Alastair Phillips
Biographic Data
| ID | 4511599 |
|---|---|
| NAME | Alastair Phillips |
| GIVEN NAMES | Alastair |
| FAMILY NAME | Phillips |
| SIGNATURE | PHILLIPS A |
| AFFILIATIONS | University of Warwick |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
The French Road Movie: Space, Mobility, Identity
Japanese Cinema: Texts and Contexts
The Salary Man's Panic Time: Ozu Yasujiro's I Was Born, But... (1932) ALASTAIR PHILLIPS 2. All For Money: Mizoguchi Kenji's Osaka Elegy (1936) MORI TOSHIE 3. Turning Serious: Yamanaka Sadao's Humanity and Paper Balloons (1937) FREDA FREIBERG 4. Country Retreat: Shimizu Hiroshi's Ornamental Hairpin (1941) ALEXANDER JACOBY 5. The Riddle of the Vase: Ozu Yasujiro's Late Spring (1949) ABE MARK NORNES 6. History Through Cinema: Mizoguchi Kenji's The L…
The camera goes down the streets. Dans les rues (Victor Trivas, 1933) and the Paris of the German émigrés
Marcel Carné's important clarion call to 1930s French cinema 'to take the camera down the streets' was uniquely troubled by the arrival of waves of German émigré filmmakers in the French capital. This article uses one émigré film set in Paris, Dans les rues (Victor Trivas, 1933), as a case study to discuss both the place of the city and the place of the outsider in cinematic cultural representation during this decade. It argues that despite right…
The Underdraining of Farmland in England During the Nineteenth Century
Underdraining has been recognized as one of the major capital-intensive agricultural improvements of the nineteenth century. Over half the agricultural area of England is subject to waterlogging and is in need of some form of underdraining, rendering the improvement both technically and economically basic to much of English agriculture. By removing excess soil water, the object of underdraining was to reproduce as far as possible the conditions o…
Mossland Reclamation and Refuse Disposal in the Manchester area in the nineteenth century
Mossland reclamation is a distinctive feature in the formation of the English cultural landscape. Most mosslands were reclaimed purely for agricultural purposes. Manchester's growth in the later nineteenth century brought acute problems of refuse disposal. Carrington and Chat Mosses were acquired by Manchester Corporation for the dumping of that refuse. Between 1886 and 1910, the two mosses absorbed 20 per cent of all refuse. At the same time, bu…
Environment, Man and Economic Change
Fertilisants minéraux en France au XIXe siècle
Fertilisants minéraux en France au XIXe siècle
Environment, Man and Economic Change
Mossland Reclamation and Refuse Disposal in the Manchester area in the nineteenth century
Mossland reclamation is a distinctive feature in the formation of the English cultural landscape. Most mosslands were reclaimed purely for agricultural purposes. Manchester's growth in the later nineteenth century brought acute problems of refuse disposal. Carrington and Chat Mosses were acquired by Manchester Corporation for the dumping of that refuse. Between 1886 and 1910, the two mosses absorbed 20 per cent of all refuse. At the same time, bu…
The Underdraining of Farmland in England During the Nineteenth Century
Underdraining has been recognized as one of the major capital-intensive agricultural improvements of the nineteenth century. Over half the agricultural area of England is subject to waterlogging and is in need of some form of underdraining, rendering the improvement both technically and economically basic to much of English agriculture. By removing excess soil water, the object of underdraining was to reproduce as far as possible the conditions o…
The camera goes down the streets. Dans les rues (Victor Trivas, 1933) and the Paris of the German émigrés
Marcel Carné's important clarion call to 1930s French cinema 'to take the camera down the streets' was uniquely troubled by the arrival of waves of German émigré filmmakers in the French capital. This article uses one émigré film set in Paris, Dans les rues (Victor Trivas, 1933), as a case study to discuss both the place of the city and the place of the outsider in cinematic cultural representation during this decade. It argues that despite right…
Japanese Cinema: Texts and Contexts
The Salary Man's Panic Time: Ozu Yasujiro's I Was Born, But... (1932) ALASTAIR PHILLIPS 2. All For Money: Mizoguchi Kenji's Osaka Elegy (1936) MORI TOSHIE 3. Turning Serious: Yamanaka Sadao's Humanity and Paper Balloons (1937) FREDA FREIBERG 4. Country Retreat: Shimizu Hiroshi's Ornamental Hairpin (1941) ALEXANDER JACOBY 5. The Riddle of the Vase: Ozu Yasujiro's Late Spring (1949) ABE MARK NORNES 6. History Through Cinema: Mizoguchi Kenji's The L…
The French Road Movie: Space, Mobility, Identity
Art (4 works) · Geography (3 works) · History (3 works) · Political science (3 works) · Archaeology (2 works) · Art history (2 works) · Capital (architecture) (2 works) · Economic geography (2 works) · Economics (2 works) · French Historical and Cultural Studies (2 works)