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Max Thomas

Biographic Data

ID4419633
NAMEMax Thomas
GIVEN NAMESMax
FAMILY NAMEThomas
SIGNATURETHOMAS M
AFFILIATIONSUniversity of Iowa
ORCID0000-0002-2531-4802
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2000
H-INDEX1
  • Eschewing Credit: Heywood, Shakespeare, and Plagiarism before Copyright

    Max W Thomas, Max Thomas•ARTICLE•New Literary History•2000

    How, in a textual system which lacks a concept of authorial/intellectual property, and which operates largely through techniques of imitation, can there be such a thing as "plagiarism"? Can there be such a thing? What is being stolen? By whom? How? And how might it be useful to those of us living at the hypostasization of authorial/intellectual property at the end of the twentieth century to consider its prehistory in the early seventeenth

  • Writing and Vulnerability in the Late Renaissance

    Open Access•Max W Thomas, Max Thomas•ARTICLE•Renaissance Quarterly•1996

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Whitman the Political Poet

    B Mch, Betsy Erkilla et al.•ARTICLE•Poetics Today•1990

  • Walt Whitman and Mannahatta-New York

    Open Access•M Wynn Thomas, Max Thomas•ARTICLE•American Quarterly•1982•Cited by: 2

  • Strangers in a Strange Land: "A Reading of "Noon Wine

    M Wynn Thomas, Max Thomas•ARTICLE•American Literature•1975

  • Walt Whitman and Mannahatta-New York

    Open Access•M Wynn Thomas, Max Thomas•ARTICLE•American Quarterly•1982•Cited by: 2

  • Strangers in a Strange Land: "A Reading of "Noon Wine

    M Wynn Thomas, Max Thomas•ARTICLE•American Literature•1975

  • Walt Whitman and Mannahatta-New York

    Open Access•M Wynn Thomas, Max Thomas•ARTICLE•American Quarterly•1982•Cited by: 2

  • Whitman the Political Poet

    B Mch, Betsy Erkilla et al.•ARTICLE•Poetics Today•1990

  • Writing and Vulnerability in the Late Renaissance

    Open Access•Max W Thomas, Max Thomas•ARTICLE•Renaissance Quarterly•1996

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Eschewing Credit: Heywood, Shakespeare, and Plagiarism before Copyright

    Max W Thomas, Max Thomas•ARTICLE•New Literary History•2000

    How, in a textual system which lacks a concept of authorial/intellectual property, and which operates largely through techniques of imitation, can there be such a thing as "plagiarism"? Can there be such a thing? What is being stolen? By whom? How? And how might it be useful to those of us living at the hypostasization of authorial/intellectual property at the end of the twentieth century to consider its prehistory in the early seventeenth

Art (5 works) · History (4 works) · Poetry Analysis and Criticism (3 works) · Art history (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · Archaeology (1 works)

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