Kerry–jane Wallart
Biographic Data
| ID | 4448018 |
|---|---|
| NAME | Kerry–jane Wallart |
| GIVEN NAMES | Kerry–jane |
| FAMILY NAME | Wallart |
| SIGNATURE | WALLART K J |
| AFFILIATIONS | Université d'Orléans |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Fabric/ating communities in the work of Ebony Patterson and Nyugen Smith: Distortions and re-directions of scales, places and gazes
This article links the works of two Caribbean American visual artists, Ebony Patterson and Nyugen Smith, who include in their equally large installations practices of sewing, stitching, quilting, combining and assembling fabric and thread. In the context of Black Atlantic deportations, these practices function as rites of togetherness within a haunted space of forced mobility and uprootedness, as well as of reconstitution of isolated and frail tr…
Pauline Amy de la Bretèque, Vers une poétique féminine de la créolisation entre Caraïbe et diaspora (Jean Rhys, Paule Marshall, Michelle Cliff, Olive Senior, Jamaica Kincaid)
Issu d’une thèse remarquée, et remaniée, le présent ouvrage constitue un jalon important dans le champ des études caribéennes. C’est du reste précisément en suivant les littératures caribéennes vers leur diaspora (géographique et artistique) que Pauline Amy de la Bretèque contribue à comprendre comment ce laboratoire archipélique de la créolisation, mais aussi de la pensée postcoloniale, est devenu un observatoire de destins et d’esthétiques dias…
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat
Introduction: Transmettre (dans) la Caraïbe : Continuités, ruptures, passages et expériences
Introduction du dossier
Transculturalism of the Harlem Renaissance: West Indian presences in The New Negro
The recently rediscovered West Indian influences in the “Harlem Renaissance” movement are taken here as a methodological tool with which to reconfigure issues of Black Atlantic transnationalism. This paper analyses The New Negro anthology edited by Alain Locke in 1925 in the light of USA exceptionalism, of political influences on canon-rebuilding, and of transcultural negotiations. It re-casts the long-standing postcolonial dialectics between sel…
May Joseph. Sea Log, Indian Ocean to New York
Even in 2020, with cultural studies scholarship exploring ever more hybrid methodologies, this volume is difficult to assess synthetically. Not only does it convoke a cluster of theoretical standpoints, but it also reads like an essay or an autobiographical piece, multiplying the modes of address. Christina Sharpe's In the Wake (2013) is mentioned as early as the introduction: May Joseph is tackling the Indian Ocean in ways that expand Sharpe's d…
Introduction: Jean Rhys: Writing Precariously
International audience
The Indian Caribbean: Migration and Identity in the Diaspora
The Indian Caribbean: migration and identity in the diaspora." South Asian Diaspora, 11(1), pp. 105–106
The postcolonial epic, from Melville to Walcott and Ghosh
The postcolonial epic, from Melville to Walcott and Ghosh." Journal of Postcolonial Writing, 55(5), pp. 723–724
‘Naipaul’s daughter’? Queer/cross-racial satire in Valmiki’s Daughter
Shani Mootoo’s Valmiki’s Daughter (2008) is mostly set in Trinidad’s East Indian minority community, one which becomes associated both with (hetero)normativity and with a subversion of the ‘national consensus’ through its claims to racial and cultural specificity. Racial and gendered social norms are recurrently posited and transgressed, in actual fact or through a discourse of resistance. Valmiki’s Daughter superimposes Viveka’s and the narrator…
No prominent works on this page.
‘Naipaul’s daughter’? Queer/cross-racial satire in Valmiki’s Daughter
Shani Mootoo’s Valmiki’s Daughter (2008) is mostly set in Trinidad’s East Indian minority community, one which becomes associated both with (hetero)normativity and with a subversion of the ‘national consensus’ through its claims to racial and cultural specificity. Racial and gendered social norms are recurrently posited and transgressed, in actual fact or through a discourse of resistance. Valmiki’s Daughter superimposes Viveka’s and the narrator…
The Indian Caribbean: Migration and Identity in the Diaspora
The Indian Caribbean: migration and identity in the diaspora." South Asian Diaspora, 11(1), pp. 105–106
The postcolonial epic, from Melville to Walcott and Ghosh
The postcolonial epic, from Melville to Walcott and Ghosh." Journal of Postcolonial Writing, 55(5), pp. 723–724
May Joseph. Sea Log, Indian Ocean to New York
Even in 2020, with cultural studies scholarship exploring ever more hybrid methodologies, this volume is difficult to assess synthetically. Not only does it convoke a cluster of theoretical standpoints, but it also reads like an essay or an autobiographical piece, multiplying the modes of address. Christina Sharpe's In the Wake (2013) is mentioned as early as the introduction: May Joseph is tackling the Indian Ocean in ways that expand Sharpe's d…
Introduction: Jean Rhys: Writing Precariously
International audience
Transculturalism of the Harlem Renaissance: West Indian presences in The New Negro
The recently rediscovered West Indian influences in the “Harlem Renaissance” movement are taken here as a methodological tool with which to reconfigure issues of Black Atlantic transnationalism. This paper analyses The New Negro anthology edited by Alain Locke in 1925 in the light of USA exceptionalism, of political influences on canon-rebuilding, and of transcultural negotiations. It re-casts the long-standing postcolonial dialectics between sel…
Introduction: Transmettre (dans) la Caraïbe : Continuités, ruptures, passages et expériences
Introduction du dossier
Fabric/ating communities in the work of Ebony Patterson and Nyugen Smith: Distortions and re-directions of scales, places and gazes
This article links the works of two Caribbean American visual artists, Ebony Patterson and Nyugen Smith, who include in their equally large installations practices of sewing, stitching, quilting, combining and assembling fabric and thread. In the context of Black Atlantic deportations, these practices function as rites of togetherness within a haunted space of forced mobility and uprootedness, as well as of reconstitution of isolated and frail tr…
Pauline Amy de la Bretèque, Vers une poétique féminine de la créolisation entre Caraïbe et diaspora (Jean Rhys, Paule Marshall, Michelle Cliff, Olive Senior, Jamaica Kincaid)
Issu d’une thèse remarquée, et remaniée, le présent ouvrage constitue un jalon important dans le champ des études caribéennes. C’est du reste précisément en suivant les littératures caribéennes vers leur diaspora (géographique et artistique) que Pauline Amy de la Bretèque contribue à comprendre comment ce laboratoire archipélique de la créolisation, mais aussi de la pensée postcoloniale, est devenu un observatoire de destins et d’esthétiques dias…
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat
Art (5 works) · Caribbean and African Literature and Culture (4 works) · Caribbean history, culture, and politics (4 works) · Anthropology (3 works) · History (3 works) · History (3 works) · Sociology (3 works) · Art history (2 works) · Decolonial Thought and Epistemologies (2 works) · Diaspora (2 works)