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Melia Belli Bose

Biographic Data

ID4487166
NAMEMelia Belli Bose
GIVEN NAMESMelia Belli
FAMILY NAMEBose
SIGNATUREBOSE M B
AFFILIATIONSUniversity of Victoria
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Ties that bind

    Melia Belli Bose•ARTICLE•South Asian History and Culture•2024•References: 2

    As in many parts of the world, throughout South Asia, the various steps in textile production have historically been gendered, with men and women performing their respective specialized jobs.The late twentieth century saw the erosion of these long entrenched gendered roles in the region's textile/garment industries.As they assume new roles in the workforce, women face challenges, including discrimination and physical danger.How are women negotiat…

  • Uncomfortable quilts

    Melia Belli Bose•ARTICLE•South Asian History and Culture•2024•References: 4

    Recently, two deadly garment factory disasters in Dhaka, Bangladesh – the 2012 Tazreen Fashions factory fire (117 killed; over 200 injured) and the 2013 collapse of Rana Plaza, an eight story complex including garment factories (1,135 killed, over 2,500 injured) – inspired a series of artworks addressing globalisation, gendered labour exploitation, memorialisation, and the power of empathy. This essay explores the work of four visual artists: Rob…

  • A Modern Chakravartin

    Open Access•Melia Belli Bose•CHAPTER•Urban Utopias•2017

  • Royal Umbrellas of Stone

    Melia Belli Bose•BOOK•Royal Umbrellas of Stone•2015

    In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particul…

  • Ancestors of the Moon

    Melia Belli Bose•ARTICLE•Artibus Asiae•2014

    MELIA BELLI BOSE, ANCESTORS OF THE MOON: BHATI MYTHO-HISTORY AND MEMORIAL ART AT BARA BAGH, JAISALMER [Corrected title: DESCENDANTS OF THE MOON: BHATI MYTHO-HISTORY AND MEMORIAL ART AT BARA BAGH, JAISALMER, Artibus Asiae, Vol. 74, No. 2 (2014), pp. 241-256

No prominent works on this page.

  • Ancestors of the Moon

    Melia Belli Bose•ARTICLE•Artibus Asiae•2014

    MELIA BELLI BOSE, ANCESTORS OF THE MOON: BHATI MYTHO-HISTORY AND MEMORIAL ART AT BARA BAGH, JAISALMER [Corrected title: DESCENDANTS OF THE MOON: BHATI MYTHO-HISTORY AND MEMORIAL ART AT BARA BAGH, JAISALMER, Artibus Asiae, Vol. 74, No. 2 (2014), pp. 241-256

  • Royal Umbrellas of Stone

    Melia Belli Bose•BOOK•Royal Umbrellas of Stone•2015

    In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particul…

  • A Modern Chakravartin

    Open Access•Melia Belli Bose•CHAPTER•Urban Utopias•2017

  • Ties that bind

    Melia Belli Bose•ARTICLE•South Asian History and Culture•2024•References: 2

    As in many parts of the world, throughout South Asia, the various steps in textile production have historically been gendered, with men and women performing their respective specialized jobs.The late twentieth century saw the erosion of these long entrenched gendered roles in the region's textile/garment industries.As they assume new roles in the workforce, women face challenges, including discrimination and physical danger.How are women negotiat…

  • Uncomfortable quilts

    Melia Belli Bose•ARTICLE•South Asian History and Culture•2024•References: 4

    Recently, two deadly garment factory disasters in Dhaka, Bangladesh – the 2012 Tazreen Fashions factory fire (117 killed; over 200 injured) and the 2013 collapse of Rana Plaza, an eight story complex including garment factories (1,135 killed, over 2,500 injured) – inspired a series of artworks addressing globalisation, gendered labour exploitation, memorialisation, and the power of empathy. This essay explores the work of four visual artists: Rob…

History (4 works) · Law (4 works) · Political science (4 works) · Art (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Archaeology (2 works) · Crafts, Textile, and Design (2 works)

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