Miloš Ničić
Biographic Data
| ID | 4422642 |
|---|---|
| NAME | Miloš Ničić |
| GIVEN NAMES | Miloš |
| FAMILY NAME | Ničić |
| SIGNATURE | NIČIĆ M |
| AFFILIATIONS | University of Belgrade |
| ORCID | 0000-0003-4296-7351 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Popular Culture, Folklore, and the Creative Industries
This article examines the relationship between the creative industries, popular culture, and folklore from the perspective of cultural studies through a critical reconsideration of the concept of the folkloresque. The folkloresque is a concept introduced during the second decade of the twenty-first century by Michael Dylan Foster and Jeffrey A. Tolbert to describe both the processes of creation and the products that emerge when popular culture ap…
Heritage, public history and democracy
This paper examines the complex relationship between heritage, public history and democracy, arguing that heritage is not a neutral transmission of the past but a contested, constructed and politically charged process. Drawing on critical heritage studies and public history scholarship, the text evaluates how dynamic memory practices can both empower communities and reinforce existing power structures. Special attention is paid to the concept of …
Teaching Cultural Theory and Popular Culture in Postsocialist Country
Popular culture entered the academic realm in the 1980s, and the first academic courses on this subject emerged in the 1990s.Bearing in mind the specific historical setting, this paper presents an account of the teaching of popular culture as part of core bachelor ("Cultural Theory") and master ("Cultural Studies") degree courses at the Faculty of Political Science, University of Belgrade.The courses are designed to offer a critical understanding…
From alienation to irony
In this paper, we will discuss two issues. First, the relation between political theory and film studies is discussed as the basis for the emergence of critical film studies and its contemporary transformation. Second, we consider the kynical subversion and ironic appropriation as a set of frameworks for understanding the social reality and politics in the Yugoslav Black Wave cinema as well as in the movies of the contemporary Serbian cinematogra…
Anthropology of the state
Dok su neke druge discipline prolazile kroz kulturni obrt, antropologija je osamdesetih godina prošlog veka doživela 'politički preokret' (Spencer 2007, up. Vincent 1990), ne samo u smislu oživljavanja političke antropologije kao grane antropologije, već i u smislu antropološkog interesovanja za političko - i kao izraz sopstvene pozicije (istraživača i/ili discipline) i kao polje istraživanja1. S tim u vezi, javilo se interesovanje i za antropolo…
Heritage, public history and democracy
This paper examines the complex relationship between heritage, public history and democracy, arguing that heritage is not a neutral transmission of the past but a contested, constructed and politically charged process. Drawing on critical heritage studies and public history scholarship, the text evaluates how dynamic memory practices can both empower communities and reinforce existing power structures. Special attention is paid to the concept of …
Anthropology of the state
Dok su neke druge discipline prolazile kroz kulturni obrt, antropologija je osamdesetih godina prošlog veka doživela 'politički preokret' (Spencer 2007, up. Vincent 1990), ne samo u smislu oživljavanja političke antropologije kao grane antropologije, već i u smislu antropološkog interesovanja za političko - i kao izraz sopstvene pozicije (istraživača i/ili discipline) i kao polje istraživanja1. S tim u vezi, javilo se interesovanje i za antropolo…
From alienation to irony
In this paper, we will discuss two issues. First, the relation between political theory and film studies is discussed as the basis for the emergence of critical film studies and its contemporary transformation. Second, we consider the kynical subversion and ironic appropriation as a set of frameworks for understanding the social reality and politics in the Yugoslav Black Wave cinema as well as in the movies of the contemporary Serbian cinematogra…
Teaching Cultural Theory and Popular Culture in Postsocialist Country
Popular culture entered the academic realm in the 1980s, and the first academic courses on this subject emerged in the 1990s.Bearing in mind the specific historical setting, this paper presents an account of the teaching of popular culture as part of core bachelor ("Cultural Theory") and master ("Cultural Studies") degree courses at the Faculty of Political Science, University of Belgrade.The courses are designed to offer a critical understanding…
Heritage, public history and democracy
This paper examines the complex relationship between heritage, public history and democracy, arguing that heritage is not a neutral transmission of the past but a contested, constructed and politically charged process. Drawing on critical heritage studies and public history scholarship, the text evaluates how dynamic memory practices can both empower communities and reinforce existing power structures. Special attention is paid to the concept of …
Popular Culture, Folklore, and the Creative Industries
This article examines the relationship between the creative industries, popular culture, and folklore from the perspective of cultural studies through a critical reconsideration of the concept of the folkloresque. The folkloresque is a concept introduced during the second decade of the twenty-first century by Michael Dylan Foster and Jeffrey A. Tolbert to describe both the processes of creation and the products that emerge when popular culture ap…
Sociology (3 works) · Cultural Studies (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Popular culture (2 works) · Aesthetics (1 works) · Alienation (1 works) · Anthropology (1 works) · Appropriation (1 works)