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Michael Kackman

Biographic Data

ID4494191
NAMEMichael Kackman
GIVEN NAMESMichael
FAMILY NAMEKackman
SIGNATUREKACKMAN M
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT1
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Craft of Media Criticism

    Mary Celeste Kearney, Michael Kackman•BOOK•Craft of Media Criticism•2018

  • Flow TV

    Jack Bratich, Michael Kackman et al.•BOOK•Flow TV•2010

    Introduction Part I: The Convergent Experience: Viewing Practices Across Media Forms 1. Media Interfaces, Networked Media Spaces, and the Mass Customization of Everyday Space, Daniel Chamberlain 2. It's Just Like a Mini-Mall: Textuality and Participatory Culture on YouTube, David Gurney 3. TiVoing Childhood: Time-Shifting a Generation's Concept of Television, Jason Mittell 4. Affective Convergence in Reality A Case Study in Divergence Culture, Ja…

  • Nothing On But Hoppy Badges

    Michael Kackman•ARTICLE•Cinema Journal•2008

    This article explores the development of the Hopalong Cassidy trans-media commercial intertext in the 1940s and 1950s. Hopalong was not only a prominent part of U.S. postwar children’s consumer culture, but also offers a revealing portrait of the development of international television syndication and merchandising

  • Citizen spy

    Michael Kackman•BOOK•Citizen spy•2005

  • Citizen, Communist, Counterspy

    Michael Kackman•ARTICLE•Cinema Journal•1998

    In May 1949, Herbert Philbrick, an advertising executive for a Paramount Pictures theater exhibition chain in Boston, stepped out of the shadows and into the witness box to give the star testimony in a widely publicized case against eleven Communist leaders. For nine years, the nation learned through banner headlines, Philbrick had been a secret member of the Communist Party. Throughout that time, he had supplied the FBI with thousands of documen…

No prominent works on this page.

  • Citizen, Communist, Counterspy

    Michael Kackman•ARTICLE•Cinema Journal•1998

    In May 1949, Herbert Philbrick, an advertising executive for a Paramount Pictures theater exhibition chain in Boston, stepped out of the shadows and into the witness box to give the star testimony in a widely publicized case against eleven Communist leaders. For nine years, the nation learned through banner headlines, Philbrick had been a secret member of the Communist Party. Throughout that time, he had supplied the FBI with thousands of documen…

  • Citizen spy

    Michael Kackman•BOOK•Citizen spy•2005

  • Nothing On But Hoppy Badges

    Michael Kackman•ARTICLE•Cinema Journal•2008

    This article explores the development of the Hopalong Cassidy trans-media commercial intertext in the 1940s and 1950s. Hopalong was not only a prominent part of U.S. postwar children’s consumer culture, but also offers a revealing portrait of the development of international television syndication and merchandising

  • Flow TV

    Jack Bratich, Michael Kackman et al.•BOOK•Flow TV•2010

    Introduction Part I: The Convergent Experience: Viewing Practices Across Media Forms 1. Media Interfaces, Networked Media Spaces, and the Mass Customization of Everyday Space, Daniel Chamberlain 2. It's Just Like a Mini-Mall: Textuality and Participatory Culture on YouTube, David Gurney 3. TiVoing Childhood: Time-Shifting a Generation's Concept of Television, Jason Mittell 4. Affective Convergence in Reality A Case Study in Divergence Culture, Ja…

  • Craft of Media Criticism

    Mary Celeste Kearney, Michael Kackman•BOOK•Craft of Media Criticism•2018

Art (2 works) · Humanities (2 works) · Law (2 works) · Political science (2 works) · Social aspects (2 works) · Social aspects (2 works) · Television (2 works) · Television broadcasting (2 works) · Art history (1 works) · Asian Culture and Media Studies (1 works)

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