Elsie Walker
Biographic Data
| ID | 4454089 |
|---|---|
| NAME | Elsie Walker |
| GIVEN NAMES | Elsie |
| FAMILY NAME | Walker |
| SIGNATURE | WALKER E |
| AFFILIATIONS | Salisbury University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 32 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Hearing Haneke
Haneke’s films are sonically charged experiences of disturbance, desperation, grief, and many forms of violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and defined by aggressive dialogue. Haneke is among the most celebrated of living auteurs: he is two-time receipt of the Palme d’Or at Cannes Film Festival (for The White Ribbon [2009] and Amour [2012]), and Academy Award winner of Best Foreign La…
Caché
This chapter is a sonic analysis of Caché as an important postcolonial statement, one that attempts to redress historical injustices by amplifying the buried truths, and the ongoing fallout, of France’s colonial legacy. More specifically, the chapter explains the sonic significance of the characters’ speech, silences, and failures to face truths and understand each other (represented by the aural motif of their saying “nothing”), especially in re…
Measuring Religious Identities in Surveys
Journal Article Measuring Religious Identities in Surveys Get access Duane F. Alwin, Duane F. Alwin Address correspondence to Duane F. Alwin; e-mail: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar Jacob L. Felson, Jacob L. Felson Search for other works by this author on: Oxford Academic Google Scholar Edward T. Walker, Edward T. Walker Search for other works by this author on: Oxford Academic Google Scholar…
Shakespeare on Film
Much of Shakespeare film criticism has been concerned with the author's intention and the productions’ proximity to the ‘original’ text. This article examines the problems with such an approach in light of the highly collaborative and intertextual nature of Shakespeare's play-texts. Modern film adaptations must be understood in similar collaborative terms by exploring the many elements and issues involved with film production and marketing. Furth…
Measuring Religious Identities in Surveys
Journal Article Measuring Religious Identities in Surveys Get access Duane F. Alwin, Duane F. Alwin Address correspondence to Duane F. Alwin; e-mail: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar Jacob L. Felson, Jacob L. Felson Search for other works by this author on: Oxford Academic Google Scholar Edward T. Walker, Edward T. Walker Search for other works by this author on: Oxford Academic Google Scholar…
Shakespeare on Film
Much of Shakespeare film criticism has been concerned with the author's intention and the productions’ proximity to the ‘original’ text. This article examines the problems with such an approach in light of the highly collaborative and intertextual nature of Shakespeare's play-texts. Modern film adaptations must be understood in similar collaborative terms by exploring the many elements and issues involved with film production and marketing. Furth…
Measuring Religious Identities in Surveys
Journal Article Measuring Religious Identities in Surveys Get access Duane F. Alwin, Duane F. Alwin Address correspondence to Duane F. Alwin; e-mail: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar Jacob L. Felson, Jacob L. Felson Search for other works by this author on: Oxford Academic Google Scholar Edward T. Walker, Edward T. Walker Search for other works by this author on: Oxford Academic Google Scholar…
Hearing Haneke
Haneke’s films are sonically charged experiences of disturbance, desperation, grief, and many forms of violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and defined by aggressive dialogue. Haneke is among the most celebrated of living auteurs: he is two-time receipt of the Palme d’Or at Cannes Film Festival (for The White Ribbon [2009] and Amour [2012]), and Academy Award winner of Best Foreign La…
Caché
This chapter is a sonic analysis of Caché as an important postcolonial statement, one that attempts to redress historical injustices by amplifying the buried truths, and the ongoing fallout, of France’s colonial legacy. More specifically, the chapter explains the sonic significance of the characters’ speech, silences, and failures to face truths and understand each other (represented by the aural motif of their saying “nothing”), especially in re…
Art (2 works) · Computer Science (2 works) · Literature (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · Census and Population Estimation (1 work) · Colonialism (1 work) · Criticism (1 work) · Criticism and interpretation (1 work) · Epistemology (1 work)