Hsiao-Yen Peng
Biographic Data
| ID | 4493565 |
|---|---|
| NAME | Hsiao-Yen Peng |
| GIVEN NAMES | Hsiao-Yen |
| FAMILY NAME | Peng |
| SIGNATURE | PENG H |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Assassin
The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text …
Dandyism and Transcultural Modernity
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultura…
Modern China and the West
China and Its Others
This volume brings together some of the latest research by scholars from the UK, Taiwan, and Hong Kong to examine a variety of issues relating to the history of translation between China and Europe, aimed at increasing dialogue between Chinese studies and translation studies. Covering the nineteenth century to the present, the essays tackle a number of important issues, including the role of relay translation, hybridity and transculturation, meth…
Dandyism and transcultural modernity
Introduction: Dandyism, the Quintessence of Transcultural Modernity 1. A Dandy, Traveler, and Woman Watcher: Liu Na'ou from Taiwan 2. A Traveling Subgenre: The Palm-of-the-Hand Story 3. The Flaneur and the Flaneuse: Yokomitsu Riichi's Shanghai 4. A Traveling Text: Souvenirs entomologiques 5. A Traveling Disease: The Malady of the Heart and the Modern Boy Conclusion: To Connect
Representation Crisis
This article centers on Zhu Tianwen, Zhu Tianxin, and Zhang Dachun, writers who were born and brought up in the “solders' villages” and have cultivated a condition of marginality that allows them to position themselves as nonbelievers—those who question the truth of any totalizing narrative. The main argument is about what I call a “representation crisis,” the deep feeling that both language and narrative have lost their referent in the post-mart…
The City in Modern Chinese Literature and Film
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
Representation Crisis
This article centers on Zhu Tianwen, Zhu Tianxin, and Zhang Dachun, writers who were born and brought up in the “solders' villages” and have cultivated a condition of marginality that allows them to position themselves as nonbelievers—those who question the truth of any totalizing narrative. The main argument is about what I call a “representation crisis,” the deep feeling that both language and narrative have lost their referent in the post-mart…
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
The City in Modern Chinese Literature and Film
Representation Crisis
This article centers on Zhu Tianwen, Zhu Tianxin, and Zhang Dachun, writers who were born and brought up in the “solders' villages” and have cultivated a condition of marginality that allows them to position themselves as nonbelievers—those who question the truth of any totalizing narrative. The main argument is about what I call a “representation crisis,” the deep feeling that both language and narrative have lost their referent in the post-mart…
Dandyism and transcultural modernity
Introduction: Dandyism, the Quintessence of Transcultural Modernity 1. A Dandy, Traveler, and Woman Watcher: Liu Na'ou from Taiwan 2. A Traveling Subgenre: The Palm-of-the-Hand Story 3. The Flaneur and the Flaneuse: Yokomitsu Riichi's Shanghai 4. A Traveling Text: Souvenirs entomologiques 5. A Traveling Disease: The Malady of the Heart and the Modern Boy Conclusion: To Connect
China and Its Others
This volume brings together some of the latest research by scholars from the UK, Taiwan, and Hong Kong to examine a variety of issues relating to the history of translation between China and Europe, aimed at increasing dialogue between Chinese studies and translation studies. Covering the nineteenth century to the present, the essays tackle a number of important issues, including the role of relay translation, hybridity and transculturation, meth…
Modern China and the West
Dandyism and Transcultural Modernity
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultura…
The Assassin
The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text …
Japanese History and Culture (4 works) · Sociology (4 works) · Art (3 works) · Asian Culture and Media Studies (3 works) · China (3 works) · Chinese history and philosophy (3 works) · Computer Science (3 works) · History (3 works) · Philosophy (3 works) · 20th century (2 works)