology
This article explores the historical narrative of Zainichi Koreans in the Japanese actress Shin'ya Eiko's solo performance of Shinsetaryon in an attempt to reflect on the decolonisation process between Japanese and Koreans in postwar Japan. In Shinsetaryon, the Zainichi Korean protagonist, Sin Yŏng-suk, narrates her life story interwoven with historical incidents in Japan and Korea during and after Japanese colonial rule. I argue that Shin'ya tre…
No prominent works on this page.
Still chasing reconciliation
In the late 1990s, Japan and South Korea declared a new partnership toward reconciliation, which coincided with their relieved political tensions. In particular, South Korea’s lifting of the ban on Japanese cultural products signified a new era, one of cultural interaction following a prolonged period of interruption. Along with the influx of Japanese popular culture into South Korea in the late 1990s and early 2000s, the television drama Friends…
Performance as Apology
This article explores the historical narrative of Zainichi Koreans in the Japanese actress Shin'ya Eiko's solo performance of Shinsetaryon in an attempt to reflect on the decolonisation process between Japanese and Koreans in postwar Japan. In Shinsetaryon, the Zainichi Korean protagonist, Sin Yŏng-suk, narrates her life story interwoven with historical incidents in Japan and Korea during and after Japanese colonial rule. I argue that Shin'ya tre…
Claiming to Be Cosmopolitan
Narrative (3 works) · Art (2 works) · Asian Culture and Media Studies (2 works) · Gender Studies (2 works) · History (2 works) · Japanese History and Culture (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Sociology (2 works)