Stefan Popescu
Biographic Data
| ID | 4512237 |
|---|---|
| NAME | Stefan Popescu |
| GIVEN NAMES | Stefan |
| FAMILY NAME | Popescu |
| SIGNATURE | POPESCU S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1905 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Letter from the Guest Editors
This special issue of the Journal of Asia-Pacific Pop Culture is based on a conference we convened in 2019 entitled “Inhuman Screens.” The conference explored cinema, social media, and emerging technologies, as well as concerns related to posthumanism; and will continue to explore these themes in future iterations. We were lucky enough to have keynotes from Adrian Martin and Jack Sargeant, who have contributed to this issue. We also included appr…
Festival director's report
The Sydney Underground Film Festival (commonly known as SUFF) was conceived by Katherine Berger and myself, with the inaugural festival taking place in 2007. How do you go about building a festival of marginal cinema in today's cinematic climate? What strategies did we use to develop our community and audience? What was the significance of the partnerships we formed across the film, education and business sectors to form and engage the local comm…
British Trade
No prominent works on this page.
British Trade
Festival director's report
The Sydney Underground Film Festival (commonly known as SUFF) was conceived by Katherine Berger and myself, with the inaugural festival taking place in 2007. How do you go about building a festival of marginal cinema in today's cinematic climate? What strategies did we use to develop our community and audience? What was the significance of the partnerships we formed across the film, education and business sectors to form and engage the local comm…
Letter from the Guest Editors
This special issue of the Journal of Asia-Pacific Pop Culture is based on a conference we convened in 2019 entitled “Inhuman Screens.” The conference explored cinema, social media, and emerging technologies, as well as concerns related to posthumanism; and will continue to explore these themes in future iterations. We were lucky enough to have keynotes from Adrian Martin and Jack Sargeant, who have contributed to this issue. We also included appr…
Art (2 works) · History (2 works) · Media studies (2 works) · Movie theater (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Cinema and Media Studies (1 work)