Fang-Chih Yang
Biographic Data
| ID | 4508370 |
|---|---|
| NAME | Fang-Chih Yang |
| GIVEN NAMES | Fang-Chih |
| FAMILY NAME | Yang |
| SIGNATURE | YANG F |
| AFFILIATIONS | University of Illinois Urbana-Champaign |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Indigenism as a project
This essay investigates how Arif Dirk’s works are interpreted in Taiwan through the lens of language politics and argues that postcolonialism, the dominant epistemology, has been central in mediating the translation and interpretation of his works. It traces back the debates in the 1990s over postcolonialism and points out that postcolonial cultural hybridity has been used as the “unquestioned truth” to maintain the colonizer’s language and disma…
The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan
Research Article| August 01 2018 The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan Fang-chih Irene Yang Fang-chih Irene Yang Search for other works by this author on: This Site Google boundary 2 (2018) 45 (3): 149–172. https://doi.org/10.1215/01903659-6915629 Cite Icon Cite Share Icon Share Facebook Twitter Email Permissions Search Site Citation Fang-chih Irene Yang; The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan. b…
Remediating Japanese Dramas
The Genrification of "Korean Drama" in Taiwan
This article demonstrates that the process of defining Korean drama as idol drama or Qiongyao drama with realist or melodramatic orientations by different agents for "self-aggrandizement" is embedded in gender and ethnic/class tensions as a result of postcolonial nation formation and globalization. The profit motive underscores the definition of Korean drama as idol drama, which is articulated through discourses of modernization, gender, nation b…
The history of popular music in Taiwan
(1994). The history of popular music in Taiwan. Popular Music and Society: Vol. 18, No. 3, pp. 53-66
A genre analysis of popular music in Taiwan
The Genrification of "Korean Drama" in Taiwan
This article demonstrates that the process of defining Korean drama as idol drama or Qiongyao drama with realist or melodramatic orientations by different agents for "self-aggrandizement" is embedded in gender and ethnic/class tensions as a result of postcolonial nation formation and globalization. The profit motive underscores the definition of Korean drama as idol drama, which is articulated through discourses of modernization, gender, nation b…
The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan
Research Article| August 01 2018 The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan Fang-chih Irene Yang Fang-chih Irene Yang Search for other works by this author on: This Site Google boundary 2 (2018) 45 (3): 149–172. https://doi.org/10.1215/01903659-6915629 Cite Icon Cite Share Icon Share Facebook Twitter Email Permissions Search Site Citation Fang-chih Irene Yang; The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan. b…
Indigenism as a project
This essay investigates how Arif Dirk’s works are interpreted in Taiwan through the lens of language politics and argues that postcolonialism, the dominant epistemology, has been central in mediating the translation and interpretation of his works. It traces back the debates in the 1990s over postcolonialism and points out that postcolonial cultural hybridity has been used as the “unquestioned truth” to maintain the colonizer’s language and disma…
The history of popular music in Taiwan
(1994). The history of popular music in Taiwan. Popular Music and Society: Vol. 18, No. 3, pp. 53-66
Remediating Japanese Dramas
A genre analysis of popular music in Taiwan
The history of popular music in Taiwan
(1994). The history of popular music in Taiwan. Popular Music and Society: Vol. 18, No. 3, pp. 53-66
The Genrification of "Korean Drama" in Taiwan
This article demonstrates that the process of defining Korean drama as idol drama or Qiongyao drama with realist or melodramatic orientations by different agents for "self-aggrandizement" is embedded in gender and ethnic/class tensions as a result of postcolonial nation formation and globalization. The profit motive underscores the definition of Korean drama as idol drama, which is articulated through discourses of modernization, gender, nation b…
Remediating Japanese Dramas
The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan
Research Article| August 01 2018 The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan Fang-chih Irene Yang Fang-chih Irene Yang Search for other works by this author on: This Site Google boundary 2 (2018) 45 (3): 149–172. https://doi.org/10.1215/01903659-6915629 Cite Icon Cite Share Icon Share Facebook Twitter Email Permissions Search Site Citation Fang-chih Irene Yang; The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan. b…
Indigenism as a project
This essay investigates how Arif Dirk’s works are interpreted in Taiwan through the lens of language politics and argues that postcolonialism, the dominant epistemology, has been central in mediating the translation and interpretation of his works. It traces back the debates in the 1990s over postcolonialism and points out that postcolonial cultural hybridity has been used as the “unquestioned truth” to maintain the colonizer’s language and disma…
Asian Culture and Media Studies (5 works) · Hong Kong and Taiwan Politics (5 works) · Art (4 works) · Japanese History and Culture (4 works) · Law (4 works) · Law (4 works) · Literature (4 works) · Political science (4 works) · Politics (4 works) · Sociology (4 works)