Ernest Francisco Fenollosa
Biographic Data
| ID | 4514827 |
|---|---|
| NAME | Ernest Francisco Fenollosa |
| GIVEN NAMES | Ernest Francisco |
| FAMILY NAME | Fenollosa |
| SIGNATURE | FENOLLOSA E F |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1901 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
From The Chinese Written Character as a Medium for Poetry
List of Illustrations ix Conventions xi Preface xiii Fenollosa Compounded: A Discrimination Haun Saussy 1 The Chinese Written Character as a Medium for Poetry: An Ars Poetica Ernest Fenollosa, with a Foreword and Notes by Ezra Pound (1918, 1936) 41 Appendix: With Some Notes by a Very Ignorant Man Ezra Pound 61 The Chinese Written Language as a Medium for Poetry Ernest Fenollosa (final draft , ca. 1906, with Pound's notes, 1914-16) 75 Synopsis of …
The Chinese Written Character as a Medium for Poetry
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But prev…
The Classic Noh Theatre of Japan
Fifteen of the most celebrated plays of the Noh theatre repertory are given here in their entirety and five more are presented in synopsis. The translations are grounded in a critical discussion of the Noh theatre, its history and place in the court life of Japan, a description of the stage on which it is performed, its music, costumes, and masks, and the dance which is usually the high point of the performance. Both Pound and Fenollosa discuss t…
Epochs of Chinese and Japanese Art
Notes on the Japanese Lyric Drama
No prominent works on this page.
Notes on the Japanese Lyric Drama
Epochs of Chinese and Japanese Art
The Classic Noh Theatre of Japan
Fifteen of the most celebrated plays of the Noh theatre repertory are given here in their entirety and five more are presented in synopsis. The translations are grounded in a critical discussion of the Noh theatre, its history and place in the court life of Japan, a description of the stage on which it is performed, its music, costumes, and masks, and the dance which is usually the high point of the performance. Both Pound and Fenollosa discuss t…
The Chinese Written Character as a Medium for Poetry
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But prev…
From The Chinese Written Character as a Medium for Poetry
List of Illustrations ix Conventions xi Preface xiii Fenollosa Compounded: A Discrimination Haun Saussy 1 The Chinese Written Character as a Medium for Poetry: An Ars Poetica Ernest Fenollosa, with a Foreword and Notes by Ezra Pound (1918, 1936) 41 Appendix: With Some Notes by a Very Ignorant Man Ezra Pound 61 The Chinese Written Language as a Medium for Poetry Ernest Fenollosa (final draft , ca. 1906, with Pound's notes, 1914-16) 75 Synopsis of …
Art (5 works) · History (3 works) · Japanese History and Culture (3 works) · Literature (3 works) · Asian Culture and Media Studies (2 works) · Character (mathematics) (2 works) · Chinese history and philosophy (2 works) · Geometry (2 works) · Linguistics (2 works) · Mathematics (2 works)