Eugene O’neill
Biographic Data
| ID | 4514917 |
|---|---|
| NAME | Eugene O’neill |
| GIVEN NAMES | Eugene |
| FAMILY NAME | O’neill |
| SIGNATURE | O’NEILL E |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1941 |
| LATEST PUBLICATION YEAR | 1992 |
| H-INDEX | 1 |
A Moon for the Misbegotten
Eugene O’Neill offers a very detailed description of the setting for A Moon for the Misbegotten. He describes a clapboard (timber) house that imposes itself upon the Connecticut landscape. It is run down and uncared for. Its poverty is made clear in the detail of missing windowpanes, peeling and jaded paintwork and a tarred and papered roof to an extension. In theatrical translation it is clear that the playwright envisions a traditional end on s…
Staging O'Neill
Strange Interlude
A Touch of the Poet
The Hairy Ape
Eugene O'Neill at Work
Eugene O'Neill
Mourning Becomes Electra
Mourning Becomes Electra
Aeschylus, the Creator of Tragedy
Aeschylus, the Creator of Tragedy
Mourning Becomes Electra
Mourning Becomes Electra
Eugene O'Neill
Eugene O'Neill at Work
The Hairy Ape
Staging O'Neill
Strange Interlude
A Touch of the Poet
A Moon for the Misbegotten
Eugene O’Neill offers a very detailed description of the setting for A Moon for the Misbegotten. He describes a clapboard (timber) house that imposes itself upon the Connecticut landscape. It is run down and uncared for. Its poverty is made clear in the detail of missing windowpanes, peeling and jaded paintwork and a tarred and papered roof to an extension. In theatrical translation it is clear that the playwright envisions a traditional end on s…
Art (9 works) · Cultural Studies and Interdisciplinary Research (4 works) · Theatre and Performance Studies (4 works) · Classical Antiquity Studies (3 works) · History (3 works) · History (3 works) · Engineering (2 works) · Aesthetics (1 work) · Arch (1 work) · Archaeology (1 work)