Hsiu-Chuang Deppman
Biographic Data
| ID | 4492460 |
|---|---|
| NAME | Hsiu-Chuang Deppman |
| GIVEN NAMES | Hsiu-Chuang |
| FAMILY NAME | Deppman |
| SIGNATURE | DEPPMAN H |
| AFFILIATIONS | Oberlin College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Reading docufiction
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and documentary in narrating factory workers' emotional struggles with history and reality. The synthetic visi…
Adapted for the Screen
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. The book argues that the rise of cinema in China, Hong Kong, and Taiwan in the late 19…
Adapted for the screen
Cinema of Disillusionment
This essay is a study of Chen Guofu and Cai Mingliang, two prominent Taiwan directors whose work in the 1980s helped shape the Second New Wave movement. More recently, Chen's 1998 The Personals and Cai's 2002 What Time Is It There? broke new ground by developing controlled realist styles into an aesthetics of “disillusioned cinema”: a postmodern urban genre that simultaneously derides personal fantasies of sexual love and political fantasies of n…
Rereading the Mirror Image
Rereading the Mirror Image: Looking-Glasses, Gender, and Mimeticism in Virginia Woolf s Writing Hsiu-Chuang Deppman Looking-glasses are the most dangerous and intractable objects in Virginia Woolf 's stories about a room of one's own. They have remained a constant and integral part of the domestic landscape, and their very persistence reflects the deepest symbolic and technical crises in her writings. Symbolically , the looking-glass is the tool …
Cinema of Disillusionment
This essay is a study of Chen Guofu and Cai Mingliang, two prominent Taiwan directors whose work in the 1980s helped shape the Second New Wave movement. More recently, Chen's 1998 The Personals and Cai's 2002 What Time Is It There? broke new ground by developing controlled realist styles into an aesthetics of “disillusioned cinema”: a postmodern urban genre that simultaneously derides personal fantasies of sexual love and political fantasies of n…
Rereading the Mirror Image
Rereading the Mirror Image: Looking-Glasses, Gender, and Mimeticism in Virginia Woolf s Writing Hsiu-Chuang Deppman Looking-glasses are the most dangerous and intractable objects in Virginia Woolf 's stories about a room of one's own. They have remained a constant and integral part of the domestic landscape, and their very persistence reflects the deepest symbolic and technical crises in her writings. Symbolically , the looking-glass is the tool …
Cinema of Disillusionment
This essay is a study of Chen Guofu and Cai Mingliang, two prominent Taiwan directors whose work in the 1980s helped shape the Second New Wave movement. More recently, Chen's 1998 The Personals and Cai's 2002 What Time Is It There? broke new ground by developing controlled realist styles into an aesthetics of “disillusioned cinema”: a postmodern urban genre that simultaneously derides personal fantasies of sexual love and political fantasies of n…
Adapted for the Screen
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. The book argues that the rise of cinema in China, Hong Kong, and Taiwan in the late 19…
Adapted for the screen
Reading docufiction
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and documentary in narrating factory workers' emotional struggles with history and reality. The synthetic visi…
Art (4 works) · History (3 works) · Literature (3 works) · China (2 works) · Hong Kong and Taiwan Politics (2 works) · Japanese History and Culture (2 works) · Movie theater (2 works) · Narrative (2 works) · Romance (2 works) · Sociology (2 works)