Hadas Schlussel
Biographic Data
| ID | 4448702 |
|---|---|
| NAME | Hadas Schlussel |
| GIVEN NAMES | Hadas |
| FAMILY NAME | Schlussel |
| SIGNATURE | SCHLUSSEL H |
| AFFILIATIONS | Hebrew University of Jerusalem |
| ORCID | 0000-0003-1374-1249 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Special issue on methods in visual politics and protest
This special issue forms the second part of a double issue on methods in visual politics and protest. It draws together five articles that provide new pathways for deconstructing visual political narratives and offers reflexive and nuanced accounts for researching visual data and information shared on social media platforms (here: TikTok, Instagram, Twitter/X, Facebook). They do so through the application of feminist mixed methods (femmix), cross…
Special issue on methods in visual politics and protest
This special issue draws together five articles in the arena of methods in visual politics and protest. It addresses three core methodological challenges across the research process (data access, collection, analysis, visualisation): the proliferation of visual social media, the emergence of novel visual practices, and the increasing application of digital methods. Their key contributions lie in the development of mixed visual methods approaches,…
Be there or share
Live video is often used by protesters and political activists while broadcasting from conflict arenas since it gives the viewers a sense of “how it feels to be here.” This qualitative study suggests that digital “broadcast” technologies such as livestreaming can construct new forms of place-bound media events which intertwine “liveness” and “emplacement.” The article examines 97 Facebook Live videos uploaded during the May 2021 escalation of the…
The taste of video
Recipe videos are among the most viral genres of videos on social media. Yet, little research has been done on their aesthetic and formal attributes, especially on how they operate within the frameworks of the attention economy and embodied interaction specific to social media interfaces. This paper examines recipe videos published on Tasty, one of the most popular Facebook pages in the world. We analyze these videos through a three-dimensional m…
"Taste This Video!"
Videos are among the most widely used media formats on Facebook. Yet little research has been done on their aesthetic and formal attributes, and especially on how they operate within the frameworks of attention, interruption and embodied interaction specific to social media interfaces. This paper examines recipe videos published on Tasty, one of the most popular Facebook pages in the world. We analyze these videos through a novel three-dimensiona…
Special issue on methods in visual politics and protest
This special issue forms the second part of a double issue on methods in visual politics and protest. It draws together five articles that provide new pathways for deconstructing visual political narratives and offers reflexive and nuanced accounts for researching visual data and information shared on social media platforms (here: TikTok, Instagram, Twitter/X, Facebook). They do so through the application of feminist mixed methods (femmix), cross…
Special issue on methods in visual politics and protest
This special issue draws together five articles in the arena of methods in visual politics and protest. It addresses three core methodological challenges across the research process (data access, collection, analysis, visualisation): the proliferation of visual social media, the emergence of novel visual practices, and the increasing application of digital methods. Their key contributions lie in the development of mixed visual methods approaches,…
Be there or share
Live video is often used by protesters and political activists while broadcasting from conflict arenas since it gives the viewers a sense of “how it feels to be here.” This qualitative study suggests that digital “broadcast” technologies such as livestreaming can construct new forms of place-bound media events which intertwine “liveness” and “emplacement.” The article examines 97 Facebook Live videos uploaded during the May 2021 escalation of the…
"Taste This Video!"
Videos are among the most widely used media formats on Facebook. Yet little research has been done on their aesthetic and formal attributes, and especially on how they operate within the frameworks of attention, interruption and embodied interaction specific to social media interfaces. This paper examines recipe videos published on Tasty, one of the most popular Facebook pages in the world. We analyze these videos through a novel three-dimensiona…
The taste of video
Recipe videos are among the most viral genres of videos on social media. Yet, little research has been done on their aesthetic and formal attributes, especially on how they operate within the frameworks of the attention economy and embodied interaction specific to social media interfaces. This paper examines recipe videos published on Tasty, one of the most popular Facebook pages in the world. We analyze these videos through a three-dimensional m…
Special issue on methods in visual politics and protest
This special issue forms the second part of a double issue on methods in visual politics and protest. It draws together five articles that provide new pathways for deconstructing visual political narratives and offers reflexive and nuanced accounts for researching visual data and information shared on social media platforms (here: TikTok, Instagram, Twitter/X, Facebook). They do so through the application of feminist mixed methods (femmix), cross…
Special issue on methods in visual politics and protest
This special issue draws together five articles in the arena of methods in visual politics and protest. It addresses three core methodological challenges across the research process (data access, collection, analysis, visualisation): the proliferation of visual social media, the emergence of novel visual practices, and the increasing application of digital methods. Their key contributions lie in the development of mixed visual methods approaches,…
Be there or share
Live video is often used by protesters and political activists while broadcasting from conflict arenas since it gives the viewers a sense of “how it feels to be here.” This qualitative study suggests that digital “broadcast” technologies such as livestreaming can construct new forms of place-bound media events which intertwine “liveness” and “emplacement.” The article examines 97 Facebook Live videos uploaded during the May 2021 escalation of the…
Computer Science (3 works) · Embodied cognition (3 works) · Social media (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works) · Multimedia (2 works)