Maria Tartari
Biographic Data
| ID | 4416804 |
|---|---|
| NAME | Maria Tartari |
| GIVEN NAMES | Maria |
| FAMILY NAME | Tartari |
| SIGNATURE | TARTARI M |
| AFFILIATIONS | IULM University |
| ORCID | 0000-0002-0493-6872 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
From fandoms to heritage. Understanding fanfiction forums as Digital Heritage Communities
Should fanfiction forums be considered an instance of Digital Heritage Communities? Departing from the mainstream approach according to which Heritage Communities relate to intangible goods or material collections of Cultural Heritage Institutions (CHIs), we rather focus on the creative and cultural participatory assets enhanced by the advent of digital media (such as fanfictions) and the online communities (resp., fandoms) that support them. Her…
Heritage-led sustainable development in rural areas
Revisiting the CCIs-tourism nexus
In recent years, increasing attention has been paid to the importance of interrelationships between cultural and creative industries (CCIs) and tourism for cross-industry innovation and sustainable local development. The purpose of this study is to deepen the understanding of the role and relevance of the CCIs-tourism nexus for innovation-driven socio-economic transformation of territories through regional policy design and implementation in Smar…
Urban ‘beautification’ and its discontents
In this paper, we analyze the relationship between artistic interventions in the public space and their impact on urban cultural commons. We focus on the case study of the Muri Liberi street art project in NoLo, a semi-peripheral neighbourhood of Milan traditionally characterized by a multi-ethnic, low-income resident population and now witnessing the early signs of socio-economic transformation. We propose a comparison with a case of art-based r…
A monument to whom? Artist positionality in community art-based projects
Artistic interventions in the public domain are often legitimized as opportunities for the empowerment of local communities. However, the nature of such interventions is complex and cannot be inferred from stated intentions. The interaction between agents of cultural and artistic interventions and local communities is shaped by power relationships that are seldom made explicit, let alone negotiated. Here, we analyze The Gramsci Monument, a site-s…
The Bottom-up Place Branding of a Neighborhood
This article analyzes the entanglement of social impacts of bottom-up urban branding processes on local hyperdiverse communities, through an ethnography of a neighborhood of Milan recently named by a group of residents as “NoLo.” Indeed, existing literature has broadly investigated urban rebranding as a tool used by policy makers to foster social change and economic capital, imposing top-down transformations. Nevertheless, a gap in the bottom-up …
Two versions of heterotopia
Gentrification as space domestication. The High Line Art case
In this paper, we critically examine the role of artistic locational choices and practices in the context of gentrification processes in urban renewal contexts. We characterize gentrification as a form of domestication of space, and explore the extent to which artistic choices and practices relate to such process with reference to the deontological dilemma of legitimization within the art system vs. responsible empowerment of vulnerable local con…
Two versions of heterotopia
Gentrification as space domestication. The High Line Art case
In this paper, we critically examine the role of artistic locational choices and practices in the context of gentrification processes in urban renewal contexts. We characterize gentrification as a form of domestication of space, and explore the extent to which artistic choices and practices relate to such process with reference to the deontological dilemma of legitimization within the art system vs. responsible empowerment of vulnerable local con…
Heritage-led sustainable development in rural areas
A monument to whom? Artist positionality in community art-based projects
Artistic interventions in the public domain are often legitimized as opportunities for the empowerment of local communities. However, the nature of such interventions is complex and cannot be inferred from stated intentions. The interaction between agents of cultural and artistic interventions and local communities is shaped by power relationships that are seldom made explicit, let alone negotiated. Here, we analyze The Gramsci Monument, a site-s…
Gentrification as space domestication. The High Line Art case
In this paper, we critically examine the role of artistic locational choices and practices in the context of gentrification processes in urban renewal contexts. We characterize gentrification as a form of domestication of space, and explore the extent to which artistic choices and practices relate to such process with reference to the deontological dilemma of legitimization within the art system vs. responsible empowerment of vulnerable local con…
Two versions of heterotopia
The Bottom-up Place Branding of a Neighborhood
This article analyzes the entanglement of social impacts of bottom-up urban branding processes on local hyperdiverse communities, through an ethnography of a neighborhood of Milan recently named by a group of residents as “NoLo.” Indeed, existing literature has broadly investigated urban rebranding as a tool used by policy makers to foster social change and economic capital, imposing top-down transformations. Nevertheless, a gap in the bottom-up …
Urban ‘beautification’ and its discontents
In this paper, we analyze the relationship between artistic interventions in the public space and their impact on urban cultural commons. We focus on the case study of the Muri Liberi street art project in NoLo, a semi-peripheral neighbourhood of Milan traditionally characterized by a multi-ethnic, low-income resident population and now witnessing the early signs of socio-economic transformation. We propose a comparison with a case of art-based r…
A monument to whom? Artist positionality in community art-based projects
Artistic interventions in the public domain are often legitimized as opportunities for the empowerment of local communities. However, the nature of such interventions is complex and cannot be inferred from stated intentions. The interaction between agents of cultural and artistic interventions and local communities is shaped by power relationships that are seldom made explicit, let alone negotiated. Here, we analyze The Gramsci Monument, a site-s…
Revisiting the CCIs-tourism nexus
In recent years, increasing attention has been paid to the importance of interrelationships between cultural and creative industries (CCIs) and tourism for cross-industry innovation and sustainable local development. The purpose of this study is to deepen the understanding of the role and relevance of the CCIs-tourism nexus for innovation-driven socio-economic transformation of territories through regional policy design and implementation in Smar…
From fandoms to heritage. Understanding fanfiction forums as Digital Heritage Communities
Should fanfiction forums be considered an instance of Digital Heritage Communities? Departing from the mainstream approach according to which Heritage Communities relate to intangible goods or material collections of Cultural Heritage Institutions (CHIs), we rather focus on the creative and cultural participatory assets enhanced by the advent of digital media (such as fanfictions) and the online communities (resp., fandoms) that support them. Her…
Heritage-led sustainable development in rural areas
Political science (7 works) · Law (6 works) · Sociology (6 works) · Economics (5 works) · Aesthetics (4 works) · Cultural Industries and Urban Development (4 works) · Economic growth (4 works) · Law (4 works) · Public Spaces through Art (4 works) · Art (3 works)