Andy Kelleher Stuhl
Biographic Data
| ID | 4448798 |
|---|---|
| NAME | Andy Kelleher Stuhl |
| GIVEN NAMES | Andy Kelleher |
| FAMILY NAME | Stuhl |
| SIGNATURE | STUHL A K |
| AFFILIATIONS | McGill University |
| ORCID | 0000-0001-8951-8698 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Google Radio Automation and the broadcast plights behind platformization
In 2006, Google entered the broadcast radio industry in an attempt to prove it could diversify its ad sales technology beyond the web. With a product called Google Radio Automation, the company simultaneously installed its ad tech and ingratiated itself with radio producers. Histories of automation and programmatic advertising in American radio help to contextualize Google’s project and trace the roots of its failure. Publicity materials, industr…
Reflections from an Artist Researcher
Wave Farm is a nonprofit organization that sponsors and preserves transmission art—a category that the organization has defined wherein artists and artworks intervene in the electromagnetic spectrum as a creative medium. In this essay, Andy Stuhl reflects on Wave Farm’s 25-year history from two vantage points: as a researcher of recent American radio history in which Wave Farm has played an active role, and also as the 2021–22 Wave Farm Radio Art…
Entangled Autonomy on Automated Airwaves: The Case of Rivendell
Rivendell, a free and open source software suite for automated radio broadcasting, has brought several groups with clashing stances on technology, communication, and cultural politics into cooperation. This paper treats Rivendell as an opening onto the politics at play when the liberal ethos propelling free and open source software (Coleman, 2013) meets the autonomy-prizing traditions of independent broadcasting within an automation system. Compl…
Acoustic Infrastructure: The Sounds and Politics of Radio Tests in American Emergency Broadcasting
Background: The Emergency Alert System (EAS) is an emergency broadcasting infrastructure that originated in American radio and serves as the basis for systems in newer media and in Canada. Its design of self-propagating acoustic signals anticipates a nation-scale catastrophe but also subordinates smaller crises. Analysis: Adopting theory from infrastructural media studies, this article examines the reasoning and functionality evident in regulator…
No prominent works on this page.
Entangled Autonomy on Automated Airwaves: The Case of Rivendell
Rivendell, a free and open source software suite for automated radio broadcasting, has brought several groups with clashing stances on technology, communication, and cultural politics into cooperation. This paper treats Rivendell as an opening onto the politics at play when the liberal ethos propelling free and open source software (Coleman, 2013) meets the autonomy-prizing traditions of independent broadcasting within an automation system. Compl…
Acoustic Infrastructure: The Sounds and Politics of Radio Tests in American Emergency Broadcasting
Background: The Emergency Alert System (EAS) is an emergency broadcasting infrastructure that originated in American radio and serves as the basis for systems in newer media and in Canada. Its design of self-propagating acoustic signals anticipates a nation-scale catastrophe but also subordinates smaller crises. Analysis: Adopting theory from infrastructural media studies, this article examines the reasoning and functionality evident in regulator…
Reflections from an Artist Researcher
Wave Farm is a nonprofit organization that sponsors and preserves transmission art—a category that the organization has defined wherein artists and artworks intervene in the electromagnetic spectrum as a creative medium. In this essay, Andy Stuhl reflects on Wave Farm’s 25-year history from two vantage points: as a researcher of recent American radio history in which Wave Farm has played an active role, and also as the 2021–22 Wave Farm Radio Art…
Google Radio Automation and the broadcast plights behind platformization
In 2006, Google entered the broadcast radio industry in an attempt to prove it could diversify its ad sales technology beyond the web. With a product called Google Radio Automation, the company simultaneously installed its ad tech and ingratiated itself with radio producers. Histories of automation and programmatic advertising in American radio help to contextualize Google’s project and trace the roots of its failure. Publicity materials, industr…
Computer Science (3 works) · History (3 works) · Media studies (3 works) · Sociology (3 works) · Digital Games and Media (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Radio, Podcasts, and Digital Media (2 works) · Telecommunications (2 works)