Claire Dupin De Beyssat
Biographic Data
| ID | 4413555 |
|---|---|
| NAME | Claire Dupin De Beyssat |
| GIVEN NAMES | Claire Dupin |
| FAMILY NAME | De Beyssat |
| SIGNATURE | DE BEYSSAT C D |
| AFFILIATIONS | École du Louvre |
| ORCID | 0000-0002-3829-3684 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Pairs et experts. Quelle légitimité pour le jury du Salon (1791-1880)
Cet article propose une analyse du jury de l’Exposition de peinture et de sculpture, principale manifestation artistique au xixe siècle, afin d’interroger comment se construit et se maintient sa légitimité, en dépit de multiples transformations qui agitent alors le champ artistique. À partir d’une étude des diverses modalités de composition du jury adoptées par l’administration des beaux-arts et du profil des 167 membres qui y siègent successivem…
Peers and Experts
This article offers an analysis of the jury of the Exposition de peinture et de sculpture—the foremost artistic event of the nineteenth century—in order to examine how its legitimacy was constructed and maintained, despite the many transformations that were reshaping the artistic field at the time. Drawing on a study of the various methods of jury composition implemented by the fine arts administration and the profiles of the 167 individuals who …
Measuring nepotism and sexism in artistic recognition
Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle
Since its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the picture rails of the Louvre, living artists – an expression that was omnipresent during this period – would, throughout the nineteenth century, appro…
Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle
Since its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the picture rails of the Louvre, living artists – an expression that was omnipresent during this period – would, throughout the nineteenth century, appro…
Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle
Since its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the picture rails of the Louvre, living artists – an expression that was omnipresent during this period – would, throughout the nineteenth century, appro…
Measuring nepotism and sexism in artistic recognition
Pairs et experts. Quelle légitimité pour le jury du Salon (1791-1880)
Cet article propose une analyse du jury de l’Exposition de peinture et de sculpture, principale manifestation artistique au xixe siècle, afin d’interroger comment se construit et se maintient sa légitimité, en dépit de multiples transformations qui agitent alors le champ artistique. À partir d’une étude des diverses modalités de composition du jury adoptées par l’administration des beaux-arts et du profil des 167 membres qui y siègent successivem…
Peers and Experts
This article offers an analysis of the jury of the Exposition de peinture et de sculpture—the foremost artistic event of the nineteenth century—in order to examine how its legitimacy was constructed and maintained, despite the many transformations that were reshaping the artistic field at the time. Drawing on a study of the various methods of jury composition implemented by the fine arts administration and the profiles of the 167 individuals who …
Art (2 works) · Art history (2 works) · Art History and Market Analysis (2 works) · Sociology (2 works) · Visual arts (2 works) · Anthropology (1 works) · Appropriation (1 works) · Documentary evidence (1 works) · Exhibition (1 works) · Historical Art and Culture Studies (1 works)