Ben Tyrer
Biographic Data
| ID | 4485296 |
|---|---|
| NAME | Ben Tyrer |
| GIVEN NAMES | Ben |
| FAMILY NAME | Tyrer |
| SIGNATURE | BEN TYRER |
| AFFILIATIONS | Lancaster University |
| ORCID | 0000-0002-9204-0098 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
(Don’t) Look Back
This article explores the dialectical movement of Céline Sciamma’s Portrait of a Lady on Fire ( Portrait de la jeune fille en feu, 2019) through close attention to three visual logics, or “portraits” painted by the film. That Portrait of a Lady on Fire offers a cinematic meditation on the “gaze” is self-evident: Marianne’s first painting of Héloïse is created according to an aesthetic logic already described by Laura Mulvey, while the second, co-…
Introduction
Catherine Malabou is the contemporary thinker of plas)city: a term she excavates first of all from Hegel in order to consider )me and transforma)on (1996/2005).Working with its variant meanings of giving, receiving but also, crucially, destroying form, Malabou has elaborated the concept of plas)city in rela)on to diverse subjects from Heidegger and the subject of change (2004/2011) to feminism and human and animal life (2009/2011), and contempora…
The shudder-image
This article examines an audio-visual quirk in the aesthetics of Bryan Fuller's Hannibal (NBC, 2013-2015) in the context of film-philosophy and contemporary psychoanalytic thought
Psychoanalytic Approaches to Representing the Unrepresentable
No prominent works on this page.
Psychoanalytic Approaches to Representing the Unrepresentable
The shudder-image
This article examines an audio-visual quirk in the aesthetics of Bryan Fuller's Hannibal (NBC, 2013-2015) in the context of film-philosophy and contemporary psychoanalytic thought
Introduction
Catherine Malabou is the contemporary thinker of plas)city: a term she excavates first of all from Hegel in order to consider )me and transforma)on (1996/2005).Working with its variant meanings of giving, receiving but also, crucially, destroying form, Malabou has elaborated the concept of plas)city in rela)on to diverse subjects from Heidegger and the subject of change (2004/2011) to feminism and human and animal life (2009/2011), and contempora…
(Don’t) Look Back
This article explores the dialectical movement of Céline Sciamma’s Portrait of a Lady on Fire ( Portrait de la jeune fille en feu, 2019) through close attention to three visual logics, or “portraits” painted by the film. That Portrait of a Lady on Fire offers a cinematic meditation on the “gaze” is self-evident: Marianne’s first painting of Héloïse is created according to an aesthetic logic already described by Laura Mulvey, while the second, co-…
Psychoanalysis (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Art (1 works) · Cinéma (1 works) · Composite material (1 works) · Contradiction (1 works) · Crime and Detective Fiction Studies (1 works) · Dialectic (1 works) · Drama (1 works)