Alan Stanbridge
Biographic Data
| ID | 4428808 |
|---|---|
| NAME | Alan Stanbridge |
| GIVEN NAMES | Alan |
| FAMILY NAME | Stanbridge |
| SIGNATURE | STANBRIDGE A |
| AFFILIATIONS | University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Jim McGuigan – a tribute
Jim McGuigan, Rethinking cultural policy
Jim McGuigan, Rethinking cultural policy ." International Journal of Cultural Policy, 16(1), pp. 80–81
The Tradition of All the Dead Generations: Music and cultural policy
The notion of tradition is a somewhat troublesome one, capable of both positive and negative interpretation: on the one hand, tradition can be understood optimistically, as historical inspiration, a celebration of lineage and continuity. On the other hand, tradition can connote prescriptive inertia, the axiomatic dogma of former eras. In this paper, I explore the impact that narrowly prescriptive interpretations of tradition have had on contempor…
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The modern conception of “art” has its roots in the development of eighteenth‐century aesthetics, yet continues to have an apparently unshakeable hold on the broad field of cultural policy. Across a wide range of programs and disciplines, a lingering faith in the autonomy of art, in the isolated genius of the artist and in the superiority of traditional high art forms over those of popular culture is still, I would argue, clearly evident, and the…
Detour or dead-end? Contemporary cultural theory and the search for new cultural policy models
This paper considers whether contemporary cultural theory has been a fruitful detour in cultural policy terms, or whether it has proven to be something of a dead-end. Although the arcane nature of some cultural theory remains inimical to policy applications, I argue that this should not be allowed to obscure the continuing relevance of cultural theory for the future evolution of cultural policy. More significantly, however, I suggest that cultura…
Detour or dead-end? Contemporary cultural theory and the search for new cultural policy models
This paper considers whether contemporary cultural theory has been a fruitful detour in cultural policy terms, or whether it has proven to be something of a dead-end. Although the arcane nature of some cultural theory remains inimical to policy applications, I argue that this should not be allowed to obscure the continuing relevance of cultural theory for the future evolution of cultural policy. More significantly, however, I suggest that cultura…
The Tradition of All the Dead Generations: Music and cultural policy
The notion of tradition is a somewhat troublesome one, capable of both positive and negative interpretation: on the one hand, tradition can be understood optimistically, as historical inspiration, a celebration of lineage and continuity. On the other hand, tradition can connote prescriptive inertia, the axiomatic dogma of former eras. In this paper, I explore the impact that narrowly prescriptive interpretations of tradition have had on contempor…
Display Options
The modern conception of “art” has its roots in the development of eighteenth‐century aesthetics, yet continues to have an apparently unshakeable hold on the broad field of cultural policy. Across a wide range of programs and disciplines, a lingering faith in the autonomy of art, in the isolated genius of the artist and in the superiority of traditional high art forms over those of popular culture is still, I would argue, clearly evident, and the…
Detour or dead-end? Contemporary cultural theory and the search for new cultural policy models
This paper considers whether contemporary cultural theory has been a fruitful detour in cultural policy terms, or whether it has proven to be something of a dead-end. Although the arcane nature of some cultural theory remains inimical to policy applications, I argue that this should not be allowed to obscure the continuing relevance of cultural theory for the future evolution of cultural policy. More significantly, however, I suggest that cultura…
Display Options
The modern conception of “art” has its roots in the development of eighteenth‐century aesthetics, yet continues to have an apparently unshakeable hold on the broad field of cultural policy. Across a wide range of programs and disciplines, a lingering faith in the autonomy of art, in the isolated genius of the artist and in the superiority of traditional high art forms over those of popular culture is still, I would argue, clearly evident, and the…
The Tradition of All the Dead Generations: Music and cultural policy
The notion of tradition is a somewhat troublesome one, capable of both positive and negative interpretation: on the one hand, tradition can be understood optimistically, as historical inspiration, a celebration of lineage and continuity. On the other hand, tradition can connote prescriptive inertia, the axiomatic dogma of former eras. In this paper, I explore the impact that narrowly prescriptive interpretations of tradition have had on contempor…
Jim McGuigan, Rethinking cultural policy
Jim McGuigan, Rethinking cultural policy ." International Journal of Cultural Policy, 16(1), pp. 80–81
Jim McGuigan – a tribute
Political science (5 works) · Sociology (5 works) · Cultural Industries and Urban Development (4 works) · Law (4 works) · Law (4 works) · Art (3 works) · Cultural policy (3 works) · Philosophy (3 works) · Philosophy (3 works) · Aesthetics (2 works)