Eric M Nicholson
Biographic Data
| ID | 4511040 |
|---|---|
| NAME | Eric M Nicholson |
| GIVEN NAMES | Eric M |
| FAMILY NAME | Nicholson |
| SIGNATURE | NICHOLSON E M |
| AFFILIATIONS | Syracuse University |
| ORCID | 0000-0002-2217-0161 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy
Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Love in the Mirror
Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4
Sin and Fear
Sin and Fear
Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…
Towards world family housekeeping
The Conservation programme of the International Biological Programme (IBP)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Britain's Nature Reserves
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Britain's Nature Reserves
Britain's Nature Reserves
The Conservation programme of the International Biological Programme (IBP)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Towards world family housekeeping
Sin and Fear
Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…
Sin and Fear
Love in the Mirror
Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy
Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…
Sociology (5 works) · Art (4 works) · Geography (4 works) · History (4 works) · Computer Science (2 works) · Drama (2 works) · History (2 works) · History (2 works) · History and criticism (2 works) · Literature (2 works)