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Jane Desmarais

Biographic Data

ID4491850
NAMEJane Desmarais
GIVEN NAMESJane
FAMILY NAMEDesmarais
SIGNATUREDESMARAIS J
AFFILIATIONSEnglish and Creative Writing, Goldsmiths, University of London
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT3
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Oxford Handbook of Decadence

    Jane Desmarais, David Weir•BOOK•Oxford Handbook of Decadence•2022

  • Taste

    David Weir, Jane Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This article examines the confluence of cuisine and the culture of decadence by first describing the difficulty of identifying any type of food as inherently “decadent” in physiological terms. After acknowledging that the meaning of “decadence” depends on moral, social, and aesthetic contexts, the article focuses on the dissemination of aristocratic tastes in food following the French Revolution, when chefs who had formerly cooked for nobility op…

  • Prose Poetry

    Jane Desmarais, Jane H Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This chapter treats the prose poem as the decadent genre par excellence by focusing on Charles Baudelaire’s Le Spleen de Paris (Paris Spleen, 1869). The prose poem is well suited to the expression of decadent culture because of its formal subversion of conventional poetry, especially as adapted by Baudelaire to articulate “the bump and lurch” of urban experience. J. K. Huysmans certified the decadent credentials of the genre when he described it …

  • Touch

    Jane Desmarais, Jane H Desmarais•CHAPTER•Oxford Handbook of Decadence•2021

    This article explores the representation of touch in a selection of naturalist and decadent novels in the contexts of late nineteenth-century consumerism and widespread fears about contamination from sexually transmitted disease, principally syphilis. It argues that while the tangible material world does matter to decadence (Émile Zola), touching the (female) body engenders fear and disgust that often leads to fragmentation, unfeeling, and aversi…

  • Late-Victorian Decadent Song Literature

    Open Access•Jane Desmarais, Jane H Desmarais•ARTICLE•Victorian Literature and Culture•2021

    This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer …

  • The Oxford Handbook of Decadence

    Jane Desmarais, David Weir•BOOK•Oxford Handbook of Decadence•2020

    The meaning of decadence varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural …

  • Decadence and Literature

    Jane H Desmarais, Alexander id_orcid Golob et al.•BOOK•Decadence and Literature•2019

  • Decadence and the Senses

    Jane Desmarais, Alice Condé•BOOK•Decadence and the Senses•2017

    Reading Decadence is an intersensorial experience. It is to indulge in voluptuous pleasures and excruciating pains, to sample exotic tastes and sounds, and to envisage states of mind in highly sensual terms. Obsessed with extreme sensory experiences, Decadent writers identified ways of shocking the middle classes and rejecting moralism by turning the conventional notion of 'good taste' on its head. This collection of essays explores the Decadent …

No prominent works on this page.

  • Decadence and the Senses

    Jane Desmarais, Alice Condé•BOOK•Decadence and the Senses•2017

    Reading Decadence is an intersensorial experience. It is to indulge in voluptuous pleasures and excruciating pains, to sample exotic tastes and sounds, and to envisage states of mind in highly sensual terms. Obsessed with extreme sensory experiences, Decadent writers identified ways of shocking the middle classes and rejecting moralism by turning the conventional notion of 'good taste' on its head. This collection of essays explores the Decadent …

  • Decadence and Literature

    Jane H Desmarais, Alexander id_orcid Golob et al.•BOOK•Decadence and Literature•2019

  • The Oxford Handbook of Decadence

    Jane Desmarais, David Weir•BOOK•Oxford Handbook of Decadence•2020

    The meaning of decadence varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural …

  • Taste

    David Weir, Jane Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This article examines the confluence of cuisine and the culture of decadence by first describing the difficulty of identifying any type of food as inherently “decadent” in physiological terms. After acknowledging that the meaning of “decadence” depends on moral, social, and aesthetic contexts, the article focuses on the dissemination of aristocratic tastes in food following the French Revolution, when chefs who had formerly cooked for nobility op…

  • Prose Poetry

    Jane Desmarais, Jane H Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This chapter treats the prose poem as the decadent genre par excellence by focusing on Charles Baudelaire’s Le Spleen de Paris (Paris Spleen, 1869). The prose poem is well suited to the expression of decadent culture because of its formal subversion of conventional poetry, especially as adapted by Baudelaire to articulate “the bump and lurch” of urban experience. J. K. Huysmans certified the decadent credentials of the genre when he described it …

  • Touch

    Jane Desmarais, Jane H Desmarais•CHAPTER•Oxford Handbook of Decadence•2021

    This article explores the representation of touch in a selection of naturalist and decadent novels in the contexts of late nineteenth-century consumerism and widespread fears about contamination from sexually transmitted disease, principally syphilis. It argues that while the tangible material world does matter to decadence (Émile Zola), touching the (female) body engenders fear and disgust that often leads to fragmentation, unfeeling, and aversi…

  • Late-Victorian Decadent Song Literature

    Open Access•Jane Desmarais, Jane H Desmarais•ARTICLE•Victorian Literature and Culture•2021

    This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer …

  • Oxford Handbook of Decadence

    Jane Desmarais, David Weir•BOOK•Oxford Handbook of Decadence•2022

Art (7 works) · Literature (7 works) · Decadence (5 works) · Decadence, Literature, and Society (4 works) · Philosophy (4 works) · Aesthetics (3 works) · French Literature and Criticism (3 works) · History (3 works) · Law (3 works) · Politics (3 works)

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