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Don Rubin

Biographic Data

ID4485138
NAMEDon Rubin
GIVEN NAMESDon
FAMILY NAMERubin
SIGNATURERUBIN D
AFFILIATIONSYork University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Five by Five

    D L Rubin, Don Rubin et al.•ARTICLE•Canadian Theatre Review•2024

  • The effect of training and rater differences on oral proficiency assessment

    Open Access•Okim Kang, D L Rubin et al.•ARTICLE•Language Testing•2019

    As a result of the fact that judgments of non-native speech are closely tied to social biases, oral proficiency ratings are susceptible to error because of rater background and social attitudes. In the present study we seek first to estimate the variance attributable to rater background and attitudinal variables on novice raters’ assessments of L2 spoken English. Second, we examine the effects of minimal training in reducing the potency of those …

  • African Theatre 16

    Open Access•Jane Plastow, Martin Banham et al.•EDITOR•BOOK•African Theatre 16•2017

    A collection of playscripts and texts that give an English-reading audience access to key plays as well as less well-known and previously untranslated works - a superb resource for scholars and theatre practitioners.

  • World Encyclopedia of Contemporary Theatre

    Don Rubin, H Ndumbe Eyoh et al.•BOOK•World Encyclopedia of Contemporary…•2016

  • Of Africa and things African (in Canada)

    Patricia Keeney, Don Rubin•ARTICLE•South African Theatre Journal•2011

    Africa and things African only rarely show up on stages in other parts of the world. Take the plays of Athol Fugard away from the African dramatic repertoire abroad and precious few African scripts can be found that manage to get themselves productions anywhere. Occasionally one will find a Femi Osofisan play put on in the US or England or Germany. And occasionally one will find a new play by, say, a Congolese writer like Sony Labou Tansi put on …

  • Suprasegmental Measures of Accentedness and Judgments of Language Learner Proficiency in Oral English

    Open Access•Okim Kang, D L Rubin et al.•ARTICLE•Modern Language Journal•2010

    In high‐stakes oral proficiency testing as well as in everyday encounters, accent is the most salient aspect of nonnative speech. Prior studies of English language learners’ (ELLs’) pronunciation have focused on single parameters of English, such as vowel duration, fundamental frequency as related to intonation, or temporal measures of speech production. The present study addresses a constellation of suprasegmental characteristics of nonnative sp…

  • World Encyclopedia of Contemporary Theatre Volume 4

    Ghassan Maleh, Don Rubin et al.•BOOK•World Encyclopedia of Contemporary…•2003

  • Psychoanalysis

    Don Rubin•BOOK•Psychoanalysis•1999

  • Canada on Stage 1975

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

No prominent works on this page.

  • Canada on Stage 1975

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

  • Psychoanalysis

    Don Rubin•BOOK•Psychoanalysis•1999

  • World Encyclopedia of Contemporary Theatre Volume 4

    Ghassan Maleh, Don Rubin et al.•BOOK•World Encyclopedia of Contemporary…•2003

  • Suprasegmental Measures of Accentedness and Judgments of Language Learner Proficiency in Oral English

    Open Access•Okim Kang, D L Rubin et al.•ARTICLE•Modern Language Journal•2010

    In high‐stakes oral proficiency testing as well as in everyday encounters, accent is the most salient aspect of nonnative speech. Prior studies of English language learners’ (ELLs’) pronunciation have focused on single parameters of English, such as vowel duration, fundamental frequency as related to intonation, or temporal measures of speech production. The present study addresses a constellation of suprasegmental characteristics of nonnative sp…

  • Of Africa and things African (in Canada)

    Patricia Keeney, Don Rubin•ARTICLE•South African Theatre Journal•2011

    Africa and things African only rarely show up on stages in other parts of the world. Take the plays of Athol Fugard away from the African dramatic repertoire abroad and precious few African scripts can be found that manage to get themselves productions anywhere. Occasionally one will find a Femi Osofisan play put on in the US or England or Germany. And occasionally one will find a new play by, say, a Congolese writer like Sony Labou Tansi put on …

  • World Encyclopedia of Contemporary Theatre

    Don Rubin, H Ndumbe Eyoh et al.•BOOK•World Encyclopedia of Contemporary…•2016

  • African Theatre 16

    Open Access•Jane Plastow, Martin Banham et al.•EDITOR•BOOK•African Theatre 16•2017

    A collection of playscripts and texts that give an English-reading audience access to key plays as well as less well-known and previously untranslated works - a superb resource for scholars and theatre practitioners.

  • The effect of training and rater differences on oral proficiency assessment

    Open Access•Okim Kang, D L Rubin et al.•ARTICLE•Language Testing•2019

    As a result of the fact that judgments of non-native speech are closely tied to social biases, oral proficiency ratings are susceptible to error because of rater background and social attitudes. In the present study we seek first to estimate the variance attributable to rater background and attitudinal variables on novice raters’ assessments of L2 spoken English. Second, we examine the effects of minimal training in reducing the potency of those …

  • Five by Five

    D L Rubin, Don Rubin et al.•ARTICLE•Canadian Theatre Review•2024

History (5 works) · Art (4 works) · Visual arts (4 works) · Ancient history (3 works) · Psychology (3 works) · Theater (3 works) · Africa (2 works) · African history and culture studies (2 works) · Art history (2 works) · Dictionaries (2 works)

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