Sarah Olutola
Biographic Data
| ID | 4498073 |
|---|---|
| NAME | Sarah Olutola |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Olutola |
| SIGNATURE | OLUTOLA S |
| AFFILIATIONS | Lakehead University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Writing Back Against Amazon’s Empire
Since its founding in 1994 as an online bookstore, Amazon has “revolutionised” not only the market for literature but also expanded aggressively and transformatively in sectors including consumer retail, film and television, groceries, logistics, robotics, surveillance, AI, and web services. This growth and expansion is grounded in the firm’s internal and outward-facing rhetoric about its leading contribution to a brighter future, a narrative dee…
Fangirling While Black
I Ain’t Sorry
This article examines the politics of Beyoncé’s Lemonade-era branding, which, in subsuming a message of black female resistance within a Eurocentric framework of neoliberal competition, elevates Beyoncé’s exceptional body above the bodies of other black women in her orbit. By closely reading not only Beyoncé’s live performances, but also her “Sorry” video, this article exposes a political tug-of-war between black female empowerment and black fema…
Contemporary African Mediations of Affect and Access
Contemporary African mediations of affect and access
Across Africa, new affective collectivities are shifting the terms within which access to economic opportunity, social belonging, and political agency have historically been understood. Recent years have seen powerful waves of civic mobilization sweep across the continent. Other, less prominent articulations of contemporary political desire have also found expression through the diffuse experiences of the African everyday and its cultural registe…
I Ain’t Sorry
This article examines the politics of Beyoncé’s Lemonade-era branding, which, in subsuming a message of black female resistance within a Eurocentric framework of neoliberal competition, elevates Beyoncé’s exceptional body above the bodies of other black women in her orbit. By closely reading not only Beyoncé’s live performances, but also her “Sorry” video, this article exposes a political tug-of-war between black female empowerment and black fema…
Contemporary African mediations of affect and access
Across Africa, new affective collectivities are shifting the terms within which access to economic opportunity, social belonging, and political agency have historically been understood. Recent years have seen powerful waves of civic mobilization sweep across the continent. Other, less prominent articulations of contemporary political desire have also found expression through the diffuse experiences of the African everyday and its cultural registe…
Contemporary African Mediations of Affect and Access
I Ain’t Sorry
This article examines the politics of Beyoncé’s Lemonade-era branding, which, in subsuming a message of black female resistance within a Eurocentric framework of neoliberal competition, elevates Beyoncé’s exceptional body above the bodies of other black women in her orbit. By closely reading not only Beyoncé’s live performances, but also her “Sorry” video, this article exposes a political tug-of-war between black female empowerment and black fema…
Writing Back Against Amazon’s Empire
Since its founding in 1994 as an online bookstore, Amazon has “revolutionised” not only the market for literature but also expanded aggressively and transformatively in sectors including consumer retail, film and television, groceries, logistics, robotics, surveillance, AI, and web services. This growth and expansion is grounded in the firm’s internal and outward-facing rhetoric about its leading contribution to a brighter future, a narrative dee…
Fangirling While Black
Sociology (4 works) · Law (3 works) · Political science (3 works) · Affect (linguistics (2 works) · Business (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Music History and Culture (2 works) · Politics (2 works)