Lynette Goddard
Biographic Data
| ID | 4504576 |
|---|---|
| NAME | Lynette Goddard |
| GIVEN NAMES | Lynette |
| FAMILY NAME | Goddard |
| SIGNATURE | GODDARD L |
| AFFILIATIONS | Royal Holloway University of London |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Modern and Contemporary Black British Drama
From mainstream theatres to Synergy theatre project
This paper compares how urban-themed black British playwriting can be understood within mainstream and applied theatre contexts. The paper first examines the focus of the mainstream theatre's education packs for productions of Kwame Kwei-Armah's Elmina's Kitchen and Roy Williams's Fallout before exploring how black men's participation in Synergy Theatre Project's productions of the same two plays at Her Majesty's Prison, Brixton impacts on partic…
Black and Asian theatre in Britain
Black and Asian theatre in Britain: a history, by Colin Chambers, London, Routledge, 2011, 291 pp., ISBN 978-0-415-37598-6 Colin Chambers’ Black and Asian Theatre in Britain: A History adds to the
Death never used to be for the young’
debbie tucker green is the most high-profile Black British woman playwright of the first decade of the twenty-first century, with productions of her plays seen at mainstream London venues including Hampstead Theatre, Royal Court, Soho Theatre and Young Vic. Her innovative voice moves away from the explicit concerns with identity and diaspora of predecessors from the 1980s and 1990s, to address issues of global significance in the world today. The…
Staging Black Feminisms
Staging Black Feminisms explores the development and principles of black British women's plays and performance since the late Twentieth century. Using contemporary performance theory to explore key th
Staging Black Feminisms
Staging Black Feminisms
No prominent works on this page.
Staging Black Feminisms
Staging Black Feminisms explores the development and principles of black British women's plays and performance since the late Twentieth century. Using contemporary performance theory to explore key th
Staging Black Feminisms
Staging Black Feminisms
Death never used to be for the young’
debbie tucker green is the most high-profile Black British woman playwright of the first decade of the twenty-first century, with productions of her plays seen at mainstream London venues including Hampstead Theatre, Royal Court, Soho Theatre and Young Vic. Her innovative voice moves away from the explicit concerns with identity and diaspora of predecessors from the 1980s and 1990s, to address issues of global significance in the world today. The…
Black and Asian theatre in Britain
Black and Asian theatre in Britain: a history, by Colin Chambers, London, Routledge, 2011, 291 pp., ISBN 978-0-415-37598-6 Colin Chambers’ Black and Asian Theatre in Britain: A History adds to the
From mainstream theatres to Synergy theatre project
This paper compares how urban-themed black British playwriting can be understood within mainstream and applied theatre contexts. The paper first examines the focus of the mainstream theatre's education packs for productions of Kwame Kwei-Armah's Elmina's Kitchen and Roy Williams's Fallout before exploring how black men's participation in Synergy Theatre Project's productions of the same two plays at Her Majesty's Prison, Brixton impacts on partic…
Modern and Contemporary Black British Drama
Art (4 works) · Gender Studies (4 works) · Sociology (4 works) · Theatre and Performance Studies (4 works) · 20th century (3 works) · English drama (3 works) · English drama, history and criticism (3 works) · History (3 works) · History and criticism (3 works) · South Asian Cinema and Culture (3 works)