Emily Q Shuman
Biographic Data
| ID | 4448259 |
|---|---|
| NAME | Emily Q Shuman |
| GIVEN NAMES | Emily Q |
| FAMILY NAME | Shuman |
| SIGNATURE | SHUMAN E Q |
| AFFILIATIONS | Radboud University |
| ORCID | 0009-0000-6931-7389 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
La fabrique de la race par les industries culturelles françaises. Sortir de la colourblindness
L’introduction au numéro spécial « Race and the cultural industries in France » explore la façon dont la race, comprise comme un rapport social de pouvoir, structure le fonctionnement ordinaire des industries culturelles françaises comme les propriétés formelles de leurs productions. Elle invite en ce sens à dépasser l’ignorance du racisme qui caractérise la majeure partie des recherches sur l’organisation des industries culturelles françaises. E…
Encoding, decoding race. The politics of production and reception in cultural industries
In this joint interview, Anamik Saha and Maxime Cervulle discuss their respective acts of scholarship. Their research shares a common root in British Cultural Studies, particularly in the foundational work of Stuart Hall. Based on distinct case studies and research trajectories in two different academic contexts, each scholar has offered essential contributions to the study of how race configures the contemporary cultural industries. Their exchan…
Nostalgia, hauntings and feminine icons: Locating whiteness in television series about French cinema
Following critiques of French cinema's whiteness, this article explores the roles of race and gender in the television series Dix pour cent (2015–2020) and Irma Vep (2022). Both series express nostalgia towards French cinema's female icons and ethos. Dix pour cent 's playful nostalgia looks to the hegemonic French femininity of renowned actresses to embody cinematic ideals. It weaves the racialised aspiring actress Sofia into these storylines in …
Fantasies of power: Sex, humour and complicities in French rap
Contains fulltext : 320870.pdf (Publisher’s version ) (Open Access
Esthétique et performativité de la race dans « Créature ratée » de Casey
Cet article examine comment les particularités esthétiques du rap peuvent mettre en scène des rapports sociaux de pouvoir. Il s’agit d’analyser le morceau « Créature ratée » de la rappeuse Casey à l’échelle des paroles, de l’interprétation vocale, de la production musicale, de la performance sur scène et du clip afin d’analyser comment ces formes travaillent ensemble pour dénaturaliser le regard racialisant. Les paroles de « Créature ratée » repr…
Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik
This paper investigates the visual aesthetics of French rap with regard to questions of race and subjectivity through an analysis of both the lyrics and music videos of the rapper Abd al Malik. Abd al Malik addresses the central question of corporeal visibility in a ‘colour-blind’ French society. His performance depicts the skin as a surface, rooting his corporeal subjectivity in a tactile experience. Through the use of light, oversaturated colou…
Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik
This paper investigates the visual aesthetics of French rap with regard to questions of race and subjectivity through an analysis of both the lyrics and music videos of the rapper Abd al Malik. Abd al Malik addresses the central question of corporeal visibility in a ‘colour-blind’ French society. His performance depicts the skin as a surface, rooting his corporeal subjectivity in a tactile experience. Through the use of light, oversaturated colou…
Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik
This paper investigates the visual aesthetics of French rap with regard to questions of race and subjectivity through an analysis of both the lyrics and music videos of the rapper Abd al Malik. Abd al Malik addresses the central question of corporeal visibility in a ‘colour-blind’ French society. His performance depicts the skin as a surface, rooting his corporeal subjectivity in a tactile experience. Through the use of light, oversaturated colou…
Esthétique et performativité de la race dans « Créature ratée » de Casey
Cet article examine comment les particularités esthétiques du rap peuvent mettre en scène des rapports sociaux de pouvoir. Il s’agit d’analyser le morceau « Créature ratée » de la rappeuse Casey à l’échelle des paroles, de l’interprétation vocale, de la production musicale, de la performance sur scène et du clip afin d’analyser comment ces formes travaillent ensemble pour dénaturaliser le regard racialisant. Les paroles de « Créature ratée » repr…
Fantasies of power: Sex, humour and complicities in French rap
Contains fulltext : 320870.pdf (Publisher’s version ) (Open Access
La fabrique de la race par les industries culturelles françaises. Sortir de la colourblindness
L’introduction au numéro spécial « Race and the cultural industries in France » explore la façon dont la race, comprise comme un rapport social de pouvoir, structure le fonctionnement ordinaire des industries culturelles françaises comme les propriétés formelles de leurs productions. Elle invite en ce sens à dépasser l’ignorance du racisme qui caractérise la majeure partie des recherches sur l’organisation des industries culturelles françaises. E…
Encoding, decoding race. The politics of production and reception in cultural industries
In this joint interview, Anamik Saha and Maxime Cervulle discuss their respective acts of scholarship. Their research shares a common root in British Cultural Studies, particularly in the foundational work of Stuart Hall. Based on distinct case studies and research trajectories in two different academic contexts, each scholar has offered essential contributions to the study of how race configures the contemporary cultural industries. Their exchan…
Nostalgia, hauntings and feminine icons: Locating whiteness in television series about French cinema
Following critiques of French cinema's whiteness, this article explores the roles of race and gender in the television series Dix pour cent (2015–2020) and Irma Vep (2022). Both series express nostalgia towards French cinema's female icons and ethos. Dix pour cent 's playful nostalgia looks to the hegemonic French femininity of renowned actresses to embody cinematic ideals. It weaves the racialised aspiring actress Sofia into these storylines in …
Caribbean and African Literature and Culture (3 works) · North African History and Literature (3 works) · Art (2 works) · Cinema and Media Studies (2 works) · Philosophy (2 works) · Politics (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Art history (1 works) · Art, Technology, and Culture (1 works)