Ximo Martorell Briz
Biographic Data
| ID | 4435271 |
|---|---|
| NAME | Ximo Martorell Briz |
| GIVEN NAMES | Ximo Martorell |
| FAMILY NAME | Briz |
| SIGNATURE | BRIZ X M |
| AFFILIATIONS | University of Alicante |
| ORCID | 0000-0002-4766-3720 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Uncovering the time-depth of rock art: Seriation and agency in the case of Levantine rock art of eastern Iberia
Eastern Iberia is home to one of the largest concentrations of rock art sites in Europe. Most of them have been attributed to post-glacial graphic traditions created in open-air shelters, often with a considerable number of superimpositions. One such tradition is Levantine art, whose iconography is of great significance for understanding Holocene social practices on a continental scale. In this article, we approach the relative temporality of thi…
Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia)
The use of clay for symbolic or ritual activities can be confidently traced back to the Palaeolithic. One of the earliest documented examples is the presence of clay-based paintings at European Upper Palaeolithic cave sites. However, references to such artworks are scarce, and almost no attention has been given to the study of their technical and graphic characteristics. The recent discovery of Cova Dones (Spain), which contains nearly a hundred …
Metodología de detección con dron (RPAS) aplicada a la prospección de arte rupestre prehistórico
La prospección, detección y documentación de arte rupestre prehistórico en paredes, abrigos y cuevas poco profundas está, a menudo, condicionada por su accesibilidad. Las características geográficas del entorno y las transformaciones del paisaje a lo largo de milenios, tanto por causas naturales como antrópicas, son factores determinantes a tener en cuenta. El objetivo de este trabajo es contribuir a crear un marco metodológico que permita incorp…
The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)
Since the 1980s, research into aggregation sites has focused on the material dimension of the archaeological record and has thus led to an incomplete view of the prehistoric reality. Early communities chose sites for many reasons. In this article, we explore the possibility that something as immaterial in nature as the acoustics of the sites may have influenced the selective choices made by the prehistoric peoples who created and used rock art in…
Las Cuevecicas del Estiércol (Quesa, Valencia) y su aportación al debate en torno a la figura femenina en el Arte Rupestre Levantino del macizo del Caroig
El estudio integral de las Cuevecicas del Estiércol ha sacado a la luz una docena de pinturas rupestres neolíticas, distribuidas en dos paneles. Entre ellas cabe destacar un serpentiforme de un solo trazo, una escena formada por una pareja de figuras femeninas asociadas a una barra zigzagueante, un arquero y una escena de recolección protagonizada por otra figura femenina. A pesar de que el número de representaciones es reducido, las Cuevecicas d…
The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)
Since the 1980s, research into aggregation sites has focused on the material dimension of the archaeological record and has thus led to an incomplete view of the prehistoric reality. Early communities chose sites for many reasons. In this article, we explore the possibility that something as immaterial in nature as the acoustics of the sites may have influenced the selective choices made by the prehistoric peoples who created and used rock art in…
Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia)
The use of clay for symbolic or ritual activities can be confidently traced back to the Palaeolithic. One of the earliest documented examples is the presence of clay-based paintings at European Upper Palaeolithic cave sites. However, references to such artworks are scarce, and almost no attention has been given to the study of their technical and graphic characteristics. The recent discovery of Cova Dones (Spain), which contains nearly a hundred …
Las Cuevecicas del Estiércol (Quesa, Valencia) y su aportación al debate en torno a la figura femenina en el Arte Rupestre Levantino del macizo del Caroig
El estudio integral de las Cuevecicas del Estiércol ha sacado a la luz una docena de pinturas rupestres neolíticas, distribuidas en dos paneles. Entre ellas cabe destacar un serpentiforme de un solo trazo, una escena formada por una pareja de figuras femeninas asociadas a una barra zigzagueante, un arquero y una escena de recolección protagonizada por otra figura femenina. A pesar de que el número de representaciones es reducido, las Cuevecicas d…
Metodología de detección con dron (RPAS) aplicada a la prospección de arte rupestre prehistórico
La prospección, detección y documentación de arte rupestre prehistórico en paredes, abrigos y cuevas poco profundas está, a menudo, condicionada por su accesibilidad. Las características geográficas del entorno y las transformaciones del paisaje a lo largo de milenios, tanto por causas naturales como antrópicas, son factores determinantes a tener en cuenta. El objetivo de este trabajo es contribuir a crear un marco metodológico que permita incorp…
The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)
Since the 1980s, research into aggregation sites has focused on the material dimension of the archaeological record and has thus led to an incomplete view of the prehistoric reality. Early communities chose sites for many reasons. In this article, we explore the possibility that something as immaterial in nature as the acoustics of the sites may have influenced the selective choices made by the prehistoric peoples who created and used rock art in…
Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia)
The use of clay for symbolic or ritual activities can be confidently traced back to the Palaeolithic. One of the earliest documented examples is the presence of clay-based paintings at European Upper Palaeolithic cave sites. However, references to such artworks are scarce, and almost no attention has been given to the study of their technical and graphic characteristics. The recent discovery of Cova Dones (Spain), which contains nearly a hundred …
Uncovering the time-depth of rock art: Seriation and agency in the case of Levantine rock art of eastern Iberia
Eastern Iberia is home to one of the largest concentrations of rock art sites in Europe. Most of them have been attributed to post-glacial graphic traditions created in open-air shelters, often with a considerable number of superimpositions. One such tradition is Levantine art, whose iconography is of great significance for understanding Holocene social practices on a continental scale. In this article, we approach the relative temporality of thi…
Archaeological and Geological Studies (3 works) · Art (3 works) · Geography (3 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Archaeological and Historical Studies (2 works) · Archaeology (2 works) · Archaeology and Rock Art Studies (2 works) · Geology (2 works) · Humanities (2 works) · Rock art (2 works)