Michel Mallet
Biographic Data
| ID | 4459508 |
|---|---|
| NAME | Michel Mallet |
| GIVEN NAMES | Michel |
| FAMILY NAME | Mallet |
| SIGNATURE | MALLET M |
| AFFILIATIONS | Université de Moncton |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Writing for the Future: Die Forderung des Tages” as Concrete Utopia in Klaus Mann’s Narratives of Exile
This article examines Klaus Mann’s utopian visions, particularly those emerging in narratives written after 1933 during his exile. It highlights how “die Forderung des Tages,” Mann’s anti-fascist “cause of the day,” plays a crucial role in his vision for a better future, marking a transition from an abstract dream to a concrete, collective goal. Mann’s later utopian visions thus resonate with Ernst Bloch’s “concrete utopia,” as outlined in Das Pr…
Was Glänzt, Das Sieht’: Mechanisms of Surveillance and Oppression in Herta Müller's Der Fuchs War Damals Schon Der Jäger
This article focuses on the recurring themes of surveillance and oppression in Müller's novel Der Fuchs war damals schon der Jäger . Using Foucault's concept of the panoptic gaze, as well as art historian W. J. T. Mitchell's idea of the ‘hypericon’ as theoretical frames, it examines how Müller relies on the disruptive force of shiny details to expose and denounce mechanisms of surveillance and oppression in her novel. As implied in the novel's le…
Introduction: Herta Müller and the Currents of European History
Ten years on from the award of the Nobel Prize in Literature and thirty years after German reunification and the fall of the Ceauşescu regime in Romania is a fitting moment to revisit Herta Müller's work and place it within broader intellectual, geographical, and historical horizons than has hitherto been attempted.It is also time to reconcile
Eine Klarheit in gedeckten Farben”: Colours of Despair in Herta Müller’s Narratives
The present study investigates two chromatic attributes found in Herta Müller’s visual landscapes that help illustrate reluctant sentiments associated with the discourse of Heimat in her prose: colouration and light. Taking into consideration theoretical texts that reflect on the properties of light and colour, such as Walter Benjamin’s fragment entitled “Die Farbe vom Kinde aus betrachtet” (1914–15), as well as Wassily Kandinsky’s table of colou…
No prominent works on this page.
Eine Klarheit in gedeckten Farben”: Colours of Despair in Herta Müller’s Narratives
The present study investigates two chromatic attributes found in Herta Müller’s visual landscapes that help illustrate reluctant sentiments associated with the discourse of Heimat in her prose: colouration and light. Taking into consideration theoretical texts that reflect on the properties of light and colour, such as Walter Benjamin’s fragment entitled “Die Farbe vom Kinde aus betrachtet” (1914–15), as well as Wassily Kandinsky’s table of colou…
Was Glänzt, Das Sieht’: Mechanisms of Surveillance and Oppression in Herta Müller's Der Fuchs War Damals Schon Der Jäger
This article focuses on the recurring themes of surveillance and oppression in Müller's novel Der Fuchs war damals schon der Jäger . Using Foucault's concept of the panoptic gaze, as well as art historian W. J. T. Mitchell's idea of the ‘hypericon’ as theoretical frames, it examines how Müller relies on the disruptive force of shiny details to expose and denounce mechanisms of surveillance and oppression in her novel. As implied in the novel's le…
Introduction: Herta Müller and the Currents of European History
Ten years on from the award of the Nobel Prize in Literature and thirty years after German reunification and the fall of the Ceauşescu regime in Romania is a fitting moment to revisit Herta Müller's work and place it within broader intellectual, geographical, and historical horizons than has hitherto been attempted.It is also time to reconcile
Writing for the Future: Die Forderung des Tages” as Concrete Utopia in Klaus Mann’s Narratives of Exile
This article examines Klaus Mann’s utopian visions, particularly those emerging in narratives written after 1933 during his exile. It highlights how “die Forderung des Tages,” Mann’s anti-fascist “cause of the day,” plays a crucial role in his vision for a better future, marking a transition from an abstract dream to a concrete, collective goal. Mann’s later utopian visions thus resonate with Ernst Bloch’s “concrete utopia,” as outlined in Das Pr…
Art (3 works) · Art history (3 works) · German History and Society (3 works) · Aesthetics (2 works) · European history and politics (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Philosophy (2 works) · Artificial Intelligence (1 works)