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Valerie Monthland Preston-Dunlop

Biographic Data

ID4514787
NAMEValerie Monthland Preston-Dunlop
GIVEN NAMESValerie Monthland
FAMILY NAMEPreston-Dunlop
SIGNATUREPRESTON-DUNLOP V M
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2011
H-INDEX1
  • In Memoriam

    Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop•ARTICLE•Dance Chronicle•2011

  • Gained in Translation

    Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop et al.•ARTICLE•Dance Chronicle•2011•Cited by: 2

    Valerie Preston-Dunlop and Lesley-Anne Sayers, from Trinity Laban Conservatoire of Music and Dance in London, recently recreated very different dance works from the 1920s. In this article they discuss the value of recreation as creative practice and the discoveries they have made regarding "lost" works, for example, Rudolf Laban's Die Grünen Clowns (Green Clowns) and Nacht (Night) and Sergei Prokofiev, Georgi Yakoulov, and Léonide Massine's colla…

  • Rudolf Laban

    Claudia Jeschke, Valerie Preston-Dunlop et al.•ARTICLE•Dance Research•2000

    A visionary, a mystic, a lover, a leader. Ru dolf Laban was all these things and more. This book tells th e story of his life, a life bound up with the political, soc ial and cultural upheavals that formed the turbulent backdro p of modern Europe

  • Point of Departure

    David Henshaw, Valerie Preston-Dunlop et al.•ARTICLE•Dance Research•1986

  • Choreutic Concepts and Practice

    Open Access•Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop•ARTICLE•Dance Research•1983

    Rudolf Laban's original choreutic1 concepts are too complex, in both his practice and his writings, to be usable for the analysis of contemporary choreography in the form in which he left them. The central hypothesis of this research is that a broadening, disintegration and reassembling of his material provides a rich resource. When seen in context with the spatial practice of other dance artists, teachers and theorists, it is possible to conceiv…

  • Gained in Translation

    Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop et al.•ARTICLE•Dance Chronicle•2011•Cited by: 2

    Valerie Preston-Dunlop and Lesley-Anne Sayers, from Trinity Laban Conservatoire of Music and Dance in London, recently recreated very different dance works from the 1920s. In this article they discuss the value of recreation as creative practice and the discoveries they have made regarding "lost" works, for example, Rudolf Laban's Die Grünen Clowns (Green Clowns) and Nacht (Night) and Sergei Prokofiev, Georgi Yakoulov, and Léonide Massine's colla…

  • Choreutic Concepts and Practice

    Open Access•Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop•ARTICLE•Dance Research•1983

    Rudolf Laban's original choreutic1 concepts are too complex, in both his practice and his writings, to be usable for the analysis of contemporary choreography in the form in which he left them. The central hypothesis of this research is that a broadening, disintegration and reassembling of his material provides a rich resource. When seen in context with the spatial practice of other dance artists, teachers and theorists, it is possible to conceiv…

  • Point of Departure

    David Henshaw, Valerie Preston-Dunlop et al.•ARTICLE•Dance Research•1986

  • Rudolf Laban

    Claudia Jeschke, Valerie Preston-Dunlop et al.•ARTICLE•Dance Research•2000

    A visionary, a mystic, a lover, a leader. Ru dolf Laban was all these things and more. This book tells th e story of his life, a life bound up with the political, soc ial and cultural upheavals that formed the turbulent backdro p of modern Europe

  • In Memoriam

    Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop•ARTICLE•Dance Chronicle•2011

  • Gained in Translation

    Valerie Preston-Dunlop, Valerie Monthland Preston-Dunlop et al.•ARTICLE•Dance Chronicle•2011•Cited by: 2

    Valerie Preston-Dunlop and Lesley-Anne Sayers, from Trinity Laban Conservatoire of Music and Dance in London, recently recreated very different dance works from the 1920s. In this article they discuss the value of recreation as creative practice and the discoveries they have made regarding "lost" works, for example, Rudolf Laban's Die Grünen Clowns (Green Clowns) and Nacht (Night) and Sergei Prokofiev, Georgi Yakoulov, and Léonide Massine's colla…

Art (5 works) · Art history (4 works) · Visual arts (4 works) · Aesthetics (1 work) · Computer Science (1 work) · Diversity and Impact of Dance (1 work) · Emile Durkheim and Sociology (1 work) · Geometry (1 work) · History of Medical Practice (1 work) · International Law and Aviation (1 work)

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