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Stefan Landsberger

Biographic Data

ID4508319
NAMEStefan Landsberger
GIVEN NAMESStefan
FAMILY NAMELandsberger
SIGNATURELANDSBERGER S
AFFILIATIONSLeiden University
ORCID0000-0001-9357-5310
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS21
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2022
H-INDEX3
  • Propaganda posters of China

    Stefan Landsberger•CHAPTER•2022

  • Collecting Chinese Propaganda Posters

    Stefan Landsberger•CHAPTER•Collecting Prints, Posters, and…•2020

  • Chinese Propaganda Posters

    Stefan Landsberger•BOOK•Chinese Propaganda Posters : from…•2020•Cited by: 5

    Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, sp…

  • "Revolutionärer Kitsch"

    Stefan R Landsberger, Stefan Landsberger•CHAPTER•Kitsch und Nation•2016

  • Revolutionärer Kitsch“

    Open Access•Stefan Landsberger•CHAPTER•Kitsch und Nation•2015

  • Chen Village

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2010

  • Harmony, Olympic Manners and Morals—Chinese Television and the 'New Propaganda' of Public Service Advertising

    Stefan Landsberger•ARTICLE•European Journal of East Asian…•2009•Cited by: 3

    Over the past three decades, Chinese media have moved away from the tight controls under which they were kept since 1949. This forced those responsible for popular education to reconsider how their messages can be presented best to the public. Written propaganda, as published in newspapers, reached less and less people and was seen as boring and ineffective; the propaganda posters of the past could not compete with the many moving images and the …

  • Biography of a Chairman Mao Badge

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2003

  • Picturing Power in the People's Republic of China

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2001•Cited by: 3

    This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the medium of the poster - a major component of popular print culture in China. Using 30 full colour and as many black-and-white reproductions of posters from the University of Westminster collection, an eminent group of scholars explores the discursive power of visual artforms in Chinese public life. The contributors provide an interdisciplinary anal…

  • Mao as the Kitchen God

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1996•Cited by: 7

  • The 1989 Student Demonstrations in Beijing

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989•Cited by: 1

  • After the 1989 Student Demonstrations

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989

  • International Reactions to the 1989 Events in China

    Open Access•Stepan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989

  • The China Association for Science and Technology

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1987•Cited by: 1

  • The Chinese Academy of Social Sciences

    Open Access•R Landsberger, Stefan Landsberger et al.•ARTICLE•China Information•1987•Cited by: 1

  • Key Institutions for Scientific and Technological Research (Part 1)

    Open Access•R Landsberger, Stefan Landsberger et al.•ARTICLE•China Information•1987•References: 1

  • China's Chemical Industry Needs Foreign Technology

    Open Access•Eduard B Vermeer, R Landsberger et al.•ARTICLE•China Information•1987

  • A Review of Dutch-Chinese Scientific Cooperation

    Open Access•Stefan Landsberger, S R Landsberger•ARTICLE•China Information•1986

  • Mao as the Kitchen God

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1996•Cited by: 7

  • Chinese Propaganda Posters

    Stefan Landsberger•BOOK•Chinese Propaganda Posters : from…•2020•Cited by: 5

    Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, sp…

  • Harmony, Olympic Manners and Morals—Chinese Television and the 'New Propaganda' of Public Service Advertising

    Stefan Landsberger•ARTICLE•European Journal of East Asian…•2009•Cited by: 3

    Over the past three decades, Chinese media have moved away from the tight controls under which they were kept since 1949. This forced those responsible for popular education to reconsider how their messages can be presented best to the public. Written propaganda, as published in newspapers, reached less and less people and was seen as boring and ineffective; the propaganda posters of the past could not compete with the many moving images and the …

  • Picturing Power in the People's Republic of China

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2001•Cited by: 3

    This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the medium of the poster - a major component of popular print culture in China. Using 30 full colour and as many black-and-white reproductions of posters from the University of Westminster collection, an eminent group of scholars explores the discursive power of visual artforms in Chinese public life. The contributors provide an interdisciplinary anal…

  • The 1989 Student Demonstrations in Beijing

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989•Cited by: 1

  • The China Association for Science and Technology

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1987•Cited by: 1

  • The Chinese Academy of Social Sciences

    Open Access•R Landsberger, Stefan Landsberger et al.•ARTICLE•China Information•1987•Cited by: 1

  • A Review of Dutch-Chinese Scientific Cooperation

    Open Access•Stefan Landsberger, S R Landsberger•ARTICLE•China Information•1986

  • The China Association for Science and Technology

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1987•Cited by: 1

  • The Chinese Academy of Social Sciences

    Open Access•R Landsberger, Stefan Landsberger et al.•ARTICLE•China Information•1987•Cited by: 1

  • Key Institutions for Scientific and Technological Research (Part 1)

    Open Access•R Landsberger, Stefan Landsberger et al.•ARTICLE•China Information•1987•References: 1

  • China's Chemical Industry Needs Foreign Technology

    Open Access•Eduard B Vermeer, R Landsberger et al.•ARTICLE•China Information•1987

  • The 1989 Student Demonstrations in Beijing

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989•Cited by: 1

  • After the 1989 Student Demonstrations

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989

  • International Reactions to the 1989 Events in China

    Open Access•Stepan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1989

  • Mao as the Kitchen God

    Open Access•Stefan R Landsberger, Stefan Landsberger•ARTICLE•China Information•1996•Cited by: 7

  • Picturing Power in the People's Republic of China

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2001•Cited by: 3

    This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the medium of the poster - a major component of popular print culture in China. Using 30 full colour and as many black-and-white reproductions of posters from the University of Westminster collection, an eminent group of scholars explores the discursive power of visual artforms in Chinese public life. The contributors provide an interdisciplinary anal…

  • Biography of a Chairman Mao Badge

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2003

  • Harmony, Olympic Manners and Morals—Chinese Television and the 'New Propaganda' of Public Service Advertising

    Stefan Landsberger•ARTICLE•European Journal of East Asian…•2009•Cited by: 3

    Over the past three decades, Chinese media have moved away from the tight controls under which they were kept since 1949. This forced those responsible for popular education to reconsider how their messages can be presented best to the public. Written propaganda, as published in newspapers, reached less and less people and was seen as boring and ineffective; the propaganda posters of the past could not compete with the many moving images and the …

  • Chen Village

    Stefan R Landsberger, Stefan Landsberger•ARTICLE•The China Journal•2010

  • Revolutionärer Kitsch“

    Open Access•Stefan Landsberger•CHAPTER•Kitsch und Nation•2015

  • "Revolutionärer Kitsch"

    Stefan R Landsberger, Stefan Landsberger•CHAPTER•Kitsch und Nation•2016

  • Collecting Chinese Propaganda Posters

    Stefan Landsberger•CHAPTER•Collecting Prints, Posters, and…•2020

  • Chinese Propaganda Posters

    Stefan Landsberger•BOOK•Chinese Propaganda Posters : from…•2020•Cited by: 5

    Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, sp…

  • Propaganda posters of China

    Stefan Landsberger•CHAPTER•2022

Political science (16 works) · China (10 works) · Law (8 works) · Law (7 works) · Sociology (7 works) · History (6 works) · Art (5 works) · History (5 works) · Media studies (5 works) · Aesthetics (4 works)

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