Elena Rovenko
Biographic Data
| ID | 4469361 |
|---|---|
| NAME | Elena Rovenko |
| GIVEN NAMES | Elena |
| FAMILY NAME | Rovenko |
| SIGNATURE | ROVENKO E |
| ORCID | 0000-0002-4318-7106 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
On the Problem of Textuality and Intertextuality in Ivan Mosjoukine’s Film Le Brasier ardent (1923)
Based on modern methods of studying the phenomenon of cinema as a text, this article considers Le Brasier ardent, directed by Ivan Mosjoukine, in terms of complex intertextual whole, which arose at the junction of varying cinematic traditions, but which also intersects with European visual culture. Taking into account Mosjoukine’s aesthetics, principally articulated in interviews with Jean Mitry, the goals, motives and algorithms of his cinematic…
Sur l’interprétation politique de la musique classique dans la propagande russe actuelle. Le cas de Piotr Ilitch Tchaïkovski
Cet article propose une analyse de la place qu’occupe l’héritage musical classique dans la Russie contemporaine. Dans le contexte actuel, l’art – et plus spécifiquement la musique classique – est appelé à s’intégrer au paradigme des « valeurs traditionnelles » et à servir les objectifs du pouvoir : d’une part, détourner la société d’une compréhension critique des enjeux sociopolitiques ; d’autre part, susciter un sentiment d’unité nationale et de…
On the Political Interpretation of Classical Music in Current Russian Propaganda. The Case of Pyotr Ilyich Tchaikovsky
This article analyzes the role of classical music heritage in contemporary Russia. In the current context, art – and more specifically classical music – is called upon to fit into the paradigm of “traditional values” and to serve the objectives of those in power: on the one hand, to divert society from a critical understanding of sociopolitical issues; on the other, to foster a sense of national unity and patriotism. The instrumentalization of cl…
On Semantic Factors of the Mirror Symmetry in Vincent d’Indy’s Ouvres
The principle of the similarity symmetry in the ornamentation of the Mátyás-templom
Déconstruction des principes de la dramaturgie wagnérienne
Cet article examine l’algorithme sémantique qui sous-tend le concept de « pein- ture wagnérienne » développé par Théodore de Wyzewa (1862-1917). Les drames musicaux de Wagner sont considérés par le critique français comme un exemple non pas tant de la synthèse des arts que d’un principe des sémioses pertinentes à chaque forme d’art. Chaque étape d’un tel algorithme est corrélée à un certain état de conscience créative de l’artiste et est à la foi…
Translatory symmetry as a constructive basis of the “cyclic principle” in music and architecture in interpretation of Vincent D’indy
Music is an Architecture Revived
Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art wi…
No prominent works on this page.
Translatory symmetry as a constructive basis of the “cyclic principle” in music and architecture in interpretation of Vincent D’indy
Music is an Architecture Revived
Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art wi…
The principle of the similarity symmetry in the ornamentation of the Mátyás-templom
Déconstruction des principes de la dramaturgie wagnérienne
Cet article examine l’algorithme sémantique qui sous-tend le concept de « pein- ture wagnérienne » développé par Théodore de Wyzewa (1862-1917). Les drames musicaux de Wagner sont considérés par le critique français comme un exemple non pas tant de la synthèse des arts que d’un principe des sémioses pertinentes à chaque forme d’art. Chaque étape d’un tel algorithme est corrélée à un certain état de conscience créative de l’artiste et est à la foi…
On Semantic Factors of the Mirror Symmetry in Vincent d’Indy’s Ouvres
On the Problem of Textuality and Intertextuality in Ivan Mosjoukine’s Film Le Brasier ardent (1923)
Based on modern methods of studying the phenomenon of cinema as a text, this article considers Le Brasier ardent, directed by Ivan Mosjoukine, in terms of complex intertextual whole, which arose at the junction of varying cinematic traditions, but which also intersects with European visual culture. Taking into account Mosjoukine’s aesthetics, principally articulated in interviews with Jean Mitry, the goals, motives and algorithms of his cinematic…
Sur l’interprétation politique de la musique classique dans la propagande russe actuelle. Le cas de Piotr Ilitch Tchaïkovski
Cet article propose une analyse de la place qu’occupe l’héritage musical classique dans la Russie contemporaine. Dans le contexte actuel, l’art – et plus spécifiquement la musique classique – est appelé à s’intégrer au paradigme des « valeurs traditionnelles » et à servir les objectifs du pouvoir : d’une part, détourner la société d’une compréhension critique des enjeux sociopolitiques ; d’autre part, susciter un sentiment d’unité nationale et de…
On the Political Interpretation of Classical Music in Current Russian Propaganda. The Case of Pyotr Ilyich Tchaikovsky
This article analyzes the role of classical music heritage in contemporary Russia. In the current context, art – and more specifically classical music – is called upon to fit into the paradigm of “traditional values” and to serve the objectives of those in power: on the one hand, to divert society from a critical understanding of sociopolitical issues; on the other, to foster a sense of national unity and patriotism. The instrumentalization of cl…
Mathematics (4 works) · Philosophy (4 works) · Art (3 works) · Geometry (3 works) · Physics (3 works) · Architecture (2 works) · Architecture and Art History Studies (2 works) · Computer Science (2 works) · Epistemology (2 works) · Psychology (2 works)